The  decline of choreography and its movement: a body's (path)way

paz

This doctoral artistic research project (Doctoral Thesis) addresses the possibility of a dance withdrawn from that neoliberal scheme according to which self-performance, entrepreneurship and the production of subjectivity rule. Taking as a starting point the dissident corporealities that have emerged in the last fifty years in Western contemporary experimental dance; the project involves aesthetic, philosophical and socio-political perspectives, carried out on choreographic, performative, textual, audiovisual, curatorial and discursive media. This documented artistic research project (Doctoral Thesis) consists of three inter-related parts: first it invites the reader to see the performance's video "ECLIPSE: MUNDO". Afterwards, the reader is invited to read the book "To Dance in the Age of No-Future" and get a context regarding the rest of the audiovisual materials located on the same website. The exposed materials are displayed as an “essay written form” understood in the Spanish or French sense of the Latin word "ensayo / répétition" and its associated meanings such as try-out, rehearsal, practice, study, preparation and experimentation. To this end, the materials show an ongoing migration of concepts, practices and tools, through analogous forms, equivalences and contrasts that invite to see this project's genealogies and continuous iterations in formats such as video, testimonies, audios, scores, tool descriptions and images. Accordingly, it is the reader who –by viewing, listening to and reading these materials– can trace the diverse kinetic, political, aesthetic, discursive and conceptual layers linked to the practices and presentation formats specific to this doctoral research project since its beginning. About this Doctoral Artistic Research Project In late capitalism dance's commitment with the future (or its lack thereof) must find alliances with potentiality and nothingness. This is not a nihilistic affirmation, but an attempt to enable an interval: a dance whose value has to be apprehended there, where it is already happening. Kafka said that "one might have a goal, but not a pathway". The pathway involves a decisive cognition such that cannot be carried out without one becoming the path itself; without defying so to speak, the relationship of the dancer with dance itself. It is not about what the dancer can do, say or communicate in respect to dance, but what dance accounts for in itself. In modern's kinetic exhaustion, the latter is possible approaching dance as a presence-in-crisis. The semantic field of the word "crisis" and its associated words, –critical judgment, decision and separation–, defines the moment when something or someone has somehow one foot outside. The moment when one realizes that it is not the world that ends, but the linguistic constructions and the reality systems that had made sense until then. This proposal tries to embody that gap. It tries to reveal the somatic, kinetic, political and aesthetic implications whereby to dance on a limit that is both inaugural and terminal. Decisive. Although “deciding” will always be not knowing what will happen. It is a dance that, although it does not seem to mean anything, it does something. The moment at which dance let's go of being a product (a goal), to become a deposition. "Deposition" is a word that includes both, an abandonment and a position. At the same time, to take on a position implies a becoming: the (path)way through which the dancer coincides with dance's conditions. The moment at which the dancer abandons any intention to communicate, to propose or to interpret dance, to carry out kinetically and perceptually the non-significant, ephemeral, ineffable and impersonal conditions that dance implies as a presence-in-crisis. In short, the coincidence “dancer : dance” implies taking into account an experience of dance freedom that is fugitive. In the theatre apparatus it involves a dancing which ―by lacking recognizable aims, signs and subjects― gives way to an aesthetic paradigm which is not be construed as a particular kind of thing (a performance, a type of dancer, a subject, or even a social or artistic process), but rather as a gap's embodied experimentation. A threshold, a curve. A parenthesis. An eclipse. A void: the encounter with something which doesn't need to be produced, because it is already happening.

