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• contents
  • Title Page
  • Introduction
  • Chapter 1: Biography of Felipe Libón and his works
  • Chapter 2: The evolution of the Violin Concerto and the French Violin School
  • Chapter 3.1: Development of the bow and the "Heroic Violinist"
  • Chapter 3.2: Analysis of Viotti’s Concerto No. 22 (London, ca. 1793-1797): I. Moderato
  • Chapter 3.3: Libón’s Violin Concerto No. 6: dedicatees, publishing and performance dates
  • Chapter 3.4: Analysis of the first movement: Poco Allegro
  • Chapter 3.5.1: Historically Informed Performance Case Study. General Remarks
  • Chapter 3.5.2: HIP Case Study. The Violin Hold, Support system and Left-hand technique
  • Chapter 3.5.3: HIP Case Study. Right-hand technique and Articulation
  • Chapter 3.5.4: HIP Case Study. Ornamentation
  • Conclusions
  • Bibliography
  • Saya Ikenoya
• navigation
• abstract
  One of the first Spanish virtuoso violinists to achieve international recognition, Felipe Libón enjoyed a successful performing and composing career. He worked and performed alongside other celebrated violinists: Rode, Kreutzer, and Baillot, who were founders of the so-called "19th Century French Violin School". We will experiment with applying the extensive indications of the treatises (Baillot, Campagnoli, Woldemar, Spohr, Cartier, and Libón himself) to build a performance practice case study.
• Saya Ikenoya - Felipe Libón, the first travelling Spanish Virtuoso and his Violin Concerto No.6 (1812). A Performance Practice case study: I. Poco Allegro - 2023
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