Lithological Studies
The project sets out to study geological history and cultural traditions associated with the uses of limestone. Focusing on lithological matters and petrificata, Närhinen explores cycles of sedimentation and erosion. The work draws from littoral processes - the elemental forces of nature that constantly layer, expose and erode sediments on the beach banks - as well as from the human cultural techniques in their futile attempt to preserve memories in limestone – only to end up with weathered church ruins, partly erased inscriptions and fragmentary fossil collections.
The inquiry is structured along three components:
1. The Reef Atlas imagines the fossil flora of the ancient seabed using Gotland museum's limestone floor claddings as a starting point. In mapping the fossil imprints found in the floor slabs of the Historical museum's staircases, Närhinen will try to re-trace outlines of the 400 million years' old tropical coral reefs by means of ink drawings drafted on translucent sheets of vellum. The depictions will be printed on vinyl and displayed in the staircases to allow the audience to locate the correspondent fossil imprints on the floor slabs.
2. Whispers from the Past pays tribute to rune writing through temporary graffities, which use natural ingredients such as twigs and pine needles or seawater as writing materials. Based on old inscriptions retrieved from Gotland museum's archives and collections, fragments of script will be recreated on abandoned blocs of limestone left in Visby church ruins.
The new rune inscriptions will be executed by a group of high school students from Wisbygymnasiet who in a workshop led by a rune expert will learn the basics and start working as “ghost writers”. In evoking proper names or magic words from generations past, the youngsters will revisit the ancient tradition and bring it back to life.
3. Gotlands Lithological Society offers a platform for the artistic portrayal of Gotland's natural history and culture. The rich media exposition is available online at the Research Catalogue (RC) for artistic research. The online archive is created to disseminate the project, to document the working process and to store its outcomes.
The 2024 main project entitled Lithological Studies is part of the Art of Heritage initiative, organized by the Baltic Art Center (BAC) in collaboration with the Gotland Museum and the Uppsala University Graduate School in Sustainability Studies (GRASS).
The project includes site-specific artistic interventions both at the Gotland museum and in the Visby church ruins.
19.10.2024–26.1.2025 19.10.2024–26.1.2025
2024 Project Calender
Exhibition
26.1.-25.2.2024
Claws and Connections – All the World's Senses
Autografi di Roma - Tactile Impressions of Rome displayed for the first time at the Uniarts' group show of artistic research in the Kuva/Tila Mylly building
Exhibition
15.2.-11.8.2024
Water and Life
The SURF-series (2001) is part of the group exhibition Water and Life at the Sinebrychoff Art Museum in Helsinki
Journal article in SYNTEESI 4/2022 thematic issue
Tuula Närhinen: "Helpommin nähty kuin sanottu? Pohdintoja kuvan ja sanan dialektiikasta.
In Synteesi 2023:4. Taidekirjoittaminen tutkimuksena, pp.82-94.
Suomen Semiotiikan Seura - Semiotiska Sällskapet i Finland rf.
Conference paper
Helsinki Photomedia Conference 2024
Theme: Contact Models
Venue: Dipoli, Aalto University (Otakaari 24, 02150 Espoo, Finland
Abstract of the presentation: Tuula Närhinen: Blind Vestiges of Material-to-Material Contact – Exploring the Paradigm of L'empreinte
Exhibition
17.5.-18.8.2024
Who Is an Animal?
The pinhole camera series Animalcams (2002) is part of the group exhibition Who is an Animal at the Helsinki Art Museum HAM
Recidency
Exhibition
19.10.2024 - 26.1.2025
Lithological Studies
Site-specific installation at the Gotland's Museum / The Historical Museum (Strandgatan 14, Visby)
Conference paper
10.-12.12.2024
KUVA Reseach Days 2024
Wed 11.12. morning: Research Cocktail
KuvA Research Days’ second day glimpses into ongoing research at the Academy of Fine Arts at Uniarts Helsinki.
Venue: The White Studio (Valkoinen studio), Academy of Fine Arts (Sörnäisten rantatie 19, Helsinki)
Tuula Närhinen: Vestiges, imprints and impressions – Exploring the analogue image event