The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the
Society for Artistic Research. The RC is free to use for artists and
researchers. It
serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be
an open space for experimentation and exchange.
recent activities <>
CARCEREIRA II
(2024)
Ivan Santos Ferreira, Ana Beatriz Pinheiro Oliveira, Matilde Marques Moutinho da Costa Vinagre, Fabbio Augusto Savioli da Silva, Inês Juliana Silva Moura, Oceane Lourenco Ribeiro
Modo de trabalhar no projeto coletivo na plataforma RC: Owner do projeto de grupo é o Ivan, todos os outros são co-autores.
BAIRRO DA BOUÇA II
(2024)
Carolina Monteiro Henriques da Cunha, Duarte Nuno da Silva Amaral, Guilherme Baby Ferreira, Pedro Mesquita Martins, Matilde Simões Ribeiro Marques Oliveira, Mariana Pinto Afonso
Modo de trabalhar no projeto coletivo na plataforma RC: Owner do projeto de grupo é a Carolina, todos os outros são co-autores.
Bom SUCESSO II
(2024)
Rodrigo Manuel Pereira Gomes Machado da Encarnação, Simão Pedro Vicente de Sousa Alves
Modo de trabalhar no projeto coletivo na plataforma RC: Owner do projeto de grupo é o Rodrigo, todos os outros são co-autores.
recent publications <>
Customized Realities
(2024)
Sorin
Thesis / Research Document of the Royal Academy of Art, The Hague, 2023.
Bachelor Interactive Media Design
In this paper I aim to reveal the influence of echo chambers and the use of echo chambers as a potential tool used as a defense mechanism by the emergent artificial intelligence. We also look at the impact of such defense against our social construct and the availability of genuine human interaction in a world that is
mostly digitally connected then physically .
We investigate in this thesis some contemporary ideas
about our current situation and or potential solution to pop up the bubble of i-reality, a term I used to refer to when thinking about customized reality bubble surrounding every digitally active person.
My research journey starts with reminding us why we do
this research, what is the urgency, and then delving into historical facts and researching contemporary or historical views, analyzing the algorithmic world of social networking and the surprising results
of digital isolation in tiny echo-chambers.
Thus , my research led to several conclusions of how we
might be able to pop up the i-reality bubble and change the grim potential outcome of a world dominated by synthetic life to a world in which we human can cohabitate with a potential self aware synthetic
life .
Swan Screed egg God
(2024)
Nicole Ross
Koninklijke Academie van Beeldende Kunsten
Thesis / Research document of the Royal Academy of Art, The Hague 2024
MA Artistic Research
A search for the special through oil electric and sentimental.
India/Germany: the Story of a Little Girl from India and Germany
(2024)
Jessica Varghese
Thesis / Research Document of the Royal Academy of Art, The Hague, 2024
Interactive/Media/Design (I/M/D)
As a child, moving from India to Germany changed the way I looked at and was perceived by society around me. Dancing between the extremes of complete integration and complete rejection of the culture, I found myself struggling with my sense of identity and belonging.
By using TV and stories and other forms of media I was able to learn about my second culture and maintain my first culture. Looking through the lens of entertainment media I consumed throughout my childhood as well as the changes in narrative unfolding before my eyes as I grew up I started to wonder: How did the media I consumed shape my view of the world around me and the way that others perceived me? How much of that media had good/bad POC representation? How much of it was specifically South Indian? How much of it could I relate to?
