FWF PEEK-PROJECT:

ARTIST-PHILOSOPHERS.

PHILOSOPHY AS

ARTS-BASED-RESEARCH


PUBLICATIONS


PHILOSOPHY ON STAGE

PHILOSOPHIE ALS KÜNSTLERISCHE FORSCHUNG


POLYLOG 35 

Berührungen: Zum Verhältnis von Philosophie und Kunst Touching: On the Relation between Philosophy and Art


ACTORS AND THE ART OF PERFORMANCE. UNDER EXPOSURE.

by Susanne Valerie Granzer


Palgrave MacMillan Performance Philosophy, 2016

Publication language: English


ABOUT


This book argues that a trans-disciplinary dialogue between the art of acting and the art of philosophical thinking urges us to create a new image of both thought and theatrical performance. Whilst acting is revealed in its at once utmost creative and philosophical dimension, thinking itself becomes a form of artistic practice. This publicationis published in the course of the FWF PEEK-project “Artist-Philosophers. Philosophy AS Arts-Based-Research” [AR 275-G21].


ABOUT THE AUTHOR


Susanne Valerie is a professor at the Max Reinhardt Seminar at the University of Music and Performing Arts Vienna, Austria. As an actress she has performed at national state theatres throughout the German-speaking world. Parallel to her career in acting, she was awarded a Ph.D. in philosophy by the University of Vienna in 1995. With the philosopher Arno Boehler she founded the Viennese art factory GRENZ_film and the international festival ‘Philosophy on Stage’.


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TABLE OF CONTENT (9 CHAPTERS)


Nous Pathetikos
Auditorium X
Speculations
Black Out
The Actor: A Creature of Fable
The Causa Corpora
The Gift of Acting
The Gift of Death
Finale and Punctum

Co-edited by Arno Böhler, Susanne Valerie Granzer and Georg Stenger

Polylog Journal for Intercultural Philosophy, Wiener Gesellschaft für interkulturelle Philosophie, Summer 2016

Publication language: German (for German abstract see below)

 

The FWF PEEK-Projekt „Artist-Philosophers. Philosophy AS Arts-Based Research“ [AR 275-G21] has co-edited the 35th issue of the polylog Journal for intercultural philosophy. Topic of issue no. 35: „Touching: Relations between Philosophy and Art“


Das FWF PEEK-Projekt “Artist-Philosophers. Philosophy AS Arts-Based-Research” [AR 275-G21] hat die 35ste Ausgabe der Zeitschrift polylog Zeitschrift für interkulturelles Philosophieren mitherausgegeben. Thema des Heftes Nr. 35 “Berührungen: Zum Verhältnis von Philosophie und Kunst”.


DOWNLOAD OPEN-ACCESS-VERSION AS PDF: (LINK)


LISTEN TO THE AUDIOBOOK (read by Arno Böhler, Susanne Valerie Granzer und Hubertus Petrol): (LINK)

Edited by Arno Böhler and Susanne Valerie Granzer

Passagen Philosophie, 2018

Publication language: German (for German abstract see below)

 

What happens to thinking when philosophers are invited to risk an environment other than the familiar field of academia? This research question is the crucial impetus from which, for 20 years, the philosopher Arno Böhler and the artist Susanne Valerie Granzer have been building milieus favouring a way of thinking that does not secretly indulge in an ascetic ideal, but instead gives space to the body and desire. How does the image of thought change when philosophers and artists start out to understand philosophy as an artistic research practice? Hasn't this been the very movement of thinking starting from Nietzsche, being on its way to give back to thinking its sensual anchorage? This anthology presents a philosophical contextualisation of this questions within the framework of the festival “Philosophy on Stage #4: Nietzsche et cetera” and comprises texts by Arno Böhler, Susanne Valerie Granzer, Anke Haarmann, Krassimira Kruschkova, Alice Lagaay, Anton Rey and Elisabeth Schäfer.


Publication Language: German

Edited by Arno Böhler (Philosopher/Vienna) and Susanne Valerie Granzer (Actress/Max Reinhardt Seminar Wien) in the course of the FWF PEEK project „Artist-Philosophers. Philosophy AS Arts-Based Research“ [AR 275-G21].


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German Abstract

Was widerfährt dem Denken, wenn Philosoph_innen eingeladen werden, ein anderes als das gewohnte akademische Umfeld zu riskieren? Diese Forschungsfrage ist der entscheidende Impetus aus dem heraus der Philosoph Arno Böhler und die Künstlerin Susanne Valerie Granzer seit 20 Jahren Milieus für ein Denken bauen, das nicht insgeheim einem asketischen Ideal frönt, sondern dem Körper und dem Begehren Raum gibt. Wie verändert sich unser Bild des Denkens, wenn sich Philosoph_innen und Künstler_innen aufmachen, Philosophie als eine künstlerische Forschungspraxis zu verstehen? Ist das Denken seit Nietzsche nicht genau dahin unterwegs, dem Denken seine Verankerung in der Sinnlichkeit zurückzugeben? Der Sammelband präsentiert eine philosophische Kontextualisierung dieser Fragestellungen im Rahmen des Festivals „Philosophy On Stage#4: Nietzsche et cetera“ mit Texten von Arno Böhler, Susanne Valerie Granzer, Anke Haarmann, Krassimira Kruschkova, Alice Lagaay, Anton Rey und Elisabeth Schäfer.

Herausgegeben von Arno Böhler (Philosoph/Wien) und Susanne Valerie Granzer (Schauspielerin/Max Reinhardt Seminar Wien) im Rahmen des FWF PEEK Projektes „Artist-Philosophers. Philosophy AS Arts-Based Research“ [AR 275-G21].

PERFORMANCE PHILOSOPHY JOURNAL

BILINGUAL SPECIAL ISSUES 3 (2) & 3 (3)


Edited by Arno Böhler, Elisabeth Schäfer and Eva-Maria Aigner

Performance Philosophy Journal, December 2017

Publication language: English / German


This special issue of the Performance Philosophy journal—the first bilingual edition in German and English—is one output of the research project “Artist-Philosophers. Philosophy AS Arts-based Research”, funded by the Austrian Science Fund (FWF): AR275-G21 in the context of the Programme for Arts-based Research (PEEK). A main question of the project was: “What happens to the traditional image of philosophy, once philosophers start to stage philosophy and implement arts-based practices into their discipline?” Starting from the philosophical assumption that meanings and possibilities are generated immanently out of the differential relations somebody shares with others within a concrete earthly milieu, we realised two main events in the course of the above-mentioned research project, on which this publication is based: The research festival Philosophy on Stage #4 „Artist-Philosophers. Nietzsche et cetera“ at Tanzquartier Wien in November 2015 and the conference “The Concept of Immanence in Philosophy and the Arts” at Angewandte Innovation Lab (AIL) Vienna. This issue of the Performance Philosophy Journal comprises texts by: Arno Böhler, Laura Cull Ó Maoilearca, Paulo de Assis, Susanne Valerie Granzer, Alice Lagaay, Dieter Mersch, John Ó Maoilearca, Freddie Rokem, Elisabeth Schäfer, Andreas Urs Sommer, Marcus Steinweg, Tanja Traxler, Stephen Zepke.


DOWNLOAD OPEN-ACCESS VERSIONS OF BOTH ISSUES HERE: (LINK)