The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the
Society for Artistic Research. The RC is free to use for artists and
researchers. It
serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be
an open space for experimentation and exchange.
recent activities
The first impression on your skin
(2024)
Anna Andrejew
An eco-feminist perspective on photography
Our vision has untapped, forgotten or perhaps undervalued potentials. These potentials lie within what I would like to coin “the peripheral gaze”. It is at the outskirts and at those distant horizons that I believe great insights lie. It is the gaze of interconnected matter.
At the level of matter we are all equal: everyone and everything consists of matter. Looking with a “peripheral gaze” means seeing which materials are co-performing the image and seeing the ecological interconnections.
Synthetic and natural voice: An inquiry into sensing and perceiving vocality
(2024)
Lawrence McGuire
This project tackles the issue of describing, composing, and perceiving vocality in a synthetic context, highlighting an experiential approach to the perception of a vocal signal. The research primarily focuses
on the idea of fusions of sounds, particularly fusions between synthetic and natural voice, where the
resulting quality enriches a vocal experience through the ambiguities and multiplicities it brings forth.
Design choices and aesthetical considerations of a computer program for vocal synthesis are then
discussed in relation to my own approaches to vocal composition.
recent publications
Coalesce
(2024)
Laura Adel
Interactive environment based on Kinect Azure sensor where the participant draws shapes of his body. When the time passes, the frozen still images of their movemnt go higer.
The Tacit Knowledge of Claudio Monteverdi
(2024)
Johannes Boer
Dissertation Leiden University 2024
Johannes Boer
Registration and the annotated libretto of the 2018 opera production
LA TRAGEDIA DI CLAUDIO M
Contextualisation of this opera in both historical as well as epistemological sense.