JANUARY ....................... ....................... FEBRUARY............... 07  ............  ....................  .................... ...................   28  ..............  MARCH ....................... ...................14 .... ...................... ...................... APRIL ....................... .................... 11 ...................... ...................... MAY ......................   09  ...................... ...................... ....................... JUNE 

JANUARY ....................... ....................... FEBRUARY....................... ....................... .......................  MARCH ....................... ....................... ...................... ...................... APRIL ....................... ....................... ...................... ...................... MAY ...................... ...................... ...................... ....................... JUNE .............................. 

Upcoming 

2025

Concrete

Abstract

Interventions

2024

A Question of Methodology


Know

How

LECTURE SERIES AT CINEMATEK


FEB 07   Becoming Numerous

FEB 28

MARCH 14

APRIL 11

MAY 09

Friday Lecture Series

Becoming Numerous

How to think through and narrate queer histories as collective processes and shift the framework of attention towards relations and interdependence instead of individuals?
Vulnerable materials in vulnerable spaces
16mm filmmaking as a method of architectural research
 
In the summer of 2023, Anna Ulrikke Andersen, an architectural historian and filmmaker (NTNU, media department), spent four weeks in Montenegro, making a film about Norwegian patients with rheumatism traveling here for treatment and rehabilitation — a medical treatment-connection that has continued since the 1970s. She understands working with analog filmmaking (a rather fragile and “outdated" technology) as an opportunity to open up conversations around vulnerable bodies.
 
 

Back to Start | BFA | MFA | PhD | Galleri KiT | Courses' Living Archive & Collaborative Projects |TV Studio | Workshops | Library | Campus Radio | Artistic Research Projects | Cooperations | People

A lecture screening with Jack Halberstam, Che Gossett, and Bernard E. Harcourt at Cinematek, 14:00-17:00, Olavshallen/Olavskvartalet.

A Leap into Critical Theory...
Knowing how to work on the World 

No one thing works, the mixture is all and messy is smarter than new. Keller Easterling: Design as Counter-Mechanism to Monocultures and Inequality. Keynote at Living Cities Forum 2023 
 
 

Further Reading: 

Relational Infrastuctures 

Further Reading & Listening: 

Sylvia Rivera and Marsha P. Johnson: Listen to the Newly Unearthed Interview with Street Transvestite Action Revolutionaries

 

Che Gossett on AIDS activist Kiyoshi Kuromiya’s legacy and the intersections between all movements for liberation

 

Pleasure Gardening with Tourmaline

 

Tourmaline

  

Daren Fowler: Coming Undone: Aesthetics of Brokenness in Tourmaline's Salacia  


Queens at the Crossroads: Re-Membering the Compton’s Cafeteria Riot with Susan Stryker

Note Taking by Morten Almaas:
Knowing how to work on the World, PART II
Strategic Trouble Making as Methodology ?

Innovation mainly happens where it is least expected: How to take complexities and the messiness of life into account while encouraging creative confidence to navigate into times of transition? Questions and reflections by Joe Lockwood* and Mari Sanden (PhD, KiT), picking up from the Pacesetters Kick Off.
 
 

* Joe Lockwood: From film to art and design schools - working at the interface of industry, higher-education, policy and civil society for over 25 years he holds BA, MA in English Literature and an MBA. Co-founder of The Innovation School and The Creative Campus at The Glasgow School of Art. Fellow of the Royal Society of the Arts, member of the Scientific Advisory Board of the Foundation for Innovation in Higher Education. Co-founder and co-direction of the LAB Genalguacil - International Laboratory of Rural Innovation, with partners across academia, civil society, industry and policy. Head of Research and Innovation FGPM.

 
 

Brandon (1998–99) by Shu Lea Cheang. A video navigation of the restored web artwork
The Body 

as the source of an infinite variety of movements? 

How? 

A lecture collage with excerpts from 

Yvonne Rainer and Shu Lea Cheang

 

Yvonne Rainer: Where's the Passion? Where's the Politics?

TuringGaia | The Making of Behavioral Media


Martinus Suijkerbuijk & sound artist Øystein Fjeldbo present and reflect on: 


How to create a character? That acts and learns autonomously—not a character to play with, not as part of a story, but embedded in a virtual ecology. How might this character narrate and communicate? 

Martinus and Øystein provide insights into the PhD research project TuriaGaia, and unfold the complex interrelationships behind the scenes and screens of the installation. What mechanics are operative behind the scenes and how are technological AI-tools tailored to the aesthetic process that made TuringGaia possible?

 

A Question of Methodology


Thinking Through Materials 

 ....................... ......................  SEPTEMBER .....................   ....................... ....................... OCTOBER ....................... ............. ......... ....................... ...................... NOVEMBER ........................ ...................... .......................... .................... ............................................. .................... ............. .......................   ...........................  ...................    .....................   ...........................  ...................    .....................   ...................  ...................    DECEMBER 

Critical Spatial Intervention

Revolutionary Spatial Intervention 

Note Taking by Morten Almaas:

Further Reading Listening, Watching: Every Revolution is a Throw of Dice, by Danièle Huillet and Jean-Marie Straub, 1977. Bookmarking Book Art – “Un Coup de Dés Jamais N’Abolira l’Appropriation.” An Online Exhibition. Anarchist Currents: A Short History of Anarchism, Pëtr Kropotkin: The Commune of Paris, Playing Against Type: What happened when Stéphane Mallarmé reimagined the book,  Union des femmes pour la défense de Paris, Manifesto of the Paris Commune’s Federation of Artists, Nikolay Chernyshevsky: Vital Question ... Or what is to be done, Alain Dalotel: The Paris Commune 1871, Gustave Courbet, Realism and the Paris Commune, Bertholt Brecht: The Days of the Commune and The Play, tricontinental: Paris 150 Commune, Blog de Michèle Audin: La Commune de Paris, The Paris Commune: Selection of Books, Peter Lamborn Wilson, Mallarmé: Anarchist

 

A visit from the department of Architecture: Tordis Berstrand, Nina Haarsaker and Aleksandra Raonic. 

Imaginary Spatial Intervention 

A short presentation and discussion exploring the art of listening and its potential to shape attentive relationships in a gentle way in public space. 


Šárka Zahálková (Czech Republic) is an artist, curator, cultural manager, and activist. She is PhD candidate at the Academy of Fine Arts in Prague, currently staying in Trondheim as an artist-in residence at LKV. Her work reflects a sincere commitment to art as a vehicle for social change and a means of reimagining public spaces. Rooted in acoustic ecology and collective, non-hierarchical practices, her projects foster collaboration across disciplines. Walking, listening, and working with a sensitivity to place are essential to her artistic and curatorial practice, as are connections with communities, artists, architects, and theorists. Her artistic research often takes the form of (audio/acoustic) walks, incorporating binaural field recordings to engage deeply with the environment.


www.160cm.me