Primary sources:
Bermudo, Juan. Comiença el libro llamado declaraciõ e instruments. Osuna: Juan de León, 1555
Daza, Esteban. El Parnaso. Valladolid, 1576.
Fuenllana, Miguel de. Libro de música para vihuela intitulado Orphénica Lyra.Sevilla 1554.
Galilei, Vinczenzo. Fronimo. Forni, 1584.
Milán, Luis de. Libro de música de vihuela de mano intitulado El Maestro. Valencia, 1536
Morales, Cristóbal de. Missarum. Libro I. Valerio&Luigi Dorico. Rome. 1544.
Morales, Cristóbal de. Missarum. Libro II. Valerio&Luigi Dorico. Rome. 1544.
Mudarra, Alonso. Tres libros de música en cifra para vihuela. Sevilla, 1546.
Narváez, Luis de. Los seys libros del Delphin. Valladolid, 1538.
Pacheco, Francisco. Libro de descripción de verdaderos retratos de ilustres y memorables varones. Librería española y estranjera de Rafael tarascó y Lassa. Madrid. 1599.
Pisador, Diego: Libro de la música de vihuela. Salamanca, 1552.
Valderrábano, Enríquez de: Libro de música de vihuela intitulado Silva de sirenas, Valladolid 1547.
Secondary sources:
Álvarez, Manuel Fernández. Carlos I de España y V de Alemania [online]. Available from: http://dbe.rah.es/biografias/10728/carlos-i-de-espana-y-v-de-alemania
Álvárez, Manuel Fernández. Felipe II [online]. Available from: http://dbe.rah.es/biografias/10065/felipe-ii
Bal, J. Fuenllana and the Transcription of Spanish Lute-Music. Acta Musicologica 11, no. 1/2, 1939. Available form: https://doi.org/10.2307/932118.
Bláha, Vladislav. Dějiny kytary s přihlédnutím k literatuře nástroje. Brno: Janáčkova akademie múzických umění, 2013.
Brown, Howard Mayer. Embellishment in Early Sixteenth-Century Italian Intabulations. Proceedings of the Royal Musical Association 100, 1973. Available from http://www.jstor.org/stable/766176.
Chalupa, Jiří. Stručná historie států: Španělsko 2. aktualizované vydání. Praha: Ibri, 2010
Corominas, Joan. Diccionario crítico etimológico de la lengua castellana. Vol. 5. Madrid: Gredos, 1983.
Corona Alcalde, Antonio Benigno Felipe: The players and performance practice of the vihuela and its related instruments, the lite and the guitar, form c. 1450 to c. 1650, as revealed by a study of musical, theretical and archival sources. Ph.D. Dissertation, King’s College, University of London, 1999.
Cruz Rodríguez, Javier. New Information on the Vihuelist Diego Pisador: His Life, Teaching, and Work. Journal of the Lute Society of America 54, 2021.
Collins, Timothy A. Reactions against the Virtuoso.’ Instrumental Ornamentation Practice and the Stile Moderno. International Review of the Aesthetics and Sociology of Music 32, no. 2, 2001. Available from: https://doi.org/10.2307/1562263.
Espinoza, Dawn Astrid. Juan Bermudo: “On Playing the Vihuela”. Journal of the Lute Society of America, inc., volumes XXVIII-XXIX, 1995-1996
Galilei, Vincenzo, and Carol MacClintock. Fronimo : 1584 / Vincenzo Galilei ; Translated and Edited by Carol MacClintock. Rome: American Institute of Musicology.
Gásser, Luis. Luis Milán on sixteenth-century performance practice. Bloomington: Indiana University Press, 1996.
Griffiths, John. At Court and at Home with the vihuela de mano: Current perspectives of the Instrument, its Music and its World [online]. 1989. Available from: https://www.lavihuela.com/my-publications
Griffiths, John. Esteban Daza: el enigma desvelado de un vihuealista español. Hispanica Lyra: Revista de la Sociedad de Vihuela. 2007. Available from https://www.lavihuela.com/my-publications
Griffiths, John. Extremos: desarollo y declive de la vihuela. Hispanica Lyra [online]. 2014, (vol. 18). Available from: https://www.lavihuela.com/my-publications
Griffiths, John. Juan Bermudo, Self Instruction and the Amateur Instrumentalist. Music Education in the Middle Ages and the Renaissance. Ed. Russell Murray Jr, Susan Forscher Weiss, and Cynthia J. Cyrus. Bloomington: Indiana University Press, 2010.
