The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the
Society for Artistic Research. The RC is free to use for artists and
researchers. It
serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be
an open space for experimentation and exchange.
recent activities
Performative paradigm for businesses
(2025)
Lorena Croceri
The concept of performativity applied to liminal transformations because creative business mentoring needs more depth.
Creatives, researchers and innovatives entrepreneurs do not fit into certain cathegories so they need a well grounded paradigm that can be differentiated both from rationalistics approaches and spiritual ones.
LGP Performative method
(2025)
Lorena Croceri
Art-therapy & business guidance for creative entrepreneurs ready to break shame, detach from limiting contexts and become their XXL selves. Contextual art.
SELF as OTHER, or: Speaking aut*
(2025)
Brab, Annan
We, Anna N. and Barb/Brab, started an exchange of thoughts about the meaning of "aut" – as in aut/istic and aut/oimmune.
We are interested in what it means to live as auts, to write about it in regard to everydaily life, in regard to the medical discourses about autism and autoimmunity, and in regard to the view of the "others", the not-auts.
In the context of language-based artistic research we seek to develop practices that allow for investigating the meaning of aut on different levels of our existence.
* (Speaking out and at the same time speaking as auts, but also speaking in a language called "aut")
recent publications
Free Improvisation As a Connection Tool: Searching For Technical Proficiency, Reconnection and Creativity in Flute Practice
(2025)
Elisa Bartolome Gomez
The pursuit of perfection and the pressure to continually progress often overshadow the intrinsic joy and freedom that initially drew musicians to their profession. After a negative experience within my studies, I wanted to rediscover the essence of music-making through the lens of a specific tool: free improvisation.
The research is driven by an autoethnographic approach where I focus on a specific angle within the broader topic of free improvisation: exploring how incorporating this tool affects the different parts of flute playing by putting the focus on how it can make us connect with our instrument, be more aware of our playing, of our body and to expand our creativity and imagination.
Adopting a qualitative methodology, this research includes an exhaustive literature review, a journal on my reflections in collaborative sessions with a professional on the field and a data analysis of the survey answers by both professionals and students connected with this tool.
Through immersive sessions conducted by Anne La Berge, I was guided across the possibilities of this tool. These are captured in a field journal where I reflect on topics as body awareness, skill development, creativity and motivational shifts triggered by the improvisational process in my own experience.
Additionally, the insights collected from the questionnaires bring different points of view in the matter, offering diverse experiences and valuable perspectives.
In summary, this study highlights the potential of free improvisation as a tool for reconnection, self-discovery and artistic growth as a flute player.
Spinozist Mode of Symptomatics
(2025)
Tolga Theo Yalur
Psychoanalysis was meant to be a revolution in the centuries after B. de Spinoza’s work. What is interesting in his view for the psychoanalytic theory is how the human experience of the unusual feeling and joy could be approached. The irruption of these feelings is closely connected to symptomatics in psychoanalysis. Symptomatics of the unusual in language and discursive representation in the analytic experience of, say, Sigmund Freud’s couch was a mode of materialization of the feeling. Imagined from the outside world, the characteristic of repression is always an effect of finding an expression.
La Religion d’Économie Mondiale
(2025)
Tolga Theo Yalur
Les forces religieuses, politiques, culturelles et économiques influencent le monde moderne. Il s’agit de conflits et d’antagonies bien réels, idéologiquement chargés, qui déchirent le monde dans un contexte de formes virulentes de polarisation idéologique, de nationalisme de droite et de fondamentalisme religieux.