bibliography
Andermann, J., Blackmore, L., Morell, D.C. (2018) eds. NATURA - Environmental Aesthetics After Landscape. Zürich: diaphanes
Arns, I. (2015) ed. World of Matter, Berlin: Sternberg Publishers
Barad, K. (2014). Diffracting Diffraction: Cutting Together-Apart. https://www.tandfonline.com/doi/abs/10.1080/13534645.2014.927623 last time accessed 19.03.2021
Barad, K. (2010). Quantum Entanglements and Hauntological Relations of Inheritance: Dis/continuities, SpaceTime Enfoldings, and Justice-to-Come, in Derrida Today 3.2. https://www.euppublishing.com/doi/abs/10.3366/drt.2010.0206 last time accessed 19.03.2021
Bergaust, K., Smite, R., Silina, D. (2020) eds. Oslofjord Ecologies – Artistic Research on Environmental and Social Sustainability, Renewable Futures, issue 3/ Acoustic Space (18), RIXC Center for New Media Culture: Riga (Latvia) and OsloMet: Oslo (Norway)
Biemann, U. (2003) ed. Stuff it - the video essay in the digital age. Zürich: Edition Voldemeer
Birnbaum, D. and Wallenstein, S.-O. (2019). Spacing Philosophy: Lyotard and the Idea of the Exhibition. Berlin: Sternberg Press
Blume, E., Felix, M., Knapstein, G. and Nichols., C (2015) eds. Black Mountain 1933-1957 - an interdisciplinary experiment. Leipzig: Spector Books
Bryon-Wilson, J. (2013) ed. Robert Morris - October files 15. Cambridge: The MIT Press
Christov-Bakargiev, C. (2012). The dance was very frenetic, lively, rattling, clanging, rolling, contorted, and lasted for a long time, in The Book of Books - dOCUMENTA(13)
Cocker, E. (2010). The Restless Line, Drawing, in Hyperdrawing: Beyond the Lines of Contemporary Art, (eds.) russell Marshall and Phil Sawdon, (I. B. Tauris, 2010)
Coole, D. and Frost, S. (2010) eds. New Materialisms - Ontologies, Agency and Politics. London: Duke University Press
DeLanda, M. (1998). deleuze and the open-ended becoming of the world. http://www.cddc.vt.edu/host/delanda/pages/becoming.htm last time accessed 19.03.2021
Deleuze, G. (1988). Spinoza: Practical Philosophy. San Francisco: City Lights Books
Dolphijn, R. and van derTuin, I. (2012). New Materialism: Interviews & Cartographies. Open Humanities Press
Dziewior, Y. (2011) ed, Harun Farocki. Soft Montages/ Weiche Montagen. Kunsthaus Bregenz
Fischer-Lichte, E. (2004). Ästhetik des Performativen. Frankfurt: Suhrkamp
Gansterer, N., Cocker, E., Greil, M. (2017). Choreo-graphic Figures: deviations from the Line. DeGruyter. see also https://www.researchcatalogue.net/view/132472/132473 last time accessed 19.03.2021
Groener, F. and Kandler, R.-M. (1987) eds. 7000 Eichen – Joseph Beuys. Köln: Verlag der Buchhandlung König
Guattari, F. (2000). The Three Ecologies. London: The Athlone Press
Haraway, D. (1988). Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective, in Feminist Studies 14(3), 575-599, https://www.jstor.org/stable/3178066 last time accessed 19.03.2021
Indergaard, M. (2010). Tang og tare - i hovedsak norske brunalger: Forekomster, forskning og anvendelse. rev.mai 2011, private manuscript
Kohn, E. (2013). How Forests Think: Toward an Anthropology Beyond the Human. Berkeley: University of California Press
Kunst, B. (2014). Performance, in Künstlerische Forschung. Ein Handbuch, Badura, J., Dubach, S., Haarmann, A. eds, Zürich: Diaphanes
