Research Catalogue

Focaris parte de la conexión entre el fuego y el hogar como espacios de encuentro, protección y transformación. La obra se desarrolla a través de un diálogo entre la expresión individual y el encuentro colectivo, representado por la reunión en torno a una mesa o una hoguera. Cada bailarín expresa su "fuego interno" en solos apoyados por el grupo, generando conexiones y contrastes a través de la coreografía. La narrativa de la obra está construida bajo la estructura del teatro griego, donde el coro acompaña, enfatiza y dialoga con las acciones individuales. La accesibilidad está integrada en la dramaturgia, transformando la LSC, la audiodescripción y los elementos visuales en recursos estéticos. El papel, como material escénico, simboliza la metamorfosis del fuego: puede ser plegado, roto, iluminado y animado, representando los diferentes estados de la llama y la transmisión de energía. A través de la combinación de movimiento, sonido y visualidad, Focaris no solo busca ser una experiencia sensorial envolvente, sino también un espacio de inclusión donde cada espectador, independiente de sus capacidades sensoriales, pueda conectar con la obra de manera autónoma y significativa.

In this exhibition the concept of responsibility is linked to performance art through the analysis of the performative installation Las guerras púdicas (2019).

Esta web es producto digital del proyecto Narración gráfica, laboratorio de objetos, cartografía digital y mediaciones en experiencias con comunidades de artistas migrantes, registrado con Cód. 10160180521 proyecto institucionalizado sin financiamiento del Centro de Investigaciones y Desarrollo Científico - CIDC de la Universidad Distrital Francisco José de Caldas. Hace parte del proceso metodológico de desarrollo de la tesis doctoral Narración Gráfica de Experiencias: Intercambios en Imágenes de migración. Con la realización del proyecto, se busca incentivar el uso de la narración gráfica como proceso horizontal que permite relatar y revisar la importancia que tienen las prácticas artísticas de las comunidades en la construcción de tejido social. La propuesta de mediación artística se visibiliza como una estrategia colaborativa que permite el diálogo y el intercambio. El trabajo se inscribe y contribuye a las apuestas del Grupo de investigación para la creación artística y de la Línea de investigación en: Estudios críticos de las corporeidades, las sensibilidades y las performatividades. Adscritos al doctorado en estudios artísticos de la Universidad Distrital Francisco José de Caldas.

Data Ocean Theatre (D.O.T.) is a four-year artistic research project that explores the intersection of myths, Western theatre memory, new media, digital animism, climate emergency, sea and ocean transformations, queer subcultures, and technological mutations in relation to aspects of “submersion” as a contemporary living condition. Expanding on the claimed unsustainability of Western theatre’s anthropocentric foundations, D.O.T. examines how the notion and practice of the stage transform amidst climate urgency, technological hypergrowth, and discipline-fluid hybridization. It seeks to generate experiments on a new temporal ecology of the stage, examining how theatre-making infrastructures might transition within a multi-agential dynamic of emergence. D.O.T. appears, disappears, and reappears through a series of polymorphic artworks and research affordances based on the ecodramaturgical consideration of the simultaneous phenomenon of 1. the rising sea and ocean levels, 2. the exponential growth of big data in our informational age, and 3. the emotional overload caused by the latter two happening, projection, and prophecy. D.O.T. explores inherited sea-and-ocean-oriented myths and revisits theatre plays with a marine backdrop, looking simultaneously into contemporary nautical vocabulary and sea imagery used as metaphors for computational realities. D.O.T. proposes to re-mythologise Western theatre foundations by forming an alternative pantheon for a queer, hydrofeminist, and technoanimist reset of the “tragic,” at the interplay between a syncretic marine mythology and the ambiguities of “technology-as-monster” narratives. In D.O.T. project, the forces and fragilities of transforming marine ecosystems intersect with algorithmic-conditioned life and crossbreeding of diverse art disciplines and research fields based on collaborations, generating imaginary prototypes for future societal constructions in the floods. D.O.T. is structured around several key components: the prologue Simultaneous Environments, featuring a series of experimental works; the central project Tragedy and the Goddexxes, which culminates in three public exhibitions; and a series of workshops, residencies, and a final publication in the form of an exposition on the Research Catalogue. This final publication of the DATA OCEAN THEATRE postdoctoral artistic research project (2021–2024) titled 'DATA OCEAN THEATRE (OUT OF THE BLUE); A Discipline-Fluid Postdoctoral Artistic Research Project Exposition' performs on the Research Catalogue as both an aesthetico-epistemic object in its own right and as an a posteriori account, or catalogue raisonné, of the project. It also acts as a supplement to the author's doctoral publication, Reacclimating the Stage (Skenomorphoses), completing the latter to form a diptych on the Research Catalogue. Similar to the doctoral publication, the non-linear, non-hierarchical, and non-chronological reading, or hyper-reading, of Data Ocean Theatre (Out of the Blue) invites its visitors to navigate freely and compose their own fluid, archipelagic, and tidal experience to make sense of the project as a whole.

Intellectual landscape in mathematics, quantum mechanics and physics, philosophy of science, and other fields. Henri Poincaré's mathematical insights and Albert Einstein's seminal thought experiments opened the door to understanding the most fundamental aspects of physical reality, from the subatomic realm of particles and fields to the largest galactic superclusters and the origin of the universe itself. The pioneering work of Poincaré and Einstein in the early 20th century fundamentally changed our understanding of the universe, calling into question long-held ideas about space, time, and the very core of reality. Epicurus’ groundbreaking reflection in these fields influence the fields of applied mathematics today, profoundly shaping the scientific understanding of the solid forms that make up the universe.

Quantum methods, based on differential equations, proved invaluable for many applications, ranging from building complex machines to mapping the motions of celestial objects. They represent a decisive advance in humanity's ability to understand and quantify the multi-dimensional reality. Epicurus’ groundbreaking reflection in these fields influence the fields of applied mathematics today, profoundly shaping the scientific understanding of the solid forms that make up the universe.