Just Do It! Exploring the musician's (use of) bodily performance

Andreas Borregaard

In the 21st century an increasing number of composers and performers include elements in their work that activate the musicians’ voice and body in ways not related to playing an instrument. The musician’s moving, dancing, touching, speaking, singing, shouting, grimacing, sounding body opens an novel and still expanding palette of expression – but its use also requires new skills that are currently not an explicit part of higher musical education or standard musical performance practice. Just Do It! is an artistic research project that seeks to explore the possibilities of bodily performance in an expanded field of music and to detect, define and describe some of the skills and knowledge needed to realize them. The project’s practice-based methodology is rooted in the creation of five new solo pieces for accordion and body and a concerto for ensemble and accordionist written by James Black, Marcela Lucatelli, Philip Venables/Ted Hufmann, Jennifer Walshe, Louise Alenius and Andreas Borregaard.

JUST DO IT!

Artistic Results – Artistic Reflection – Intro – Performing Jennifer Walshe’s SELF-CARE – Piece About Everything – Drifting Diary – My favourite piece is the Goldberg Variations – Mind the Gap – The Q/A – PERSONHOOD – Outro

[Although SELF-CARE is not part of Just Do It!, working closely with Jennifer Walshe in the creation of the piece was a direct inspiration to further investigate physical non-instrumental performance from an instrumentalist’s point of view and to the genesis of the research project. The text ‘Performing Jennifer Walshe's SELF-CARE’ was written during the first covid lockdown in 2020 and is a part of the research project. It will be published in the book Music Performance Encounters: Collaborations and Confrontations (Routledge) in November 2023. Due to licensing regulations, the text cannot be shown here.]

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Andreas Borregaard - Just Do It! Exploring the musician's (use of) bodily performance - 2023