Credits

Documented Artistic Research Project (Doctoral Thesis):

The decline of choreography and its movement: a body´s (path)way

Author: Paz Rojo

Affiliation: Stockholm University of the Arts, Stockholm (Sweden)

Project's Supervisors: Goran Sergej Pristaš (2013-2016); Chrysa Parkinson (2017-2019); Victoria Pérez Royo (2017-2019)

Registration: X-position nr.5ISSN: 2002-603X;5

Team Exposition Project

Concept Design: Paz Rojo

Editors: Paz Rojo, Emilio Tomé

Layout Web & Montage Video-Graphic Materials:Emilio Tomé

Layout Portfolio Doctoral Research: Jessica Romo

Layout ECLIPSE:MUNDO' Score: Ricardo Santana

Translations: Diego Agulló; Antonio Jiménez Morato;Nuria Rodriguez Riestra; Paz Rojo

Proof Reader: Churchill Wheeler

Audio-Visual Materials Exposition Project

Videos Laboratories: Emilio Tomé (Pro-Series, Impulstanz, within the context of A piece...together?, Vienna 2011); Cristian Duarte (LOTE # 1 & #2, São Paulo 2012, 2013); Emilio Tomé (What can a body do? La Casa Encendida, Madrid 2014); Fernando Frías (Festival 4x4, CCE Centro Cultural de España, Mexico City 2016); Tristan García Pérez (Sporá, La Caldera, Barcelona 2018); Paz Rojo (Rehearsals ECLIPSE:MUNDO, Madrid 2018); Daniel Carretero (Rehearsals ECLIPSE:MUNDO, Barcelona 2019).

Videos Performance Experiments: Joseba Moso (Inaugural action); Cristian Duarte (Yes we can not, a pre-formance in the era of con-fusion & The Gerries by Gerry);Osmar Zampieri (We think we like that).

Video Solos: Jônia Guimaraes (Whatever moving like this); Marta Blanco (Parliament).

Video Curatorial Experiment:PKMN.

Promo Images Solos & Curatorial Experiment & Festival: Emilio Tomé.

Photos Curatorial Experiment: Paulina Chamorro.

Photos Solos: Jônia Guimarães, María Eguizábal, Efthymia Zymvra/Ana Costales.

Photos Laboratories: Tristan García Pérez (Sporá, La Caldera, Barcelona 2018); Emilio Tomé (Festival What can a body do? La casa Encendida, Madrid 2014); Azahara Ubera Biedma (MOVLAB, Madrid 2014); Bruno Freire (Encounter-Situation LOTE #2, São Paulo 2013); Cristian Duarte (LOTE #1, São Paulo 2012); Øomo Πadarka Orbra (International Summer Dance School TsEKh, Moscow 2011).

Involved Participants Materials Exposition Project

Curatorial Experiment Testimonies written by: David Pérez (A play, at play), Paulina Chamorro (Leaving the figure vacant_what if we let go of being [artists]?).

Interview Testimony made by: Pablo Caruana in the context of SISMO, Festival de Artes In-Situ (Madrid 2011). With: David León, Ana Rojo, Ana Sánchez, Ricardo Santana, Ancor Lujan, Noelia García Baz, Marta Llorente, Fran J. Macias, Owen Clay, Nuria Anton, Paz Rojo, Miguel Buzeta, Maite Esteban.

Audio-Testimony: Rodrigo Andreolli, Amelia Uzategui Bonilla, Svetlana Grigorjeva, Anneliese Ostertag, Susanne Schneider, Katelyn Skelley, Zrinka Uzbinec, Gry Tingskog, Li Lorian, Johanne Schroeder, Nastya Dzyban, Ida Daniel, Esther Poppe, Barbara Carvalho, Diana De Fex, Juan Urbina. Made in the context of seminar at MA CoDE, Contemporary Dance Education, HfMDK & MA CuP, Choreography and Performance, Uni Giessen (Frankfurt, 2019).

