The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the
Society for Artistic Research. The RC is free to use for artists and
researchers. It
serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be
an open space for experimentation and exchange.
recent activities <>
DIVING INTO STRAVINSKY SEA: a personal insight on selected works
(2025)
Corrado Cerutti
An analitical overview over some key works from Stravinsky with the goal of selecting few elements that can help my compositional journey.
Traces and Paths Towards Singularly-Plural Companionships
(2025)
Fulya Uçanok
This exposition emerged from my participation in the second interval of the Simultaneous Arrivals (Simularr) Artistic Research Project—a research project inviting international artist-researchers to explore relational, situated, and process-based inquiries in dialogue with core researchers. Core researchers: Nayari Castillo, Hanns Holger Rutz, Franziska Hederer, and Daniele Pozzi. For the second interval, the visual artist and researcher Elena Radaelli and I were invited as visiting artist-researchers. (More information on Simultaneous Arrivals: https://simularr.net/about/)
The exposition presents my process during the residency, i.e. my Traces and Paths Towards a Singularly-Plural Companionships.
The eight-week residency (3 March-30 April 2024) took place across three sites: Graz (Austria); Lecce, San Cesario (Italy); and Klagenfurt (Austria). The exposition traces this journey through various mediums, including texts, graphics, video and audio material experiments, field encounters, and theoretical companions. My processes, are informed and shaped by my companion collaborators—human (research-creation companions), more-than-human, textual, and material—who co-inform and co-create the unfolding of the research.
Tracing Noise in Butterfly Hips
(2025)
Miguelangel Clerc Parada
This retrospective study examines past collaborations between composer Miguelangel Clerc Parada and choreographer Pedro Goucha Gomes, using the choreography Butterfly Hips as a focal point. Noise is approached as an analytical tool to investigate interdisciplinary methods within the collaboration. The study aims to trace relationships between actants as streams of information, meaning, and physical or sensory elements. It questions whether emergent instances of noise can be identified through the mapping of these relationships.
This exposition is part of my retrospective research for the project "Problematizing Interdisciplinary Performance through Noise", developed within the CORPoREAL research group at the Royal Conservatory of Antwerp.
