List of musical examples
Viennese violone examples recorded by Yussif Barakat, by Chun-Yuan Yang (in green), by Giuseppe Ciraso-Calì (in red), by Darija Andelic-Andzakovic (in blue), and by me (in purple).
- Wolfgang Amadeus Mozart, Aria “Per questa bella mano” K612 for solo bass singer and Viennese violone obligato, bars 9-18.
- Joseph Haydn, lost concerto “per il violone” [contra violone]: incipit first movement, 2 bars.
- Joseph Haydn, 6th symphony “Le matin” Hob. I:6, mvt 3, trio, bars 35-64, violone solo.
- Joseph Haydn, 72nd symphony Hob. I:72, mvt 4, Finale, Theme and variations, variation IV, bars 65-80, violone solo.
- Johannes Matthias Sperger, 18th Concerto, Second theme of the 3rd mvt, bars 103-110, excerpt of my CD recording “A Viennese afternoon”, Da Vinci Classics 2021.
- Johannes Matthias Sperger, 18th Concerto, Syncopated Variation of the 2nd mvt, bars 45-52, excerpt of my CD recording “A Viennese afternoon”, Da Vinci Classics 2021.
- Karl Ditters von Dittersdorf, Duet for Viola and Violone, Theme and variations, 3rd variation, bars 49-64, excerpt of my CD recording “A Viennese afternoon”, Da Vinci Classics 2021.
- Johannes Matthias Sperger, 18th Concerto, First theme of the 1st mvt, bars 111-116, excerpt of my CD recording “A Viennese afternoon”, Da Vinci Classics 2021.
- Joseph Haydn, L’isola disabitata Hob. Ia:13, azione teatrale in due parti, Vivace assai, bars 23-42.
- Ludwig van Beethoven, 2nd symphony Op. 36, mvt 1, Adagio molto, bars 15-25.
- Ludwig van Beethoven, 2nd symphony Op. 36, mvt 1, Allegro con brio, bars 38-73.
- Ludwig van Beethoven, 2nd symphony Op. 36, mvt 1, Allegro con brio, bars 77-80.
- Ludwig van Beethoven, 2nd symphony Op. 36, mvt 2, Larghetto, bars 48-55 and 142-148.
- Ludwig van Beethoven, 2nd symphony Op. 36, mvt 4, Allegro molto, bars 268-282.
- Ludwig van Beethoven, 3rd symphony “Eroica” Op. 55, mvt 1, Allegro con brio, bars 109-123.
- Ludwig van Beethoven, 3rd symphony “Eroica” Op. 55, mvt 2, Marcia Funebre Adagio assai, bars 1-8.
- Ludwig van Beethoven, 3rd symphony “Eroica” Op. 55, mvt 4, Finale Allegro molto, bars 160-173.
- Franz Schubert, “Trout” quintet D. 667, mvt 1, Allegro vivace, bars 1-25.
- Franz Schubert, “Trout” quintet D. 667, mvt 1, Allegro vivace, bars 181-183.
- Franz Schubert, “Trout” quintet D. 667, mvt 4, Thema & variations, variation 1, bars 21-28a.
- Franz Schubert, “Trout” quintet D. 667, mvt 4, Thema & variations, variation 4, bars 81-85.
- Franz Schubert, Octet F-major D. 803, mvt 1, Adagio, bars 1-15.
- Franz Schubert, Octet F-major D. 803, mvt 1, Allegro, bars 183-193.
- Franz Schubert, Octet F-major D. 803, mvt 6, Andante molto, bars 1-5.
- Franz Schubert, Octet F-major D. 803, mvt 6, Allegro, bars 34-57.
- Franz Schubert, Overture “im italienischen Stil” for orchestra in C Major D. 591, bars 39-48.
- Franz Schubert, “Trout” quintet D. 667, mvt 2, Andante, bars 37-38.
- Franz Schubert, Overture “im italienischen Stil” for orchestra in C Major D. 591, bars 83-92.
- Franz Schubert, Overture “im italienischen Stil” for orchestra in C Major D. 591, bars 208 to the end.
- Franz Schubert, 4th “Tragic” symphony C-minor D. 417, mvt 1, Allegro vivace, bars 39-59.
- Franz Schubert, 4th “Tragic” symphony C-minor D. 417, mvt 3, Menuetto Allegro vivace, bars 1-14.
Fourths-tuned bass examples recorded by Eva Euwe
- Ludwig van Beethoven, 2nd symphony Op. 36, mvt 1, Adagio molto, bars 15-25.
- Ludwig van Beethoven, 2nd symphony Op. 36, mvt 1, Allegro con brio, bars 38-73.
- Ludwig van Beethoven, 2nd symphony Op. 36, mvt 1, Allegro con brio, bars 77-80.
- Ludwig van Beethoven, 2nd symphony Op. 36, mvt 2, Larghetto, bars 48-55 and 142-148.
- Ludwig van Beethoven, 2nd symphony Op. 36, mvt 4, Allegro molto, bars 268-282.
- Ludwig van Beethoven, 3rd symphony “Eroica” Op. 55, mvt 1, Allegro con brio, bars 109-123.
- Ludwig van Beethoven, 3rd symphony “Eroica” Op. 55, mvt 2, Marcia Funebre Adagio assai, bars 1-8.
- Ludwig van Beethoven, 3rd symphony “Eroica” Op. 55, mvt 4, Finale Allegro molto, bars 160-173.
- Franz Schubert, “Trout” quintet D. 667, mvt 1, Allegro vivace, bars 1-25.
- Franz Schubert, “Trout” quintet D. 667, mvt 1, Allegro vivace, bars 181-183.
- Franz Schubert, “Trout” quintet D. 667, mvt 4, Thema & variations, variation 1, bars 21-28a.
- Franz Schubert, “Trout” quintet D. 667, mvt 4, Thema & variations, variation 4, bars 81-85.
- Franz Schubert, Octet F-major D. 803, mvt 1, Adagio, bars 1-15.
- Franz Schubert, Octet F-major D. 803, mvt 1, Allegro, bars 183-193.
- Franz Schubert, Octet F-major D. 803, mvt 6, Andante molto, bars 1-5.
- Franz Schubert, Octet F-major D. 803, mvt 6, Allegro, bars 34-57.
- Franz Schubert, Overture “im italienischen Stil” for orchestra in C Major D. 591, bars 83-92.
- Franz Schubert, Overture “im italienischen Stil” for orchestra in C Major D. 591, bars 208 to the end.
- Franz Schubert, 4th “Tragic” symphony C-minor D. 417, mvt 1, Allegro vivace, bars 39-59.
- Franz Schubert, 4th “Tragic” symphony C-minor D. 417, mvt 3, Menuetto Allegro vivace, bars 1-14.
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