Also: The Text is a Horse
(is the Horse a Text?)
I read the works of Clarice Lispector. She is the cutest. She speaks from her tomb. I read her with my autistic-lesbian-eyes. they only read HORSES. I write this in a text… no one really understands this text… they say it is INTERESTING but it doesn’t WORK. You cant have all this quotes, they say. I try to say, that’s all there is. Because Carolyn Allen says: ”intertextuality as an erotics of citation” (1992, 14) especially when it comes to EROTICS BETWEEN WOMEN///
IF WOMEN WERE HORSES.
Ok.
INTENTION
WRITE LIKE AN ESSAY, WRITE LIKE WHAT I DID, WRITE ABOUT MY OBSESSION!!! WRITE ABOUT HORSES. WRITE ABOUT EATING. WRITE ABOUT THE HORSE GIRL
WRITE ABOUT EPONA
WRITE ABOUT ALL HORSES
WRITE ABOUT HORSES
POESI ESSÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ
Epona
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From Wikipedia, the free encyclopedia
This article is about the goddess. For the video game character, see Epona (The Legend of Zelda).
Epona, second or third century AD, from Contern, Luxembourg (Musée national d'art et d'histoire, Luxembourg City)
In Gallo-Roman religion, Epona was a protector of horses, ponies, donkeys, and mules. She was particularly a goddess of fertility, as shown by her attributes of a patera, cornucopia, ears of grain, and the presence of foals in some sculptures. She and her horses might also have been leaders of the soul in the after-life ride, with later literary parallels in Rhiannon of the Mabinogion. The worship of Epona, "the sole Celtic divinity ultimately worshipped in Rome itself", as the patroness of cavalry, was widespread in the Roman Empire between the first and third centuries AD; this is unusual for a Celtic deity, most of whom were associated with specific localities.
