MAPPING, COUNTERMAPPING, WALKING, NOTE TAKING, CREATING SPACES, ABANDONED PLACES, FOLLOWING PROCESSES, CONSTRUCTING SITES, BLOCK STUDY, NEIGHBOURHOOD AND NEIGHBOURING THEORIES, HISTORIES, MATERIAL, LABOUR AND ITS MARKETS, WILD GARDENING AND LIVING LIBRARIES .... IN AND AROUND AND OUT OF TRONDHEIM!
>> To be found at KIT library, sixth floor:
https://www.rssprss.net/shop/p/lounge-tunic-hfffx.
The City in the Sandbox documents the field research undertaken by Kristian Byskov and Margarita del Carmen at Copenhagen’s ‘staffed playgrounds’, and offers a critical analysis of how the staff’s pedagogical approaches can function as a model for better development of urban space. An approach that would encompass more meaningful and empowered inclusion of the city’s residents - and not least its children, who inhabit the city in ways that adults have often forgotten but could profitably learn from. The authors ask what the city's urbanisation would look like if a pedagogical perspective drove the planning, design and decision process.
Henri Lefebvre: The Right to the City
Fragmentary Sciences and Urban Reality
During the course of the nineteenth century, the sciences of social reality are constituted against philosophy which strives to grasp the global (by enclosing a real totality into a rational systematization). These sciences fragment reality in order to analyse it, each having their method or methods, their sector or domain. After a century, it is still under discussion whether these sciences bring distinct enlightenment to a unitary reality, or whether the analytical fragmemation chat they use corresponds to objective differences, articulations, levels and dimensions.
https://theanarchistlibrary.org/library/henri-lefebvre-right-to-the-city
Heinz Emigholz, Photography and beyond
Architecture, Films, Drawings, Texts
https://pym.de/en
Walking Theory. / Ana Vujanović, Sep, 2016
My interest in “walking theory” initially came from an education in art and humanities, which taught us that art was an intimate activity of the artist-genius who creates directly from his guts, while theory was an abstract speculation, which, if you let it come closer, can castrate artistic freedom. Paradoxically, all this was promoted in Belgrade in the 1990s, in the context of the civil wars in the former Yugoslavia, the international sanctions, the regime of Slobodan Milošević, and the transition from socialism to capitalism.