References


 

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Auerbach, Jerzy, ed. (1984). Leksykon techniki hi-fi i video. Warsaw: Wydawnictwa Komunikacji i Łączności. 

 

BarryEric D. (2010). “High-Fidelity Sound as Spectacle and Sublime.” In David Suisman and Susan Strasser (eds.),Sound in the Age of Mechanical Reproduction (pp. 115-38). Philadelphia: University of Pennsylvania Press.

 

Branch, John D. (2007). “Postmodern Consumption and The High-Fidelity Audio Microculture.” In Russell W. Belk and John F. Sherry (eds.), Consumer Culture Theory (pp. 79-100). Oxford: Elsevier.

 

Bren, Paulina (2010). The Greengrocer and His TV: The Culture of Communism after the 1968 Prague Spring. Ithaca: Cornell University Press.

 

Bren, Paulina, and Mary Neuburger (eds.) (2012). Communism Unwrapped: Consumption in Cold War Eastern Europe. Oxford: Oxford University Press.

 

Busch, Lawrence (2011). Standards. Recipes for Reality. Cambridge: MIT Press.

 

Chernyshova, Natalya (2011). “Consuming Technology in a Closed Society: Household Appliances in Soviet Urban Homes of the Brezhnev Era.” Ab Imperio 2: 188-220.

 

Chernyshova, Natalya (2013). Soviet Consumer Culture in the Brezhnev Era. London: Routledge.

 

Downes, Kieran (2010). “‘Perfect Sound Forever’: Innovation, Aesthetics, and the Re-making of Compact Disc Playback.” Technology and Culture 51/2: 305-31.

 

Fehérváry, Krisztina (2009). Goods and States: The Political Logic of State-Socialist Material Culture.” Comparative Studies in Society and History 51/2: 426–59.

 

Gritten, Anthony (2008). “Sound Ideas: Music, Machines, and Experience.” Music & Letters 89/2: 293-98.

 

Hagen, Trever and Tia DeNora (2012). “From Listening to Distribution: Nonofficial Music Practices in Hungary and Czechoslovakia from the 1960s to the 1980s.” In Trevor Pinch and Karin Bijsterveld (eds.), The Oxford Handbook of Sound Studies (pp. 440-458). Oxford: Oxford University Press.

 

Hales, Steven D. (2017). “Audiophile Aesthetics.” American Philosophical Quarterly 54/2: 195-208. 

 

Hess, David J. (2005). “Technology- and Product-Oriented Movements: Approximating Social Movement Studies and Science and Technology Studies.” Science, Technology, & Human Values 30/4: 515-35.

 

HiFiWiki (no date). https://www.hifi-wiki.de/index.php/DIN_45500

 

Jasanoff, Sheila, and Sang-Hyun Kim (eds.) (2015). Dreamscapes Of Modernity. Sociotechnical Imaginaries and The Fabrication Of PowerChicago: University of Chicago Press.

 

Jędrzejczak, Mariusz (1983). ”Kierunki zmian funkcjonowania rynku wyrobów elektroakustycznych.” Handel Wewnętrzny 4: 6-7.

 

Josephson, Paul R. (2009). Would Trotsky wear a Bluetooth? Technological Utopianism under Socialism 1917-1989. Baltimore: The Johns Hopkins University Press.

 

Kotowicz-Jawor, Joanna (1983). Presja inwestycyjna w latach siedemdziesiątychWarsaw: Państwowe Wydawnictwo Naukowe.

 

Law, John (1987). “Technology and Heterogeneous Engineering: The Case of the Portuguese Expansion.” In Wiebe E. Bijker, Thomas P. Hughes, and Trevor Pinch (eds.), The Social Construction of Technical Systems: New Directions in the Sociology and History of Technology (pp. 111-134). Cambridge: MIT Press. 

 

LeMahieu, Dan L. (1982). “The Gramophone: Recorded Music and the Cultivated Mind in Britain between the Wars.” Technology and Culture 23/3: 372-91.

 

Lipowski, Wiesław (1983). “Realizm muzyczny.” Razem, April 10: 8. 

 

Masłoń, Krzysztof (1980). “Muzyczna edukacja.” Razem, May 25: 12. 

 

Mickiewicz, Ellen (1988). Split Signals. Television and Politics in the Soviet Union. New York: Oxford University Press.

 

Morton, David (2000). Off the Record: The Technology and Culture of Sound Recording in America. Piscataway: Rutgers University Press.

 

Ng, Kwai and Tad Skotnicki (2016). “‘That British Sound’: Talk of Nationalness in Global

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O'Connell, Joseph (1992). “The Fine-Tuning of a Golden Ear: High-End Audio and the Evolutionary Model of Technology.” Technology and Culture 33/1: 1-37.

 

Oudshoorn, Nelly and Trevor Pinch (eds.) (2003). How Users Matter: The Co-construction of Users and Technology. Cambridge: MIT Press.

 

Partner, Simon (1999). Assembled in Japan. Electrical Goods and the Making of the Japanese Consumer. Berkeley: University of California Press. 

 

Perlman, Marc (2004). “Golden Ears and Meter Readers: The Contest for Epistemic Authority in Audiophilia.” Social Studies of Science 34/5: 783-807.

 

Pinch, Trevor and Karin Bijsterveld (2004). “Sound Studies: New Technologies and Music.” Social Studies of Science 34/5: 635-48.

 

Porter-Szűcs, Brian (2014). Poland in the Modern World: Beyond Martyrdom. Chichester: Wiley Blackwell.

 

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Roth-Ey, Kristin (2007). “Finding a Home for Television in the USSR, 1950-1970.” Slavic Review 66/2: 278-306.

 

Scarboro, Cristofer, Diana Mincyte, and Zsuzsa Gille (eds.) (2020). The Socialist Good Life. Desire, Development, and Standards of Living in Eastern Europe. Bloomington: Indiana University Press.

 

Štoll, Martin (2019). Television and Totalitarianism in Czechoslovakia. From the First Democratic Republic to the Fall of Communism. New York: Bloomsbury Academic.

 

Wilson, Sloan (1955). The Man in the Gray Flannel Suit. New York: Simon & Schuster.

 

Waglewski, Jerzy (1982). “Kłopoty z “Diorą.” Przegląd Techniczny, February 15: 45.

 

Wiszniewski, Edward (1979). Polityka konsumpcji w Polsce. Warsaw: Państwowe Wydawnictwo Ekonomiczne.

 

Woodall, Jean (1982). The Socialist Corporation and Technocratic Power. The Polish United Workers' Party, Industrial Organisation and Workforce Control 1958–80. Cambridge: Cambridge University Press.

 

Woolgar, Steve (1991). “Configuring the User: The Case of Usability Trials.” In John Law (ed.), A Sociology of Monsters: Essays on Power, Technology and Domination (pp. 57-99). London: Routledge.

 

Wyrzykowski, Paweł (1980). “Jest slim.” Razem, June 22: 4-5.

 

Zachmann, Karin (2010). “Managing Choice: Constructing the Socialist Consumption Junction in the German Democratic Republic.” In Ruth Oldenziel and Karin Zachmann (eds.), Cold War Kitchen. Americanization, Technology, and European Users (pp. 259-84). Cambridge: MIT Press.