Involved Participants in Laboratories' Videos: Arantxa Martínez, Oihana Altube, Ricardo Santana, Jaime Llopis, Paz Rojo (rehearsals Eclipse:Mundo, Madrid 2018); Annabella Pareja Robinson, María Hacha, Sara Gómez, Layla Tafur, Julia Rubies, Álvaro Frutos (Laboratory in the context of Sporá, La Caldera, Barcelona 2018); María Berns, María Cerdá Acebrón, Paola Andrea Tafur Quijano, Raquel Martínez, Rebeca Camilleri, Ricardo Rodríguez, Teresa Santiago, Uriel Isaac Palma Torres, Valeria Castrejón, Víctor Del Moral Rivera, Yunuén Mejía, Ana Sierra, Paula Fraga, Otoniel Hidalgo, Karla Suárez, Joshua Dalo, Leonor Mal, Juan Fran Maldonado, Ariadna Castro, Fernando Frías, Bárbara Foulkes, Brenda Reyes, César Granados, Daniel Montiel, Emiliano Cabrera, Engelbert Ortega, Karina Terán, Tayde Subeldía, Lorena López Aguado, Denisse Salazar, Elvira Aguilar Navarrete, Tania Alejandra Tovar Rodriguez (Laboratory in the context of Festival 4x4 at CCE Centro Cultural de España, Mexico City, 2016); Chris Casarin, Juliana Debonis, Clarissa Rêgo, Clarissa Sacchelli, Daniel Barra, Gabriela Alcofra, Isabel Monteiro, Isabella Gonçalves, Cristian Duarte, Joana Ferraz, Julia Aissa, Juliana França, Juliana Santos, Larissa Ballarotti, Sofia Tsirakis, Tomás Monteiro, Aline Bonamin, Júlia Rocha Mello Gonçalves, Sheila Arêas, Alexandre Magno, Aline Bonamin, Bruno Levorin, Bruno Freire, Carolina Mendonça, Clarice Lima, Cristian Duarte, Daniel Fagundes, Eros Valério, Fernando Belfiore, Leandro Berton, Rodrigo Andreolli, Sheila Arêas and Tarina Quelho (Encounter-Situation LOTE # 2 at Casa do Povo, São Paulo 2013); Elisa Arteta, Lu Chieregati, María Escobar, Mira Jo Hirtz, Claudia Andrea Fuentes Brito, Lila Insúa Lintridis, Ibon Salvador, Brigit Glocker, Luisa Castro, Janet Parra Orrego, Fernando Gandasegui, Fernanda Orazi, Rolando San Martin, Jodie Judy Lu, Ignacio de Antonio, Camila Marambio, Camila Tellez, Ainhoa Hernández (Laboratory in the context of the festival What can a body do? La Casa Encendida, Madrid 2014); David León, Ana Rojo, Ana Sánchez, Ricardo Santana, Ancor Lujan, Noelia García Baz, Marta Llorente, Fran J. Macias, Owen Clay, Nuria Anton, Miguel Buzeta, Maite Esteban (Laboratory in the context of performance experiment Acción Inaugural, Madrid 2011); Rodrigo Andreolli. Lerna Babikyan, Fernando Belfiore, Antonella D‘Ascenzi, Cristian Duarte, Lucie Germon, Regina Picker, Paz Rojo, Olga Vavilova, Noemi Viana Garcia (Pro-Series, Impulstanz, Vienna 2011).

Written Testimonies: Ricardo Santana (Madrid 2011, 2012, 2019), Arantxa Martínez (Madrid 2019), Oihana Altube (Madrid 2011, 2019), Jaime Llopis (Brussels & Madrid 2013, 2019), Juan Urbina (2019), Bárbara Foulkes (Mexico City, 2016), Annabella Pareja Robinson (Mexico City & Barcelona 2016, 2019), María Hacha (Barcelona, 2018) Sara Gómez (Barcelona, 2018), Layla Tafur (Granada & Barcelona 2017, 2018), Julia Rubies (Barcelona, 2018),Leyla Postalcioglu (Estambul 2014), Manon Siv Violette Duquesnay (Stockholm, 2014),Mira Jo Hirtz (Stambul & Madrid 2013, 2014), Luis Alberto Moreno Zamorano (Madrid 2012, 2013, 2014), Marian López (Barcelona 2013, 2019),Nuria Sotelo (A Coruña, 2013),John Martín (Barcelona, 2012), Naiá Delio, (São Paulo 2012),Petr Ochvat (Vienna 2012), Mónica Muntaner (Barcelona 2012).

