- interpreting the piano music of Komitas and Khachaturian in light of Armenian folk music
Artistic Research Fellowship 2015-2019, University of Agder
Mariam Kharatyan, pianist
INTRODUCTION
- Outline of the Project
- Methods
- The Form of the Reflection
ROOTS
- Personal Background and Musical Identity
- Classical Pianism
- Searching for New Interpretational Possibilities Through Artistic Research
- Meetings that Influenced Me
Responding to Armenian Folk Music in Terms of Pianism and Musical Expression - a search for emerging interpretational possibilities
FINGERPRINTS
- Listening and Response
- Pedalling and Dam
- Impressionistic Touch as a Bridge Between Folk and Pianism
- Improvisational Timing Inspired by Ashugh’s Art
- Declamatory Timing in Folk Songs
- Embodiment
INTERPRETING KOMITAS’ MUSIC
- Yot Par - Seven Dances
- Msho Shoror
- Folk Songs
INTERPRETING KHACHATURIAN’S MUSIC
- Piano Concerto
- Chamber Music
- Poem and Toccata
FINAL NOTES
APPENDIX AND BIBLIOGRAPHY:
ARTISTIC RESULTS