The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the
Society for Artistic Research. The RC is free to use for artists and
researchers. It
serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be
an open space for experimentation and exchange.
recent activities
Evolution
(2024)
Zoe Panagiota (aka Betty) Nigianni
"New ideas might be conceived and developed more rapidly in disciplines that are more abstract.
The inductive methods of experimental innovators in painting makes their enterprise resemble the more empirical disciplines considered by psychologists, while the deductive approach of the conceptual innovators makes theirs resemble the more abstract disciplines."
David W. Galenson, "The Life Cycles of Modern Artists", NBER Working Paper Series, 2003.
My use of the diagram and the image aims to convey the simple message that art strives for evolution; meaning to strengthen the mind, to research capabilities, to communicate a disinterested, though not necessarily apolitical, view of social changes, to overcome banality and offer an alternative way of looking at the world.
recent publications
The Group Who Loved to Draw a Flag
(2024)
Riki Stollar
Thesis / Research Document of the Royal Academy of Art, The Hague, 2023.
Master Artistic Research (MAR).
Designed by Faina Faigin
Reflecting on personal experiences of being part of some groups and excluded from others makes me wonder how we connect when we are already clinging. Communities can be either chosen or forced, or both, which raises questions about how these bonds are formed and when we no longer belong.
The Dreaming Archaeologist
(2024)
Athina Koumela
Thesis / Research Document of the Royal Academy of Art, The Hague, 2024. - MA Artistic Research
This thesis is a fiction-based text which attempts to answer to the research question of how can art and archaeology contribute to the blending of the fictitious with the real, which has direct consequences on our understanding of (art) history.
Editorial
(2024)
FabrÃcio Fava, Filipa Cruz, Maria Manuela Bronze da Rocha, Orlando Vieira Francisco
For its Issue #2, HUB continues to develop work along the lines of artistic research, focusing its attention on multiple creative practices and the transversality of the processes explored. Marking one year since the launch of Issue 0, HUB is committed to the Research Catalogue platform and ways of exploring and viewing multimedia material that can do justice to the dynamics between content and reading and browsing modes.