Section A material:

• Rhythmic modulations. Mallets combining slap sound and soft bass marimba sound. Interaction with the electronic "Blobs"
• Soft start

Section B material.

• Rythmical playing in 3 bright registers Pitch shifter effect (Pluggo by cycling74)) Intense and fast playing
• Electronic friction sounds between and during the playing

Section C material:

• Tremolos, chords, arpeggios, dissonances Slow development to active playing, including electronic "Blobs"
• Free feeling, playing with modules and electronic effects

Section D:

• long notes with ornamentation.
• a lot of reverb

Mostly learned from audio files made by Peter Tornquist

Friction section:

• improvise on the gun shell
• friction sounds, abrupt electronic effects

• New final section August 07:
  
  Improvise freely using tremolosRhytmical patterns on one tone Bass register with bowSand paperBright bells Voice Interact with the tape Chorus,reverb with the teabox sensors
• Learned by interacting with the audio background

Performing in Lindemannsalen at "pen uke" November 2007. New beginning and end section. New midi controllers: finger trigger and Sl remote from ReMote., and the Yamaha footboard.We used SIMPLER for working with long samles and filters and IMPULSE to play short samples and filtering them live.

I also sampled live from the midi instruments and from the marimba.

Performing at Slemmestad kirke November 2007. New ellements: Better time on the improvisations. more focus on the transformations between sections were the goal. Used the blowing controll from Infusion systems and the joystick from Logitech 3D extreme for the first time.