Research Catalogue

My research stems from the curiosity of moving beyond the fixed pitches of western tuning and into a sound continuum of extended sound possibilities. I ask questions like: can an acoustic grand piano be completely sonically-reimagined? why should western ears continue to be so accustomed to only one tuning system? In contrast, can “pure sounds” meet ethnically diverse microtonal tuning constellations? Can a newly invented tuning system dialogue with magnetic preparations to evoke timbral effects from Balinese Gamelan or Indian classical music? Collectively, how can this new instrument merge with spatialization and electronics to create embodied experiences for audiences? And how can all these elements be harnessed within a liminal psychological narrative?

Modo de trabalhar no projeto coletivo na plataforma RC: Autor do projeto de grupo é o António, todos os outros são co-autores.

Esta Exposition é o espaço coletivo do grupo de Duque de Saldanha no segundo semestre.

Rasmus Albertsen is interviewed by Rasmus Albertsen about his film stop-motion animated film: "The Holy Mushroom". The text reflects on Albertsens thoughts about his proces: writing the story, creating the characters and the scenography. Furthermore it's about imperfect animation, nostalgia and archetypes.

How do you find a balance between the fun spark of creativity versus practicality and productivity, so that you can realize your ideas? Through examining the insight learned during the process of making an animated short film, this paper explores how to protect the creative spark and tackle some practicalities though a creative process.

The Past is Rotting in the Future: Exploring the Aesthetics of Absence in Daily Life, embarks on an exploration of absence within the human daily life, examining its manifestation through relations, processes, and objects. It seeks to understand how absence is not merely a void but a significant presence that shapes perception, memory, and imagination. Through a multi-disciplinary approach that integrates personal narrative with academic writing, this research investigates the ways in which absence is performed, textured, and materialized. Central to the thesis is how photography, as both a personal and artistic practice, serves as a critical medium for discussing and visualizing absence, navigating through personal experiences of loss, and broader philosophical questions about how absence influences and constitutes our understanding of the world.