Doctoral's Research Project

Performance (Eclipse:Mundo):Paz Rojo (Project's Direction); Oihana Altube, Arantxa Martínez,Jaime Llopis, Paz Rojo, Ricardo Santana (Dance); Fran MM Cabeza De Vaca (Sound Space); Carlos Marquerie (Light Design); Jorge Dutor (Costumes); David Benito (Technical Coordination and Assistance); Adolfo García (Sound Assistance); Gabriel Tineo (Video Registration); Emilio Tomé (Photography and Trailer); Lola Lizzi (Production Management); Uniarts (Stockholm University Of The Arts) Sweden, Naves Matadero – Internacional Center Of Live Arts and City Council, Madrid (Financial and Artistic Support).

Printed Publication (To Dance in the Age of No-Future):Paz Rojo (Text); Ana Buitrago (Copy Editor) Diego Agulló (Lay-Out); Published by CIRCADIAN (nonprofit publishing house),Berlin (2019). ISBN: 978-3-947516-10-0.

Performance Experiments (We think, we like that; Inaugural Action; Yes we can not, a pre-formance in the era of con-fusion; The Gerries by Gerry):David León, Ana Rojo, Ana Sánchez, Ricardo Santana, Ancor Lujan, Noelia García Baz, Marta Llorente, Fran J. Macias, Owen Clay, Nuria Anton, Miguel Buzeta, Maite Esteban, Cristian Duarte, Bruno Levorin, Júlia Abs, Clarice Lima, Daniel Fagundes, Bruno Freire, Carolina Mendonça, Leandro Berton, Rodrigo Andreolli, Ana Dupas, Júlia Rocha, Tarina Quelho, Chu Scandurria, Dafne Sense, Naiá Delion, Rodrigo Bolzano, Alexandre Magno, Susana Martins, Eros Valério, Fernando Belfiore, Fernanda Raquel, Paz Rojo, David Pérez, David Baila, Luis Muntion, Sandra Tierraseca, Poliana Lima, Raquel Mirón, Joseph Michael Patricio, Paulina Chamorro, Antonia Gomis Chaparro, Cristina Camina, Luis Alberto Moreno Zamorano, Vicente Colomar, Ricardo Santana, Aimar Pérez Galí, Beatriz Fernández, Luis Miguel Felix. Experiments made in: Galería Olido, Festival Contemporâneo de Dança (São Paulo); Teatro Coletivo (São Paulo); Festival In-presentable (Madrid); SISMO, Festival de Creación In-Situ (Madrid).

Solos (Whatever moving like this & Parliament):Paz Rojo (Concept & Dance); Emilio Tomé (Video and Sound Editing); La Porta, ExFestival de Danza...¿o no?, Barcelona (2011) & Festival Escena Contemporánea & Ca2m (Art Center Second Of May) Móstoles, Madrid (Financial And Artistic Support).

Video-essays (Dancism & We Are Gerrying):Paz Rojo (Concept, Text and Narration); Emilio Tomé (Collaboration and Montage); SCORES Nº 5: CHAOS at Tanzquartier (Vienna) & Festival Escena Contemporánea, CA2M (Art Centre Second of May) Móstoles, Madrid (Support & presented at Support).

Short Film Experiment (To See This Dance):Paz Rojo (Artistic Direction); Daniel Carretero and Emilio Tomé (Editing, Montage and Filmed Images).

