Bibliography
- Ernst Bacon, “I’m Nobody,” in Songs from Emily Dickinson. Volume 3, Songs of love and sentiment, ed. Karen K. Bishop (Fayetteville, AR: Classical Vocal Reprints, 2013).
- Ursula Caci, “Interchangeability and Mutuality: The Relativity of Power in Dickinson’s Gendered Relationships,” The Emily Dickinson Journal (Johns Hopkins University Press, 2014), 23: 2.
- Emily Dickinson, The complete poems of Emily Dickinson, ed. Thomas H. Johnson (New York, 1960).
- Barry Green and W. Timothy Gallwey, The inner game of music (Garden City, New York, 2015).
- Cynthia L. Hallen (ed.), Emily Dickinson Lexicon Brigham Young University (2018) http://edl.byu.edu/lexicon/.
- Susan Kornfeld The prowling Bee, Blogging all the poems of Emily Dickinson (2013), http://bloggingdickinson.blogspot.com/.
- Lori Laitman, “‘I’m Nobody,’” in Four Dickinson Songs (Fayetteville, AR: Classical Vocal Reprints, 1996).
- Brita Lindberg-Seyersted, The voice of the poet : aspects of style in the poetry of Emily Dickinson (Uppsala: Novus Press, 1968).
- Carlton Lowenberg, Musicians wrestle everywhere: Emily Dickinson & music (Fallen Leaf Press, 1992).
- Abigail Martin, “’I’m Nobody! Who are you?’: Musical (Re)presentations of Emily Dickinson,” Student research (April 2018) 3-5.
- Marietta Messmer, A vice for voices: reading Emily Dickinson’s correspondence (Amherst: University of Massachusetts Press, 2001) 97-104.
- Domhnall Mitchell, “Emily Dickinson and class,” in The Cambridge Companion to Emily Dickinson, ed. Wendy Martin (Cambridge: Cambridge University Press, 2002).
- David Ostwald, Acting for singers : creating believable singing characters (New York, 2005).
- David T. Porter, The Art of Emily Dickinson’s Early Poetry (Harvard University Press, 1966).
- Nick Raspa, I’m Nobody (n.p.: NJR Music, 1998).
- Robert Weisbuch, “Nobody’s Business: Dickinson’s Dissolving Audience,” in Dickinson and Audience, eds. Martin Orzeck and Robert Weisbuch (Michigan, 1999).