BIBLIOGRAPHY

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  • Berlin, Isaiah. The Roots of Romanticism. Princeton: Princeton University Press, 1999.
  • Blanning, Tim. The Romantic Revolution. New York: Random House Publishing Group, 2011.
  • Dahlhaus, Carl. Realism in Nineteenth-Century Music. Translated by Mary Whittall. Cambridge: Cambridge University Press, 1985.
  • Christensen, Thomas. Rameau and Musical Thought in the Enlightenment. Cambridge: Cambridge University Press, 1993.
  • Domisse, Tom. "Arthur Schopenhauer." Class lecture at Leiden University, The Netherlands, November 14, 2019. 
  • Fenaroli, Fedele. Partimenti ossia Basso Numerato. Translated and edited by Emanuele Imbimbo. Paris: 1780.
  • Fleming, William. Arts & Ideas. New York: Holt, Rinehart, & Winston Inc., 1974.

  • Gilmour, Robin. The Victorian Period: The Intellectual and Cultural Context of English Literature 1830-1890. London: Longman Group UL, 1993.

  • Goehr, Lydia. The Imaginary Museum of Musical Works. Oxford: Oxford University Press, 2007.
  • Habermas,  Jürgen. “Modernity - An Incomplete Project.” In The Anti-Aesthetic: Essays on Postmodern Culture. Edited by Hal Forster. Port Townsend: Bay Press, 1983.
  • Hamilton, Andy. Aesthetics and Music. London: Continuum International Publishing Group, 2007.
  • Heath, Duncan and Boreham, Judy. Introducing Romanticism: A Graphic Guide. London: Icon Books Ltd, 2010.

  • Hindley, Geoffrey. The Larousse Encyclopedia of Music. London: The Hamlyn Publishing Group Limited, 1977.

  • IJzerman, Job. Harmony, Counterpoint, Partimento: A New Method Inspired by Old Masters. NY: Oxford Univeristy Press, 2018.
  • Janik, Allan and Toulmin, Stephen. Wittgenstein’s Vienna. New York: Simon and Schuster, 1973.
  • Janson, H.W. History of Art. 4th ed. New York: Harry N. Adams, Inc., 1991.
  • Kleiner, Fred S. Gardner's Art through the Ages: A Global History. 14th ed. Wadsworth: Cengage Learning, 2009.

  • Lang, Paul Henry. "The Enlightenment and Music." Eighteenth-Century Studies 1, no. 1 (1967): 93-108. Accessed February 13, 2020. doi:10.2307/3031668.

  • Levenson, Michael. The Cambridge Companion to Modernism. Edited by Michael Levenson. Cambridge: Cambridge University Press, 2011. 

  • Nietzsche, Friedrich. I: The Case of Wagner, II: Nietzsche Contra Wagner, III: Selected Aphorisms. Translation by Anthony M. Ludovici. Edinburgh and London: T.N. Foulis, 1911.

  • Norton’s Anthology of English Literature. 3rd ed. Vol. 2. New York: W.W. Norton & Company, 1974.

  •  Norton’s Anthology of World Masterpieces. 4th ed. Vol. 2. New York: W.W. Norton & Company, 1974.
  • Pascal, Roy. "The 'Sturm Und Drang' Movement." The Modern Language Review 47, no. 2 (1952): 146, 149. doi:10.2307/3718800.
  • Quantz, Johann Joachim. On Playing the Flute. Translated by Edward R. Reilly. London: Faber and Faber Limited, 1985.
  • Rothenberg, Jerome and Robinson, Jeffrey C. Poems for the Millennium. Vol. 1, From Fin-de-Siècle to Negritude. Berkeley and Los Angeles: University of California Press, 1995.
  • Rothenberg, Jerome and Robinson, Jeffrey C. Poems for the Millennium.  Vol. 3, The University of California Book of Romantic & Postromantic Poetry. Berkeley and Los Angeles: University of California Press, 2009.
  • Rousseau, Jean-Jaques. The Social Contract. Translated by Jonathan Bennet. Accessed February 16, 1, 2020. https://www.earlymoderntexts.com/assets/pdfs/rousseau1762.pdf.
  • Sanguinetti,  Giorgio. The Art of Partimento. New York: Oxford University Press, 2012. 

  • Scruton, Roger. The Ring of Truths: The Wisdom of Wagners Ring of the Nibelung. London: Penguin Random House, 2017.

     

 

 

 

 

 

 

 

 

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