Curatorial Project (What if we let go being [artists]?):Paz Rojo,Paulina Chamorro, David Pérez and Fernando Quesada (Coordination Group). With: Norberto Llopis Segarra, Terrorismo de Autor, Carolina Boluda, Juan Calatayud, Vicente Arlandis, Hipólito Patón, Luis Alberto Moreno Zamorano, Jaron Rowan, Jara Rocha, Silvia Nanclares, Rafa Tormo i Cuenca, Paz Rojo, Gerry, Jaime, Anna, Peter, Costas, Caroline, Amanda Piña, Daniel Zimmermann, Paulina Chamorro, Miguel Guzmán Pastor, David Gràcia, Ester Jordana, Emilio Tomé, Ali&Cia, Fernando Quesada, Sandra Cendal, Rafa SMP, Extras, Secundaries, Esther Blázquez, David Pérez, Wanda, PKMN, Laura Bañuelos, Play Dramaturgia; Maral Kekejian/La Casa Encendida, Madrid (Hosted by / Finance & Artistic Support).

Festival (What can a body do?):Paz Rojo (Artistic direction, executive production and coordination); With the participation of local and international choreographers, theoreticians, cultural workers, researchers and philosophers alike: Manuela Zechner, Jaime Llopis, Varinia Canto Vila, Sara Manente, Sandra Noeth, Aitana Cordero, Diego Agulló, Eva Meyer-Keller, Irina Müller, Sybille Müller, Benjamin Schälike, Elena Córdoba, Roberto Martinez, Norberto Llopis Segarra, Mari Matre Larsen, Deufert&Plischke / ARTISTWIN, Pedro J. Jiménez / ZEMOS98, Emilio Tomé, Cristian Duarte, Rodrigo Andreolli, Tom Monteiro, André Boll, Frédéric Gies, Fiedel, Anton Stoianov, Bojana Kunst, Marta Popivoda, Sandra Gómez, Gloria&Robert, Paulina Chamorro, Dani Carretero, Fernando Gandasegui, Rafael Tormo i Cuenca, Vicente Arlandis, Miguel Martínez. Maral Kekejian/La Casa Encendida, Madrid (Hosted by / Finance & Artistic Support).

Laboratories:Self-organised laboratory (Madrid 2011); SNDO University of the Arts (Amsterdam, 2011); LA PODEROSA (Barcelona 2011); International Summer Dance School TsEKh (Moscow 2011); Impulstanz Vienna-COACHING PROJECTS (Vienna 2011); Sismo Festival de Artes in Situ, Matadero (Madrid 2011); "Body, Image and Identity" within the framework of the European program Islotes en red (Culture Program 2007-13) organized by Unstable Theater (Valencia 2012); LOTE # 1 (São Paulo 2012); Scenic Migrations-ARTEA Matadero (Madrid, 2012); Self-organised Laboratory (Madrid 2012); LA PODEROSA, (Barcelona 2012); MA Choreography, DOCH University of Dance and Circus (Stockholm 2012); TANZQUARTIER WIEN (Vienna, 2012); Occupations, La Porta (Barcelona, 2013); Danesga Association, (A Coruña 2013); Descalzinha Association (Madrid 2013); LOTE # 2 (São Paulo, 2013); APASS (Brussels, 2013); Intensive Course-SNDO (Istanbul 2013); SNDO- Regular dance program (Amsterdam 2013); Open Space-Perifèries 13, Centre Cultural La Nau (Valencia 2013); MOVLAB (Madrid 2014); What can a body do? Festival, La Casa Encendida (Madrid 2014); B.A & MA (dance and choreography) DOCH, University of Dance and Circus (Stockholm, 2014); Festival 4x4, La Casa de España (Mexico City 2016); “Bodies, Disorders and Democracy” Naves de Matadero (Madrid, 2017); “Dancing, is that what you want ?: Irruption in the idea of freedom” (Granada, 2017); Several Laboratories at the residence-context of the piece "ECLIPSE: MUNDO" in Naves de Matadero (Madrid 2018); Sporá, La Caldera (Barcelona 2018); Seminar in HzT Berlin (Berlin, 2018). MA CoDE (Contemporary Dance Education, HfMDK Frankfurt) and MA CuP (Choreography and Performance, Uni Giessen, Frankfurt 2019).

