The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the
Society for Artistic Research. The RC is free to use for artists and
researchers. It
serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be
an open space for experimentation and exchange.
recent activities <>
Rhythmic Music Conservatory
(2024)
Rhythmic Music Conservatory
This is the landing page for Rhythmic Music Conservatory's portal on Research Catalogue.
LANGUAGE-BASED ARTISTIC RESEARCH (SPECIAL INTEREST GROUP)
(2024)
Emma Cocker, Alexander Damianisch, Lena Séraphin, Cordula Daus
Conceived and co-organised by Emma Cocker, Alexander Damianisch, Cordula Daus and Lena Séraphin, this Society of Artistic Research Special Interest Group (SAR SIG) provides contexts for coming together via the exchange of language-based research. The intent is to support developments in the field of expanded language-based practices by inviting attention, time and space for enabling understanding of/and via these practices anew.
SOUNDING OUT the SOUND of OUD
(2024)
DMA
Documentation of preliminary steps and collection of musical material and related reflections during the first Term of the Master's Program in Improvisation and World Music.
December 2022
recent publications <>
Coalesce [coalesce_unpublished - 2024-11-01 09:33]
(2024)
Laura Adel
Interactive environment based on Kinect Azure sensor where the participant draws shapes of his body. When the time passes, the frozen still images of their movemnt go higer.
Coalesce
(2024)
Laura Adel
Interactive environment based on Kinect Azure sensor where the participant draws shapes of his body. When the time passes, the frozen still images of their movemnt go higer.
The Tacit Knowledge of Claudio Monteverdi
(2024)
Johannes Boer
Dissertation Leiden University 2024
Johannes Boer
Registration and the annotated libretto of the 2018 opera production
LA TRAGEDIA DI CLAUDIO M
Contextualisation of this opera in both historical as well as epistemological sense.
