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Integrated musical experiences have long existed, previous to and outside of the traditional concert music setting. Interdisciplinary approaches to performance creation are becoming more accepted and more common in academic music contexts. This research asks the question "How does the concept of embodiment serve the creation of interdisciplinary work within a musical context?", examined through the lens of definitions of embodiment, spinning, technology, community, and inter/multidisciplinary vs. intermediality and expanded through case studies of two of the author's recent performance works.
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3. RESEARCH METHODOLOGY
The methodology employed in order to answer these questions is composed of three steps:
a. setting up a theoretical framework for keywords in my research (embodiment; spinning; technology; community; interdisciplinary; multi- or intermediality)
b. taking a closer look into the works of significant others in relation to these keywords
c. performing two case studies of my own work, focusing on two projects I have realized: FutureMoves and Rokkur