Laboratories' Participants: David León, Ana Rojo, Ana Sánchez, Ricardo Santana, Ancor Lujan, Noelia García Baz, Marta Llorente, Fran J. Macias, Owen Clay, Nuria Anton, Miguel Buzeta, Maite Esteban, Students from the Summer Dance School TsEKh (July 2011), Simon Asencio, Clara Burdet, Matias Daporta, Alja Ferjan, Paula Muela, Yui Nakagami, Maria Peralta, Ana Romih, Nicolas Roses, Jan Rozman, Louis Vanhaverbeke, Stephen West; Participants Scenic Migrations, Matadero, Madrid (within the activities of the association ARTEA), Marian, David Ferrus, Karolina Rychlik, Masu Fajardo, Oscar Dasí, Joaquim Pujol, Beatriz Fernández, Bruno Freire, Carolina Mendonça, Leandro Berton, Rodrigo Andreolli, Júlia Rocha, Tarina Quelho, Chu Scandurria, Dafne Sense, Naiá Delion, Rodrigo Bolzano, Alexandre Magno, Susana Martins, Eros Valério, Fernanda Raquel, Júlia Abs, Clarice Lima, Fernando Belfiore, Sofia Asencio, John Martin, Oihana Altube, Mònica Muntaner, Cristina Núñez Pradas, David Pérez, David Baila, Luis Muntion, Sandra, Poliana Lima, Raquel Mirón, Joseph Michael Patricio, Paulina Chamorro, Antonia Gomis Chaparro, Cristina Camina, Luis Alberto Moreno Zamorano, Vicente Colomar, Ricardo Santana, Aimar Pérez Galí, Joao García, Jacobo Pallarés, Esther Melo, Pedro Lozano Bertomeu, Enrique Bataller, Lara Guidetti, Lara Ortiz Marrón, Sandra Tierraseca, Joseph Michael Patricio, Poliana Lima, Matilde Amigo, Peter Mills, Nefili Oikonomou, Dinis Machado, Aleksandar Georgiev, Caroline Byström, Nuria Sotelo, Mónica Vallés, Begoña Cuquejo, Cristina Balboa, Paula Quintas, Paulina Funes, Ángela Blanco, Caterina Varela, Edu Sonia, David Loira, Marta Alonso Tejada, Xiana Vilas, Claudia Delso, Costas Kekis, Petr Ochvat, Anna Prokopova, Amanda Piña, Chris Casarin, Debonis Juliana, Eriveltoviana, Carolina Mendoça, Clarissa Rêgo, Matilde Amigo, Lara Ortiz Marrón, Lara Guidetti Marrón, Clarissa Sacchelli, Daniel Barra, Gabriela Alcofra, Isabel Monteiro, Isabella Gonçalves, Joana Ferraz, Julia Aissa, Juliana França, Juliana Santos, Larissa Ballarotti, Sofia Tsirakis, Tomás Monteiro, Aline Bonamin, Júlia Rocha Mello Gonçalves, Leandro Berton, Sheila Arêas, Teodora Grano, Sevinc Baltali, Bella Hager, M. Metehankayan, Laura Van Bergem, Yalda Pakzad, Pierre Goumot, Eugenia Carrara, Azadeh Behmanesh, Sarah Gaderer, Wendy One, Serkan Bozkurt, Alfredo Miralle, Benito Almudena Caso, Almudena Rubiato Martínez, Azahara Ubera Biedma, Eduardo Suárez, Evelyn Viamonte Borges, Fátima Cué, Guiomar Campos, Laura Ramirez, Maria Eva Curone, Maria González, Michael Stubblefield, Patricia Enclave, Pedro Garcia Bautista, Robert Forberg, Sara Mohino, Ugne Dievaityte, Violeta Fatás, Elisa Arteta, Lu Chieregati, María Escobar, Mira Jo Hirtz, Claudia Andrea Fuentes Brito, Lila Insúa, Ibon Salvador, Brigit Glocker, Luisa Castro, Janet Parra Orrego, Fernando Gandasegui, Fernanda Orazi, Rolando San Martin, Jodie Judy Lu, Ignacio de Antonio, Camila Marambio, Camila Tellez, Ainhoa Hernández, Ursula Nill, Arnaud Bourgoin, Daniella Eriksson, Elise Brewer, Ellen Soderhult, Elise Sjoberg, Ester Olofsson, Hanna Rockner, Jilda Hallin, Manon Duquesnay, Lisa Nilsson, Mandi Tiukkanen, Marit Fogelgren, Rosanna Fondin, Selina Bentschik, Stella Blanc, Sindri Runudde, Eliisa Erävalo, Runa Norheim, Noah Hellwig, Amelia Uzategui Bonilla, Svetlana Grigorjeva, Anneliese Ostertag, Susanne Schneider, Katelyn Skelley, Zrinka Uzbinec, Gry Tingskog, Li Lorian, Johanne Schroeder, Nastya Dzyban, Ida Daniel, Esther Poppe, Barbara Carvalho, Diana De Fex, Juan Urbina,María Berns, María Cerdá Acebrón, Paola Andrea Tafur Quijano, Raquel Martínez, Rebeca Camilleri, Ricardo Rodríguez, Teresa Santiago, Uriel Isaac Palma Torres, Valeria Castrejón, Víctor Del Moral Rivera, Yunuén Mejía, Ana Sierra, Paula Fraga, Otoniel Hidalgo, Karla Suarez, Joshua Dalo, Leonor Mal, Juan Fran Maldonado, Ariadna Castro, Tania Alejandra Tovar Rodriguez, Fernando Frías, Barbara Foulkes, Brenda Reyes, César Granados, Elvira Aguilar Navarrete, Daniel Montiel, Emiliano Cabrera, Engelbert Ortega, Karina, Terán, Lorena López Aguado, Denisse Salazar, Lerna Babikyan, Fernando Belfiore, Antonella D‘Ascenzi, Lucie Germon, Regina Picker, Olga Vavilova, Noemi Viana Garcia and many, many more.

