Research Catalogue

The aim of this PD project is to bring artists and citizens together with each other and their environment, and collectively explore how the wordless voice can be a means of communication. Artists leading this project bring understanding from the multiple fields in which they are working – music, theatre, visual arts, and circus. In addition to the collective exploration of connection, the objective is to propose a methodology (which combines and develops from a range of existing methods and is provisionally termed “Resonant Cycles”) and investigate if it can have a transformative impact on the subjectivities of the individual participants. The project involves interventions in the field of performing arts with the goal of modeling less language-dependent and more inclusive, sensory-rich experiences of cross-disciplinary creation and performance. It invites a holistic and immersive experience of performing arts that brings the physical voice to the forefront and prompts reflection on the essence and meaning of vocal sound regardless of language, and the way that sound itself functions as a means of communication.

Brera Academy of Fine Arts announces the international seminar Theories and practices of contemporary artistic research: a transdisciplinary approach. The event marks the launch of the project IartNET - an international platform for artistic research and cultural heritage in Higher Education in the Arts and Music,funded by NextGenerationEU and coordinated by Nicoletta Leonardi. Following the establishment of doctoral programs at Italian higher arts education institutions in 2024, the seminar addresses artistic research from a transdisciplinary perspective across different genres and media, responding to the need for discussions and exchange on ideas, methodologies, and practices of artistic research at an international level.

Documentación sobre la investigación artística de ConCuerpos en el 2023 en torno a la Accesibilidad Universal en Danza, llamada Cancionero para la Ausencia.

Utdrag fra samtale med Kristian Balke og Stine Marie Olaussen fra SKANSKA på befaring av Østre Aker vei 25.

This article concerns “absolute void” as an impossible notion to describe via a reductionist approach, whose irreducible relativity emerges from efforts to imagine it – from the CERN laboratories to the artworks at MoMA. Science teaches correlations among things, not things themselves. For this, with photography and artworks, the article reflects in detail on objectivity, multivariate universes, minding the time that brings exclusive universes into the same framework, conceiving an infinite intelligence, an artificial consciousness to see things in that time.

The art of Raoul Servais is concerned with the most serious criticisms of 1968 and looks for the freedom and justice that humans pursue, touch a lot of areas and contexts from religion to science, mythology to science fiction, psychology to culture: authoritarian regimes that eliminate science; armies trying to sweep colors from the world; executives trying to share the body of a dead mermaid; filmmakers trying to be faster than their shadows; bosses who incorporate hippies' colorful ideas into their own benefits; 'super powers' that invite people to religion with theocratic gas bombs. Consumption, technology, authority, unhappiness and lost meaning woven with commodity values.