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2024

A Question of Methodology


Know

How

A Question of Methodology


Thinking Through Materials 

Upcoming 

Friday Lecture Series

Vulnerable materials in vulnerable spaces
16mm filmmaking as a method of architectural research
 
In the summer of 2023, Anna Ulrikke Andersen, an architectural historian and filmmaker (NTNU, media department), spent four weeks in Montenegro, making a film about Norwegian patients with rheumatism traveling here for treatment and rehabilitation — a medical treatment-connection that has continued since the 1970s. She understands working with analog filmmaking (a rather fragile and “outdated" technology) as an opportunity to open up conversations around vulnerable bodies.
 
 

Further Reading und Listening: Agent of Change

Critical Spatial Intervention

Back to Start | BFA MFA | PhD | Galleri KiT | Courses' Living Archive & Collaborative Projects |TV Studio | Workshops | Library | Campus Radio | Artistic Research Projects | Cooperations | People

Revolutionary Spatial Intervention 

Note Taking by Morten Almaas:

Knowing how to work on the World 

No one thing works, the mixture is all and messy is smarter than new. Keller EasterlingDesign as Counter-Mechanism to Monocultures and Inequality. Keynote at Living Cities Forum 2023 
 
 

Further Reading: 

Relational Infrastuctures 

Note Taking by Morten Almaas:

Knowing how to work on the World, PART II
Strategic Trouble Making as Methodology ?

Innovation mainly happens where it is least expected: How to take complexities and the messiness of life into account while encouraging creative confidence to navigate into times of transition? Questions and reflections by Joe Lockwood* and Mari Sanden (PhD, KiT), picking up from the Pacesetters Kick Off.
 
 

* Joe Lockwood: From film to art and design schools - working at the interface of industry, higher-education, policy and civil society for over 25 years he holds BA, MA in English Literature and an MBA. Co-founder of The Innovation School and The Creative Campus at The Glasgow School of Art. Fellow of the Royal Society of the Arts, member of the Scientific Advisory Board of the Foundation for Innovation in Higher Education. Co-founder and co-direction of the LAB Genalguacil - International Laboratory of Rural Innovation, with partners across academia, civil society, industry and policy. Head of Research and Innovation FGPM.

 
 

Further Reading Listening, Watching: Every Revolution is a Throw of Dice, by Danièle Huillet and Jean-Marie Straub, 1977. Bookmarking Book Art – “Un Coup de Dés Jamais N’Abolira l’Appropriation.” An Online Exhibition. Anarchist Currents: A Short History of Anarchism, Pëtr Kropotkin: The Commune of Paris, Playing Against Type: What happened when Stéphane Mallarmé reimagined the book,  Union des femmes pour la défense de Paris, Manifesto of the Paris Commune’s Federation of Artists, Nikolay Chernyshevsky: Vital Question ... Or what is to be done, Alain Dalotel: The Paris Commune 1871, Gustave Courbet, Realism and the Paris Commune, Bertholt Brecht: The Days of the Commune and The Play, tricontinental: Paris 150 Commune, Blog de Michèle Audin: La Commune de Paris, The Paris Commune: Selection of Books, Peter Lamborn Wilson, Mallarmé: Anarchist

 

Imaginary Spatial Intervention 

A visit from the department of Architecture: Tordis Berstrand, Nina Haarsaker and Aleksandra Raonic

The Body 

as the source of an infinite variety of movements? 

How? 

A lecture collage with excerpts from 

Yvonne Rainer and Shu Lea Cheang

 

Yvonne Rainer: Where's the Passion? Where's the Politics?

Brandon (1998–99) by Shu Lea Cheang. A video navigation of the restored web artwork


TuringGaia | The Making of Behavioral Media


Martinus Suijkerbuijk & sound artist Øystein Fjeldbo present and reflect on: 


How to create a character? That acts and learns autonomously—not a character to play with, not as part of a story, but embedded in a virtual ecology. How might this character narrate and communicate? 

Martinus and Øystein provide insights into the PhD research project TuriaGaia, and unfold the complex interrelationships behind the scenes and screens of the installation. What mechanics are operative behind the scenes and how are technological AI-tools tailored to the aesthetic process that made TuringGaia possible?