A Project supported by independent artists initiatives, festivals, public institutions, university programs and art centres:University of the Arts (Stockholm); Inter-University Center for Dance Berlin (HzT), (Berlin); MA CoDE, Contemporary Dance Education, HfMDK (Frankfurt); MA CuP, Choreography and Performance, Uni Giessen (Frankfurt); DOCH, University of Dance and Circus (Stockholm); APASS (Brussels); SNDO University of the Arts (Amsterdam); International Summer Dance School TsEKh (Moscow); Escuela Sur (Madrid); Festival Contemporâneo de Dança Internacional (São Paulo); Festival In-Presentable (Madrid); Impulstanz Festival-Coaching Projects (Vienna); Festival 4x4 (Mexico City); CED (Sao Paulo); Tanzquartier (Vienna); MDT (Stockholm); CA2M Móstoles (Madrid); Festival Escena Contemporánea (Madrid); SISMO Festival de creación In-situ (Madrid); TEATRO PRADILLO (Madrid); La Casa Encendida (Madrid); MACBA, Museo de Arte Contemporáneo (Barcelona); Naves Matadero - Internacional Center of Live Arts (Madrid); LA PORTA (Barcelona); LA PODEROSA (Barcelona);Danesga Association (A Coruña); Descalzinha Association (Madrid); Perifèries 13, Centre Cultural La Nau Valencia University (Valencia); La Caldera (Barcelona); MOVLAB (Madrid); Sporá, La Caldera (Barcelona); Festival Sâlmon (Barcelona); European Program Islotes (Valencia); City Council (Madrid); LOTE # 1 & LOTE #2 (São Paulo); CCE, Centro Cultural de España (Bolivia, México, Brasil); Instituto Cervantes (Moscow); IBERESCENA Coproduction-AECID (Spain).

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