The content of the book is organized macro to micro, the first book I designate it as: "Study of Microscopic Universe": Scientific Thinking, Thinking of art and Proposal Art @ Science. Where I intend to release a project of cultural diffusion that is premised arouse curiosity in science, and inspire artists in the world of science also to popularize science through art. It is a proposal from a context, scientific, artistic and historical, where the vision of Art@Science is explored. 1-5 of chapter I seek to introduce the reader the origin of the universe and the evolution of human thought, since I no longer animal consciousness arises, to the artistic and scientific modern thought, identifying the transition points. The human being has for decades sought to understand nature through science as a search tool. And the art to understand the human being as an individual and social thinking being. If we only scientific thought can have a part of human knowledge through the story, but if we enter the world of art, we realize how it helps us fill in the gaps that science cannot address in the line of time to get a fuller picture of our evolution. The project offers a glimpse in time of these two different ways of conceiving our reality, marking their stage of evolution. As is mentioned above, it aims to raise scientist with art and inspire the artist with the science of the cosmos, through the vision of creativity curiosity.

In Chapter 6  Art@Science and Humanism 7 From the Cybernetics was trying to address one of the current problems in society, the growing "psychological tension" in such insensitive to basic human needs society. The more bad use of sciences and technologies, the more dangerous it becomes all social activity. Because of this, I consider vital to revise identifying the key points of the path of art, science and technology, noting integration and separation over time, giving a brief analysis of how these technologies we extend our visual field and the same way we define and we transform our reality. In the same way, an analysis wont trying to discern the origin of how technology has transformed our perception and thus our creative curiosity. Highlighting the role that technology has had on contemporary artistic expressions in society. Proposing that science and art are not just tools of creation but otherwise these are the keys to address current problems of society.

The second book designate it as: "The study of the universe Macroscopic level" in the first part  I will poetically announce the origin of the universe Chaos - Cosmos as a manifestation of artistic and poetic reflection exercise. This project is a proposed artwork invites penetrate and get lost in the transformation of matter, form, energetic strength and integrity, explored universes of matter in which the viewer will discover, its resonance and identity of its truth.

Remarks that makes science to understand the universe, not only owned by those developing science, but of all human beings, we would be more aware of everything happening around transformation of thought and vision. The origin of the universe is conceived merely by scientific thought with his theories; however, artistic thinking also provides a way of conceiving the universe, in which the main member is the subject, not the object, using a language poetic-plastic-scientist. This book is partly the result of the exercise of the plastic work for the exhibition of contemporary art: The Origin of the Universe “Chaos – Cosmos”, where I borrowed some of the scientific concepts of Chaos theory and Cosmos, as evident from the first reading and interpretation of the paintings.

Theoretical conclude with a demonstration - Pictorial "Art Planck" as a result of this proposal to describe the unification of this rupture between the artist and the outside world through the structures of non-matter soul and his matter structures of the external universe. I conclude with a Theory - Pictorial "Planck Art" manifestation, as a result of this proposal to describe the unification between the point of view of the artist and the scientist, through the non- materic soul structures of matter and the external universe.

The bridge between Art@Science in the proposal is through awareness and knowledge, unifying the mind and matter, the inner world with the outside world.

Thanks to art I can express my thanks to reality and science helps me understand my reality, how to see the inner and outer world.

In the third book, I raised communicate the first results of the research, Morphogenesis, as “Origin of the form as Superstructure" as urgent need to inquire into the origins of the form and structure in terms of mental processes perception and creation. The aim is to use the fields of Art@ Science to offer incentives that help us to have a more critical look on things, increasing the awareness of what we are and what we do.

In this sense I try to explore the origin of form through a Poetic Theoretical Multiescale Model as an abstract object that enable us to understand the real objects, establish facts, explain and explore the relationships between them; a sort of guide for comparing similarities and differences between objects and experiences, (makes it comparable) which suggests a set of explanatory hypotheses that are true or false depending on the type of experience.

