These artists are the subject of my long-term artistic research, which I have explored in a specific context between Western and non-Western fine arts. They (including me) belong to the generation between 1945 and 1960. Most of them are postdoctoral, practice-oriented artists who are academics, but their artistic activities were outside the academic field and they established their artistic account from the post-war period to the present in the 21st century.
I summarize the shaps and roads of them. - their loads
Research target
Artist- Researcher
Life-subject: Civilization;
Art and Art Philosophy, Art and Anthropology, Art and Science, Art and Culture
Posthumanism, Post-Feminist Theory, Postcolonialism
Erika Matsunami is an artist-reseacher (artistic researcher and early career researcher) in artifact, artefakte.
Metamorphosis - Ethics and Aesthetics are One - from a Neuroscientific Perspective II
Erika Matsunami
This research is an advanced research of Metamorphosis - Ethics and Aesthetics are One - from a Neuroscientific Perspective in 2024. I explore post-feminist theory from a new perspective in the 21st century. Thereby I deal with spatiality between virtual reality and physical space theoretically and practically.
Wittgenstein's "Ethics and Aesthetics are One" is the starting point of this research. "In the Notebooks, Wittgenstein states that 'the world and life are one', so perhaps the following can be said. Just as the aesthetic object is the single thing seen as if it were a whole world, so the ethical object, or life, is the multiplicity of the world seen as a single object". (Diané Collinson, The British Journal of Aesthetics, Volume 25, Issue 3, SUMMER 1985, pages 266-272)
Art transcends boundaries of race, nationality and gender. It is a creative act of unifying in the context of humanity, from the subject to the various topics, by asking questions. This point is the lack of "reality" (dealing with reality) from a sociological perspective. But it is impossible to define humanity and reality based on sociological statistics alone–is my perspective of Wittgenstein's "Ethics and Aesthetics are one". Thereby, I examine 'world and life' from the 21st century perspective.
Keywords: transversality; post feminist theory; spatiality; randomness; environment;
Practical exploration:
Joseph Nechvatal
Erika Matsunami
Marc Battier
Max Eastley
Spatiality and Transversality
Something x - a performative body
- Max Eastley
- Marc Battier
- Erika Matsunami
- Joseph Nechvatal
Paper Something x - a performative body (Working title)
B.O.D.Y. - Between auditory fiction and body-reality (2025–)
On the topic of consciousness and bodily feeling
Transformative processes
Audiovisual Installation, Spatial Installtion
Sculputre/Installation, Time-Based Media
Subject: Performativity
Time, Space and Body
Keywords: Transversal aesthetics; Coexistence; Spatiality;
Joseph Nechvatal
Max Eastley
Marc Battier
seeing-in, be seen-in (as an act and event of (Ereignis) e.g. will have seen in)
hearing-in, be heard-into (as an act and event of (Ereignis) e.g. will have heard into)
Objectivity and Subjectivity
Content(s)
0. Introduction On 'R' (working title)
1. On "Immersion into Noise" (2011) by Joseph Nechvatal (working title)
2. Atmosphere in digital spatiality (working title)
3. Atmosphere between spatiality and transversality in a real space (working title)
4. On site-specific (working title)
5 Reviews (2025)
On the film Perfect Day (2023)
- Wim Wenders' Komorebi (木漏れ日)
Satori (悟り), Spirituality, Myths in Everyday Life from the aspect of the 21st century
- A Danish composer who worked in Denmark and with the composers of Musique concrète in Paris.
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