Timeline of the artistic research project
2013 Studied Philosophy, Södertörn University
2013-2014: Research and public presentation, Historiska Museet in collaboration with Art Lab Gnesta
2014-2017 Art Educator, part time, Moderna Museet
2015-2016: Research and solo exhibition, Värmlands Museum.
Producer: Susanne Berggren, Berättelser på Hemvägen. Curator VM: Henrik Ramberg
2016 Research, Royal Institute of Art
2017 Different versions of the project exhibited at RIA Reseach week, January; a solo show, CEAC, Xiamen, July; a groupshow ”Family First”, Södertälje Konsthall Curator: Sarah Guarino Florén, October; duo-exhibition with Elin Berge, ”To Face”, Steneby Konsthall, September–November. Curator: Niklas Engwall
2018-2021 Art Educator, 50%, Nationalmuseum
2019 Common Ground, Queens Museum. Curator: Susanne Ewerlöf CPR
2023: Solo show, Collect and (re)connect, Sundsvalls Museum.
Curator: Lejla Porovic
What we have said already makes it further clear that a poet's object is not to tell what actually happened but what could and would happen either probably or inevitably.
The real difference (between a historian and a poet) is this, that one tells what happened and the other what might happen. For this reason poetry is something more scientific and serious than history, because poetry tends to give general truths while history gives particular facts.
Aristotle in Poetics