The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the
Society for Artistic Research. The RC is free to use for artists and
researchers. It
serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be
an open space for experimentation and exchange.
recent activities <>
Unburying, from Liminals, Emerging: into the microtonal prepared piano
(2024)
matt A choboter
My research stems from the curiosity of moving beyond the fixed pitches of western tuning and into a sound continuum of extended sound possibilities.
I ask questions like: can an acoustic grand piano be completely sonically-reimagined? why should western ears continue to be so accustomed to only one tuning system? In contrast, can “pure sounds” meet ethnically diverse microtonal tuning constellations? Can a newly invented tuning system dialogue with magnetic preparations to evoke timbral effects from Balinese Gamelan or Indian classical music? Collectively, how can this new instrument merge with spatialization and electronics to create embodied experiences for audiences? And how can all these elements be harnessed within a liminal psychological narrative?
SAO VITOR II
(2024)
Antonio Freitas, Beatriz Domingues, Camila Silva, Maria da Conceição Magalhães Barbosa, Tiago Daniel Quintas Correia, Sara Maria Veloso Mesquita
Modo de trabalhar no projeto coletivo na plataforma RC: Autor do projeto de grupo é o António, todos os outros são co-autores.
DUQUE DE SALDANHA
(2024)
Luís Bouça, Telma Luísa da Silva Carreira, Duarte Sousa, Maria Guedes, Carolina Andrade, António Leite
Esta Exposition é o espaço coletivo do grupo de Duque de Saldanha no segundo semestre.
recent publications <>
Seanergy - Digital Underwater Art Gallery
(2024)
Michal Lovecky
Seanergy Underwater Art Gallery is a digital space that integrates ocean-themed art with technology. It focuses on the co-design of digital experiences with raw nature to foster a genuine connection with the marine environment. This research is my starting point for exploring strategies for incorporating nature into the design process of digital experiences, aiming to enhance engagement and promote environmental stewardship.
Co-poiesis: redefining our relationship with the world through filmmaking
(2024)
Yasmin Henra van Dorp
The research question that motivates this study is: what insights can be drawn from collaborative filmmaking that can illuminate new pathways for interacting with the world around us?
Against the backdrop of contemporary societal and environmental divisions, this artistic research explores ways for redefining relationships, both human and nonhuman, through the lens of the philosophical framework of co-poiesis. Using a practice-led research methodology based on the collaborative process of the short documentary "The Spectacle" this study explores how collaborative practice and sensory engagement can serve as a reflective tool, illuminating our relational dynamics and perceptual interactions with each other and our environment.
