The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the
Society for Artistic Research. The RC is free to use for artists and
researchers. It
serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be
an open space for experimentation and exchange.
recent activities
Exhibition Curation | Transart London Residency 2025
(2025)
Ali Williams
Development of Curatorial Guidelines for the Transart Residency Exhibition at London's Borough Road Gallery in July 2025.
The Anthologies Assembly, London 2025, extends a call for proposals for a vibrant, student-guided convergence of research inquiry and creative exploration. Building upon the inaugural assembly, participants are encouraged to embrace "research-based creative practice" as a means of knowledge generation where diverse disciplines intersect and boundaries blur. We welcome proposals that illuminate PhD research, including nascent "works-in-progress," emphasizing the value of ongoing inquiry. Guided by student feedback expressing both a desire for grounding in practice and community as well as exceptional moments that inspire, we aim to create spaces for genuine encounters and shared learning, where participants leave with lasting impressions on research and creative endeavors that continue to spark curiosity throughout the year.
Our curatorial framework centers on the concept of investigation, as both a rigorous pursuit and an introspective exploration. Drawing from its etymological roots, we conceive of investigation as a tracing towards something no longer present—a turning-towards truths hidden or lost in time; and a nuanced examination of practices, be they social, political, or personal.
VIS submission and editorial process
(2025)
VIS – Nordic Journal for Artistic Research
VIS – Nordic Journal for Artistic Research is a digital journal about Artistic Research in the Nordic region. Find our website here: www.en.visjournal.nu.
This exposition provides more details concerning:
1. VIS – the submission process
2. VIS – the editorial process
3. FAQs
recent publications
Halo of Shame
(2025)
Dler Mariam Dalo
Språktap er en vanlig konsekvens av okkupasjon, fordriving og flukt. I Halo of Shame utforsker Shwan Dler Qaradaki hvordan den politiske undertrykkelsen av kurdisk – hans morsmål - har formet hans kunstneriske praksis. Med inspirasjon fra både vestlig klassisk kunst og islamsk miniatyrkunst skaper han et visuelt uttrykk som balanserer mellom øst og vest, fortid og nåtid, objekt og subjekt. Gjennom dette arbeidet utvikler han et dekolonialt bildespråk som kan romme de komplekse lagene av identitet, erfaring og motstand.
Veiledere:
Tiril Schrøder: 2021-2025
Merete Røstad: 2021-2023
Ane Hjort Guttu: 2023-2025
Web disegner: Ellen Palmeira
Bilder, video, tekst og tegninger: Shwan Dler Qaradaki
reconstruction i-v (2015-2023) - a series of works on industry and music
(2025)
Lene Grenager
reconstruction i-v is a series of works I have been working on for almost a decade. The works take about 2 hours and 40 minutes to perform and explore the dismantling of industry, machines as part of people's intimate lives, and the musical potential of industrial machines and industrial sounds. I use embroidered scores, video and audio files as well as sewing machines and conventional acoustic instruments.
In this exposition I present the works and the process of making them. reconstruction i-v was performed in full by Alpaca Ensemble during ARW in Trondheim 2024.
As long as the Sun lasts
(2025)
Erica Bardi
As Long as the Sun lasts was published in 2025 in form of artist book in collaboration with Chippendale Studio. It is a research about comets' behaviour and their capacity of switching on and off in relation to their proximity to the Sun, transforming themselves from cold asteroids into luminous objects with their comas and tails. So I started looking for comets in my daily reality, investigating a connection between me and them, building a narrative on several temporal and physical levels. I began by observing comets as cold, rocky objects until their transformation into luminous bodies, recreating them with objects from my everyday life, trying to identify with them during their journey towards the Sun.