Rehearsal Roadmap 2020
In a circle, each presents themselves shortly
Tell your expectations about the week process
Presentation of the process: exploration (within and without), co-learning, co-creating
Paola to tell something about the research, relations speech – mother-tongue – instrumental sound
Small exploratorium for speech and sound production
Embodied experience, body as resonator and exploration tool
Performers’ bodies, instruments’ bodies, mechanical bodies, electronics
Gesture as preparation, initiating or closing the sound, gesture impacting on sound quality
Collect written feedback at the end of each session – and/or of the week
What did you notice/learn today? It can be keywords etc.
Jane Rigler’s workshop 2016 (Outi Pulkkinen)
Pauline Oliveros, Sonic Meditations score (1974):
“The term meditation is used simply to mean dwelling with or upon an idea, an object, or lack of object without distraction, or divided attention”.
“Each Sonic Meditation is a special procedure for the following:
- Actually making sound
- Actively imagining sounds
- Listening to present sounds
- Remembering sounds”
Warming up, physical exercises – involving breath, voice
Prosody
Speech, frequency range media:
Males fund. 100 (G+)-120 (B/H+) speech
Females fund. 1 8a higher speech G-B/H vl 4th string
Consonants 500 Hz and up – B/H vl key 3rd line
Machines, electricity in Europe 50 Hz, 50 cycles per sec.
G +35 cents (1/4 of tone 50)
