Adegbite, A. 2001. The Present State of Development of African Art Music in Nigeria,‖ in African Art Music in Nigeria, ed. M. A. Omibiyi-Obidike. Nigeria: Stirling-Horden Publishers Ltd.

 

Agawu, K. 1992. Representing African Music. Critical Inquiry [Electronic], 18(2), 245–266. Available: https://www.jstor.org/stable/1343783 [2023, 19 November].

 

"Apartheid". n.d. Britannica [Electronic]. Available: https://www.britannica.com/topic/apartheid/Opposition-to-apartheid [2023, 22 November]. 

 

Borgdorff, H. 2012. Conflict of the Faculties Perspectives on Artistic Research and Academia. Leiden: Leiden University Press.

 

Broyles & Von Glahn, D. 2012. Art Music, in Grove Music Online. Oxford Music Online [Electronic]. Available: https://doi.org/10.1093/gmo/9781561592630.article.A2227279 [2023, 19 November].

 

Clarke, A. & Bautista, D. 2017. Critical Reflection on Arts-based action research. Canadian Journal of Action Research [Electronic], 18(1): 52-70. Available: https://journals.nipissingu.ca/index.php/cjar/article/view/321  [2023, 16 November].

 

Coessens, K. 2014. The Web of Artistic Practice: A Background for Experimentation. In D. Crispin & B. Gilmore (Eds.), Artistic Experimentation in Music: An Anthology (pp. 69–81). Leuven University Press.

 

Deppe, L, M. 2012. South African Music in Transition: A Flutist‘s Perspective. Unpublished doctoral thesis: University of Toronto

 

Davies, R. 2007. Rebuilding the Future or Revisiting the Past? Post-Apartheid Afrikaner Politics. Trading Africa’s Future [Electronic], 34(112): 353-370. Available:  https://www.jstor.org/stable/20406402 [2023, 20 October].

 

Ewing, M. H. 2016. Perspectives of the interaction between composer, student performer, and music educator: commissioned works in selected school ensembles. Published doctoral dissertation. Boston University: ProQuest.

 

Fanning, D. 1995. ‘Introduction. Talking about eggs: musicology and Shostakovich’, in D. Fanning (ed.) Shostakovich Studies. Cambridge: Cambridge University Press (Cambridge Composer Studies), pp. 1–16.

 

Foss, L. 1963. The Changing Composer-Performer Relationship: A Monologue and a Dialogue. Perspectives of New Music [Electronic], 1(2): 45-53. Available: https://www.jstor.org/stable/832102  [2023, 16 November].

 

Hannula, M., Suoranta, J., & Vaden, T. 2005. Artistic Research- Theories Methods and Practices.
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John-Steiner., V. 2000. Creative Collaboration. Oxford University Press


Ligeti, L. 2014. "Juilliard concert review". NewMusicSA Bulletin. 13: 9–10.

 

Loveday, C.C. 2009. Collusion and collision: a composition portfolio focusing on straight saxophone, and a thesis. Doctoral Dissertation.

 

Mc Clure, J. 2023. South African Saxophone Compositions: Exploring the process of creating new music for saxophone through the lens of artistic research and performer-composer collaboration. Unpublished master’s thesis. Stellenbosch: Stellenbosch University.


Muller, S. (2022) ‘Michael Blake’s String Quartets And The Idea Of African Art Music’, Tempo, 76(300), pp. 6–17. doi:10.1017/S0040298221000887.

 

Roche, H. 2011. Dialogue and Collaboration in the Creation of New Works for Clarinet. Unpublished Doctoral thesis. Huddersfield: University of Huddersfield [Online]. Available: http://eprints.hud.ac.uk/id/eprint/17512/  [2023, 22 November].

 

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Smit, N. 2014. Creating new music for horn through collaborative practice. Unpublished master's thesis. Stellenbosch: Stellenbosch University [Online]. Available: http://scholar.sun.ac.za/handle/10019.1/95843  [2023, 16 November].

 

Stolp. M. 2012. Contemporary Performance Practice of Art Music in South Africa: A Practice-based Research Enquiry. Doctoral Dissertation. Stellenbosch University.

 

Taylor, T. D. 1995. When we Think About Music and Politics: The Case of Kevin Volans. Perspectives of New Music [Electronic], 33 (1): 504-536. Available: https://www.jstor.org/stable/833716  [2023, 18 October].

 

 

Personal Communication

 

Asman, C. 2024. South African Art Music [email] to J. McClure, 15 January.

Hofmeyr, H. 2024. South African Art Music [email] to J. McClure, 22 January.

Schonken, A. 2024. South African Art Music [email] to J. McClure, 12 January.

Stacey, C. 2024. South African Art Music [email] to J. McClure, 15 January.

Volans, K. 2024. South African Art Music [email] to J. McClure, 19 January.

 

 

Chen, A. X. 2024. Collaboration [email] to J. McClure, 9 February.

Chen, A. X. 2023. Personal interview. 20 February, The Hague.  [Recording in possession of author].

Chen, A. X. 2023. Personal interview. 2 March, The Hague. [Recording in possession of author].

Chen, A. X. 2023. Personal interview. 15 March, The Hague. [Recording in possession of author].

Chen, A. X.  Personal communication, [WhatsApp]. 20 March 2023.

Chen, A. X. 2023. Personal interview. 4 April, The Hague.  [Recording in possession of author].

Chen, A. X. Personal communication, [WhatsApp]. 26 April 2023.

Chen, A. X. 2023. Personal interview. 5 May, The Hague.  [Recording in possession of author].

Chen, A. X. 2023. Personal interview. 8 January, The Hague.  [Recording in possession of author].

Chen, A. X. 2024. Personal interview . 20 February, The Hague.  [Recording in possession of author].

Chen, A. X. Personal communication, [WhatsApp]. 27 February 2024. 

 

Dalton, O. 2023. Personal interview. 8 March, The Hague.  [Recording in possession of author].

Dalton O. Personal Communication, [WhatsApp]. 25 April 2021.

 

Feder, A. 2021. Personal interview. 20 August, Stellenbosch. [Recording in possession of author].
Feder, A. 2021. Personal interview. 23 April, Stellenbosch. [Recording in possession of author].
Feder, A. 2022. Personal interview. 6 June, Stellenbosch. [Recording in possession of author].
Feder, A. 2022. Three Nocturnes from Africa [email] to J. Mc Clure, 30 March.
Feder, A. Personal Communication, [WhatsApp]. 25 April 2021.
Feder, A. Personal Communication, [WhatsApp]. 25 October 2021.
Feder, A. Personal Communication, [WhatsApp]. 19 July 2023.

Feder, A. Personal Communication, [WhatsApp]. 27 February 2024.

 

 

Loveday C, 2022. Personal interview. 18 June, Stellenbosch. [Recording in possession of author].

Loveday, C. 2021. 8 Minute Saxophone [email] to J. Mc Clure, 8 December.

Loveday, C. 2021. Personal interview. 26 May, Stellenbosch. [Recording in possession of author].
Loveday, C. 2021. Personal interview. 6 September, Stellenbosch. [Recording in possession of author].
Loveday, C. 2023. Personal interview. 20 July 2023, St. Francis Bay. [Recording in possession of author].

Loveday, C. 2024. 8 Minute Saxophone [email] to J. Mc Clure, 28 February.

 

Informal conversation with Dr Andile Khumalo, 26 July 2023.