The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the Society for Artistic Research. The RC is free to use for artists and researchers. It serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be an open space for experimentation and exchange.

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Research results of the Royal Conservatoire in The Hague (2025) Royal Conservatoire in The Hague
Here you can browse the archive of research expositions. This includes: - Research projects of all master students. - Publications by the lectorates. - Research by staff members.
open exposition
CAD+SR Residency \ Un-Writing Nature (2025) Ali Williams
Center for Art Design + Social Research Un-Writing Nature Spoleto, Italy
open exposition
Aural Skills and Improvisation: a teaching and learning guide (2025) Karst de Jong
This exposition is a guide for students and teachers alike on the methodical approach of the subject Aural Skills and Improvisation.
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The Recorded Body 1 (2025) Ryan Evans
The Recorded Body is a process-based sound art project about bodily iteration and interdependence. It uses participatory performance and embodied listening techniques to explore the following questions: How do we recognize each other's bodies? What is contained by the body, and what is outside its bounds? When does a body need or necessitate other bodies?
open exposition
A Note on the Stigmata of Disbelief (2025) Tolga Theo Yalur
The right to have or not to have a religion is a basic human right. Ensuring disbelievers have the same and equal rights with all the citizens of the world – with or without a particular religious inclination – would require globalized legal and cultural structures.
open exposition
ideally, the biryani that brings us all together (2025) Saniya Jafri
This Exposition is a brief ironic comment on the ongoing degradation, commodification, and colonisation of food and its many dimensions — recipes, ingredients, context — and a reflection on the territorial definitions that shape identity, in this case of South Asians and the Global South, once bound together as a people and still united in the brieftopian world of the Author’s Greatest Biryani: an amalgamative dish of political and cultural reproductions, drenched in time, where old and new contest identity. Through a conversational, autoethnographic lens, the exposition blends historical, colonial, and territorial reflections, using Biryani as both departure point and metaphor for shared identity and dislocation. Visual collages — archival, familial, and sourced — act as probes connecting memory, culture, and belonging. Ultimately, the work offers the Author’s Greatest Biryani as a living document of generational knowledge and a utopian gesture, inviting both insiders and outsiders to gather around a dish transcending borders and time.
open exposition

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