Latour, B. (2005). From Realpolitik to Dingpolitik or How to Make Things Public, Making Things Public, Latour, B. and Weibel, P. eds. Cambridge (MA): MIT Press
Latour, B. (2004). Why has Critique Run out of Steam? From Matters of Fact to Matters of Concern, in Critical Inquiry 30, The University of Chicago
Latour, B. (2004). The Politics of Nature. Cambridge (MA): Harvard University Press
Latour, B. (1993). We have never been modern. Cambridge (MA): Harvard University Press
Latour, B. and Woolgar, S. (1986). Laboratory Life: The Construction of Scientific Facts. New Jersey, United States: Princeton University Press
Leigh Star, S. and Griesemer, J.R. (1989). Institutional Ecology, ‘Translations’ and Boundary Objects: Amateurs and Professionals in Berkley’s Museum of Vertebrate Zoology,1907-39, http://www.jstor.org/stable/285080 last time accessed 19.03.2021
Mackay, R., Pendrell, L., Trafford, J. (2014) eds. Introduction. Speculative Aesthetics. Falmouth: Urbanomic Media LTD
Massumi, B. (2016). Working Principles, in The Go-to How to Book of Anarchiving, Montreal: The Senselab
McLuhan, M. and Fiore,Q. (1967/1996). The Medium is the Massage. London: Penguin Books
Mersch, D. (2015), Epistemologien des Ästhetischen. Zürich-Berlin: diaphanes
Methi, H., Cahoon, N., Wolfsberger, A. (2020) eds. The Kelp Congress, Svolvær (Norway): NNKS Press
Morgan, S. (2006). Joan Jonas: I Want to Live in the Country (and Other Romances). London: Afterall Publishing
Oberender, T. and Rosenberger, A. (2018) eds. Philippe Parreno: Gropius Bau Sommer 2018, Köln: Verlag Walther König
O'Doherty, B. (1999), Inside the White Cube. The Ideology of the Gallery Space. University of California Press
Puig de la Bellacasa, M. (2017). Matters of Care. Minneapolis: University of Minnesota Press
Rickli, H. (2014). Experimentieren, in Künstlerische Forschung. Ein Handbuch, Badura, J., Dubach, S., Haarmann, A. eds, Zürich-Hamburg: diaphanes
Schmidt-Burkhardt, A. (2017). Die Kunst der Diagrammatik. Bielefeld: transcript Verlag
Scott, E.E. and Biemann, U. (2019). Mobilizing Materialities, in Kockelkorn, A. and Zschocke, N. eds., Productive Universals - Specific Situations. Berlin: Sternberg Press
Sekula, A. (1995/2002). Fish Story. Düsseldorf: Richter Verlag
Sekula, A. (1984). Photography Against The Grain: Essays and Photo Works 1973-1983. Halifax: The Press of the Nova Scotia College of Art and Design
Stafford, B.M. (2007). Echo Objects: The Cognitive Work of Images. The University of Chicago Press
Önen, N. (2019). Essay Film as a Dialogical Form, JOMEC Journal 13: ‘Dialogue and Communication in Film’, 93-103, https://doi.org/10.18573/jomec.188 last time accessed 19.03.2021
von Hantelmann, D. (2012). Notes on an Exhibition, in The Book of Books - dOCUMENTA(13)
Wernberger, T. et al (2019) Status and Trends for the World’s Kelp forests, in World Seas: an Environmental Evaluation, Edition II, p.57-78, Publisher: Elsevier
Witzgall, S. and Kerstin Stakemeier (2014) eds. Macht des Materials/ Politik der Materialität. Zürich-Berlin: diaphanes
Witzgall, S. (2020). ‘Eine Art des Seins in der Welt’, Relationale Onto-Epistemologien in Kunst und Theorie der Gegenwart, in Hybride Ökologien. Kesting, M., Muhle, M., Nachtigall, J.; Witzgall, S. eds. Zürich-Berlin: diaphanes
Art&Research, Volume2 No1 (2008), on Jacques Rancière