References
Software
IanniX, open source graphic sequencer: https://www.iannix.org/en/
UPISketch, by Centre Iannis Xenakis: http://www.centre-iannis-xenakis.org/upisketch?lang=en
Spectral Analysis realised on the software Sonic Visualiser developed at Queen Mary University of London:
C. Cannam, C. Landone, and M. Sandler (2010): Sonic Visualiser: An Open Source Application for Viewing, Analysing, and Annotating Music Audio Files, in Proceedings of the ACM Multimedia 2010 International Conference.
Auralisation models realised in EVERTims , an open source framework for real-time auralization in architectural acoustics and virtual reality:
S. Laine, S. Siltanen, T. Lokki, and L. Savioja (2009): Accelerated beam tracing algorithm, Applied Acoustics, vol. 70, no. 1, pp. 172-181
M. Noisternig, B. Katz, S. Siltanen, and L. Savioja (2008): Framework for real-time auralization in architectural acoustics”, Acta Acustica United with Acustica, vol. 94, no. 6, pp 1000-1015
Room analysis realised on REW, an open source software for room acoustics measurement and analysis
Literature
Augoyard J.-F. & Torgue H. (eds.) (2006), Sonic Experience. A Guide to Everyday Sounds, McGill-Queen's University Press, Montreal, 216 p.
Michael Bull (2012): The Audio-Visual iPod, in Jonathan Sterne (ed.) The Sound Studies Reader. New York, Routledge
John Cage (1937): The Future of Music: Credo; in: Silence: Lectures and Writings. Wesleyan University Press. 1961
Janet Cardiff (2005): The Walk Book, Edited by Thyssen_Bornemisza Art Contemporary
Luc Ferrari (2002): Les Anecdotiques – Exploitation des Concepts n°6 http://lucferrari.com/en/analyses-reflexion/les-anecdotiques-exploitation-des-concepts-n-6/
Évelyne Gayou (2008): Une porte d’entrée dans la musique électroacoustique de Luc Ferrari. Notes on CD edition, Luc Ferrari: L’œuvre électronique. INA-GRM 2009
Sharon Kanach (2006): Iannis Xenakis, Musique de l'architecture. Parenthèses
Michael Kirby, Richard Schechner (1965): An Interview with John Cage, TDR (Tulane Drama Review), 10, n°2, p. 65.
Alvin Lucier (1979): Careful Listening is More Important than Making Sounds Happen, 1979. In: Caleb Kelly (ed.) Sound. Documents of Contemporary Art. Whitechapel Gallery, MIT press, Cambridge
Francisco López (2019): Sonic creatures http://www.franciscolopez.net/pdf/creatures.pdf
Francisco López, Catalogue Prix Ars Electronica 2002, Description of his piece Buildings [New York]. http://archive.aec.at/prix/showmode/37682/
Brunhild Meyer (1994): Le dit des Presque Riens / The known as Almost Nothing: http://lucferrari.com/en/analyses-reflexion/le-dit-des-presque-riens/
Raymond Murray Schafer (1977) : The Tuning of the World. McClelland and Steward, Toronto, 301 p.
Max Neuhaus (1992), Notes on Place and Moment, in Max Neuhaus: Sound Works, vol. 1
Mats Nilsson et al. (2010): Auditory masking of wanted and unwanted sounds in a city park. Noise Control Engineering Journal, 58(5), 524-531
Luigi Russolo (1913):L’arte dei rumori, manifesto http://www.ubu.com/historical/russolo/index.html
Monica Sand, Ricardo Atienza: Perspektiv på Levande urban radio (LUR) / Perspectives on Live Urban Radio (LUR), In Sand (ed.) Forskning i centrum, Arkitektur- och designcentrum, Stockholm. ISBN: 978-91-87447-02-0 https://playingthespace.files.wordpress.com/2018/11/3-perspectives-on-lur-2014.pdf
Pierre Schaeffer (1966): Traité des objets musicaux. Ed. Seuil, Paris
Sound pieces
by the author,
Personnes trouvées (2013), Sergels torg, Stockholm. A part of LUR, Live Urban Radio by Atienza and Sand. https://playingthespace.wordpress.com/category/actions/lur-live-urban-radio/
Playing the Space. A city Walk, Audio CD (2016), in collaboration with Monica Sand. https://playingthespace.wordpress.com/2016/08/18/playing-the-space-a-city-walk/
Player Piano Player, Art project (2018-19), in collaboration with Pavel Matveyev. http://www.nkfsweden.org/project-page/risku-3-player-piano-player-weekend-afterthought
https://www.pavelmatveyev.com/html/playerpiano.html
by other artists,
Janet Cardiff (1991-2014): Audio walks
Luc Ferrari (1967-70): Presque Rien n.1 ou le lever du Jour au Bord de la Mer (Presque Rien No. 1 or day raise at the edge of the sea).CD edition, Luc Ferrari: L’œuvre électronique. INA-GRM 2009
Luc Ferrari (1991): L’escalier des aveugles. CD edition, Luc Ferrari: L’œuvre électronique. INA-GRM 2009
Hanna Hartmann (2002): Färjesånge. Elektron, Sweden
Pierre Henry (1963):Variations pour une porte et un soupir.CD edition: Musique Française d'Aujourd'hui. Harmonia Mundi, 1987
Francisco López (2001): Buildings (New York). V2_Archief.
Alvin Lucier (1969): I'm sitting in a room, for voice and electromagnetic tape: http://www.ubu.com/sound/lucier.html
Pauline Oliveros, Stuart Dempster, Panaiotis (1989): Deep Listening, Suiren
Alain Savouret. Sonate Barroque (1974). CD edition. Chrysopée électronique - Bourges
Pierre Schaeffer (1948): Cinq études de bruits
Barry Truax, Earth & Steel, 2013 The Elements and Beyond (CD). Cambridge Street Records CD. http://www.sfu.ca/~truax/earth&steel.html
Iannis Xenakis (1958): Concret PH, piece realised for Brussels Expo'58 Philips Pavilion
Iannis Xenakis (1971): Persépolis, piece for the 2500 anniversary celebration of Irans foundation.
Iannis Xenakis (1977-78): Diatope, piece celebrating the opening of Centre Pompidou, Paris. La Legende d'Eer, electroacoustic composition for Diatope.
Spaces
Magazzino Brancaccio, a space devoted to contemporary art, experimental music and performance: http://www.magazzinobrancaccio.org/