Research Catalogue

The purpose of this exposition is to collect data of what Performative Theology can be and become primarily within an academic research but also beyond. The expo will be a timespace nurtured by members the Network for Performative Theology, established 6 October 2022 in Oslo.

This artistic research explores the creative transformation of the electromagnetic spectrum into visual language, particularly gamma rays. Continuing the previous part of my research developed during my Master's thesis at RUFA, Rome, Italy (2023), the present-day work expands the focus from gamma radiation to a broader engagement with the electromagnetic spectrum. When I started working on these pieces, I did not want to limit the work to a purely scientific explanation of the phenomenon. That approach felt too limited for what I was trying to express. I used colors, rhythm, and space for form in each work. Gamma rays serve as a starting point for considering transformation and inner strength. Works such as "New gamma-ray burst with a white hole," "Visible," and "Mariotti" merge scientific ideas with symbolic narratives. I have based this work on scientific sources and my experience. I also followed my intuition while examining the relationship between radiation physics and neuroaesthetics. Ultimately, this evolving work demonstrates how artwork can reframe scientific principles. It presents an aesthetic strategy for perceiving the imperceptible. Aim This artistic research explores how the full range of the electromagnetic spectrum, which includes both seen and invisible frequencies such as gamma rays, microwaves, and radio waves, can be translated into visual form through modern-day blended media practices. Rather than illustrating scientific concepts in a didactic manner, the project seeks to evoke electromagnetic energy's perceptual, emotional, and symbolic dimensions. The study aspires to provide a new creative framework for engaging with unseen forces that structure each herbal phenomenon and internal human state by integrating material experimentation, digital techniques, and theoretical insights from neuroaesthetics, physics, and human psychology.

The PD Arts + Creative Symposium takes place at LocHal in Tilburg (NL) on 20 June 2025. This year’s symposium will highlight the programme’s multidisciplinary character by zooming in on the diverse fields of practice that its researchers operate in, connect to, and impact. It asks where, how, and with whom does the PD-research resonate? And what is the contribution of artistic and creative research to societal challenges?

Interested in how photographs are constituted, this exposition situates itself in between materialities of photography to discover how photographs are actualized. Using photography as artistic research practice, it uncovers how matters, sounds, bodies, and machines intra-act within the practice of photography. The inquiry challenges the bifurcation between the outside/inside of the frame, rather it emphasizes its fluid nature. It delves into the cosmogenesis of a photograph exploring the multiple folds and transformations in actualizing a photograph revealing the intricate and dynamic assemblages of humans and non-humans from the outside folding with the inside. Thinking with Gilles Deleuze's concept of the Folds, the exposition was able to surface layers upon layers of bodily and material folds that trouble the traditional notion of photographs as images separated from the outside. In the middle of its messiness, the exposition was able to develop an Applique technique as a method of knowing that emerges from this artistic research practice. What came out are layers of images that describe photography as performative movement of matters and bodies, a metamorphosis of infinite images while navigating the rich culture of Vietnam’s Hanoi capital.

AS this is an informal tale, restating my master’s studies. AS I was in the midst of a Uturn, entering formal art education, my hopes and expectations were unclear but deeply felt. AS ever, I feel compelled to question, review, examine some more. AS every question gives an indication to the inner world of the questioner. AS if I want to know if there is a pattern or a path? AS a collector I have documented, framed and reflected with words and stored. As curators act I showcase my creative learning journey.

The artistic research project Creative (Mis)Understandings: Methodologies of Inspiration is a collaboration between sound makers / compoers / performers from an indigenous community in Taiwan (Tao on Lanyu/Orchid island) and from Europe. There is a high urgency to transform traditional songs into new artisttic forms, creating new ways of forwarding important traditional knowledge to the next generations. This collaboration also sheds a different light on the question, what it means to create something "new" in the eurpopean context.