Research Catalogue

The wind tunnel of Transdisciplinarity Research Focus at the Zurich University of the Arts, ZHdK, in Switzerland runs artistic experiments since 2013. Video footage from 2018 onwards is logged here according to different cameras used. For more information see: http://www.zhdk.ch/en/fspt http://blog.zhdk.ch/windkanal http://windtunnelbulletin.zhdk.ch http://modulus.zhdk.ch https://www.researchcatalogue.net/view/56777/56778

[Hyper]drawing is a research project. Hyperdrawing is an opportunity for [fine art] drawing practice. This Research Catalogue exposition documents ongoing research into Hyperdrawing: Hyperdrawing is an ambiguous practice. Hyperdrawing adopts a position, a perspective or viewpoint, that a lack of definition should be embraced and that ambiguity presents an opportunity. Hyperdrawing has the capacity to enable and sustain drawing practices.

This exposition serves as an archive for the project "Meetings with Remarkable and Unremarkable Trees", where Annette Arlander spends time with specific trees and poses for camera together with them. The exposition is under construction

Άφρικα: A Certain Kind of Freedom is pivoting on artistic exploration and re-interpretation of a 'difficult' recent past. In part soundwalk, in part performance art, in part punk archaeology, in part getting lost in the dark; the work is a nocturnal rumination bringing together historical bewilderedness with first-person embodied experience of a place. The artist leads a night walk towards and inwards Agios Achillios island in Small Prespa Lake in Greece – near the borders of Albania, and North Macedonia – and back. En route, the walking audience is exposed to wildlife sounds and animal vocalisations, to orchestrated drama, and to historical records directly or indirectly concerning the broader geographical area and its significance during the Greek civil war.

In Provenir del porvenir Urbano hovers through the fields of sociology, archaeology and philosophy while reflecting on the different mediations of the work: the guided tour, the performance lecture and the video essay. The exposition is based on a speculative artistic-historiographic project where the artist, in the context and aesthetics of the Museum of History, connects her own genealogy with the North. The investigation is a response to recurrent question to people of color living in Scandinavia: “Where do you come from?” This question leads to an epistemological enquire, discussing the limits of knowledge production on a scientific basis versus knowledge production on an artistic basis.

[SCHOOL] Thesis / Research Document of the Royal Academy of Art, The Hague, 2024. [DEPARTMENT ] BA Interactive Media Design [SUMMERY] How can one unravel their relationship with a void through exploring their personal experience and knowledge of emptiness? Starting from the long lost frustration and unfulfillment for the inner void that I entail and wanting to define and understand what this void is and gain safety and peace in mind with it. By unraveling the complicated knot of the relationship between human and inner void, looking into different experiences of “missing” in my personal life and knowledge of emptiness, such as Korean cultural background, Language gap in translation, Definition of “Home”, Ambivalence in emotion, Moon jar, Clay and The connection in everything.