Many of the top musicians in the world have performed and recorded Daniel Schnyder's music, a Swiss-American composer and saxophonist.His compositions often combine elements of jazz, classical music, and world music. In this research, the focus is on his piece Subzero, which was composed for bass trombone and orchestra. The aim of this research is to gain a deeper understanding of Schnyder's musical approach, with a particular focus on the extended techniques used in the piece.
One of the key areas of investigation is the use of extended techniques such as multiple tongues, varied vibratos, and glissandos with growling. These techniques are not typically associated with the bass trombone, and their use in Subzero is part of what makes the piece so unique. Through a thorough analysis of these techniques and their use in composition, this research aims to shed new light on Schnyder's creative process.
Another important aspect of the research is an in-depth analysis of the musicality of each movement, with a particular focus on the second movement, Samai Thaquil. This movement is based on a rhythmic groove from Turkey that has been adapted by Arabs and is often used for belly dancing and celebration. The research explores the ways in which Schnyder incorporates this groove into the piece and the various possibilities it offers for exploring the timbre of the bass trombone with different mutes.
To achieve these aims, the research employs a range of methods, including the collection of literature and media, interviews with several experts, the study of recordings from different artists, various experiments, and structural analysis of the movements. By using these methods, the research aims to provide new insights into Schnyder's work and its impact on the bass trombone repertoire.
In conclusion, this research aims to contribute to the understanding of Daniel Schnyder's musical approach and the ways in which he incorporates extended techniques and world music influences into his compositions for the bass trombone. Through a range of methods and a detailed analysis of the composition, the research aims to provide new insights into Schnyder's creative process and shed new light on the possibilities for the bass trombone as a solo instrument in contemporary music.