For the process of perception and creation, is divided into: (a) Theoretical basis, with 3 basic steps involved; 1) Pre-processing, "The act of filtering information in perception" 2) Process "Action to create" 3) Post-process "Action synthesis and fragmentation". (b) Base-poetic practice, the pictorial development through mind-matter unification. (c) Poetic interpretations of the Universe in the application of this model with artistic and scientific practice. (d) Artistic Proposal "Holographic Aesthetics of matter in the Cosmos Universe "

It is said that life is short, but art is eternal.

To give this proposal had the need to know the components that make real the experience of perception in our external world through the senses and the elements in the process of creation in our inner universe where the mind-matter relate to conceiving our reality and interact with it. What led me to undertake this project, what formed me, was living in Nature, Architecture study to look at the matter in space, and then study the science and try to understand what is formed in the material that we use 'art and architecture, and how we perceive it and we manifest through it in art.

I decide to start of the origin of all things, trying to understand where and how we are in this universe, trying to observe the evolution of humans since longer when he realizes that he has the gift of consciousness, and how this consciousness leads us to the roots of our perception of things and our creation thereof. Going through years of evolution to be recognized and thoughts of human beings homogenise, naming art processes universe creation from within, and science for understanding these processes of creation.

Probably, before beginning to study science I was aware only of the creation process, but did not know how and why, unconsciously knew it was something I had to do as an urgent need for art; then, through my scientific studies I began to understand what is the pre-process and post-process; the process depends on what and where it goes, basic information in order to popularize and spread my knowledge.

This project is a result of self-exploration and self-analysis to work science and art at the same time (design, experiment and analysis). All this work was unintentional, has been a result of metamorphosis itself. During this process, I found several interesting aspects that I like to share, between art and science, giving a proposed integration of knowledge in Theoretical Poetic Multi-scale Model.

Imagination is a vital partner in the creative artists, philosophers and scientists, all human activity - are the result of the organization of our minds.

This project offers new pictorial languages conception of our reality as a reflection of how we live today, how we evolved. I try to explore new routes conception of unexplored universe, expanding our worldview, in each activities of our daily lives, we become more aware of what we are and what we want and where we actually realize we stand in this universe and our role in function. 

Thinking that life is a cycle, as all acts present in the universe and that we all move by the same forces of nature, these potential forces that do not look or can be touched but nevertheless held together we all beings alive. In addition to the tools that science used to understand the universe, not only owned by those developing science, but of all human beings, we would be more aware of everything going on around us, it is a transformation of thought and vision.

As we will see some of the theories that describe the behaviour of the universe, Quantum Mechanics gives us the probability of a certain event occurs, however reality depends on each of us. Over time humans of this society has ceased to question the how and why of things, becoming a very passive, consumerist, conformist human will. With this historical-pictorial proposal is to activate passive minds in “creative curiosities”, awareness and humanize. It is the beginning of a new way of understanding our reality, which undoubtedly was part of endless unexplored perspectives.

Both science and art come from the same root as is "creative curiosity" each with a particular language, but the Art@Science proposes to unify these two ways to describe new communication languages, the intimate curiosity of the individual and creative curiosity of the universe. In science, we study the object and art object and subject are often emblems of study. The combination of the two visions of our stage will give us a more complete picture of our reality, a contemplation more conscious and human at the same time.

Art@Science is reflection, vision, inspiration, activation, awareness and unification of knowledge of different views of reality. Art@Science is a tool that allow exploring reality, explore different paths of knowledge, no need to be an artist or scientist to believe in them, but to do research if necessary, new ways of thinking, generating new theories. The more information you have, the easier it is to read, the artist and the scientist will have to enter this field of knowledge and will have to digest theories, thoughts, simple paintings to digest for the viewer, i.e. to pass information from the unconscious group to individually aware, through knowledge filters.