Griffiths, John. Hidalgo, Mercader, sacerdote, o poeta: vihuelas y vihuelistas en la vida urbana. Hispanica Lyra: Revista de la Sociedad de Vihuela. 2009. Available from: https://www.lavihue- la.com/my-publications
Griffiths, John. La vihuela el la época de Felipe II.: Políticas y Prácticas musicales en el mundo de Felipe II: Estudios sobre la música en España, sus instituciones y sus territorios en la segunda mitad del siglo XVI. Madrid: Instituto Complutense de Ciencias Musicales, 2004. Available from: https:// www.lavihuela.com/my-publications
Griffiths, John. Las vihuelas en la época de Isabel de Católica. Cuadernos de Música Iberoamericana 20 [online]. 2010. Available from: https://www.lavihuela.com/my-publications
Griffiths, John. Semblanzas de compositores españoles: Luis Milán. Revista de la Fundación Juan March, 2011 Available from: https://digital.march.es/fedora/objects/fjm-pub:4442/datastre- ams/OBJ/content
Griffiths John. The vihuela book "El Parnaso" by Esteban Daza. Studies in Music, 1976. Available from https://www.lavihuela.com/my-publications
Griffiths, John. The Vihuela: performance practice, style and context. Lute, Guitar, and Vihuela: Historical Performance and Modern Interpretation. Ed Victor Coelho. Cambridge Studies in Performance Practice. Cambridge: CUP, 1997.
Griffiths, John and Dinko Fabris. Neapolitan Lute Music: Fabrizio Dentice, Giulio Severino, Giovanni Antonio Severino, Francesco Cardone. Recent Researches in Music of the Renaissance 140. A-R Editions, Madison, Wisconsin, USA, 2004. ISBN 978-1-9872-0262-5.
Jacobs, Charles. Ornamentation in Spanish Renaissance Vocal Music. Performance Practice Review: Vol. 4: No. 2, Article 3. DOI: 10.5642/perfpr.199104.02.03. Available from http://scholarship.claremont.edu/ppr/vol4/iss2/3
Jacobs, Charles. Spanish Renaissance Discussion of Musica Ficta. Proceedings of the American Philosophical Society112, no. 4, 1968. Available from http://www.jstor.org/stable/985873.
Karp, T. Musica ficta. Encyclopedia Britannica, December 5, 2007. Available from: https://www.britannica.com/art/musica-ficta.
Klaus Pietschmann, Noel O’Regan, and Tess Knighton. A Renaissance Composer Writes to His Patrons: Newly Discovered Letters from Cristóbal de Morales to Cosimo I de’ Medici and Cardinal Alessandro Farnese. Early Music 28, no. 3, 2000. p. 383. Available from: http://www.jstor.org/stable/3519057
Pope, Isabel. Journal of the American Musicological Society 16, no. 1 (1963): 86–88. https://doi.org/10.2307/829925). and Stevenson, Robert. Juan Bermudo, The Hague: Martinus Nijhoff, 1960.
Poulton, Diana. Early Music 6, no. 4, 1978. Available from: http://www.jstor.org/stable/3125775
Pujol, Emilio. Tres libros de música en cifra para vihuela. Barcelona: Consejo Superior de Investigaciones Cientificas, 1984.
Rubio, Samuel. Historía de la música española 2: Desde el ars nova hasta 1600. Madrid: Alianza editorial, 1983.
Smith, Anna. The Performance of 16th-Century Music. Oxford University Press, 2011. Smith, Anna. The Performance of 16th-Century Music. Oxford University Press, 2011.
Stevenson, Robert. Cristóbal de Morales (ca. 1500-53): A Fourth-Centenary Biography. Journal of the American Musicological Society 6, no. 1, 1953. Available from: https://doi.org/10.2307/829997.
Stevenson, Robert. Spanish Cathedral Music in the Golden Age. Berkeley: University of California Press, 1961. Available from: http://catalog.hathitrust.org/api/volumes/oclc/608794.html
Trend, J. B. Cristobal Morales. Music & Letters 6, no. 1 (1925): http://www.jstor.org/stable/726611.
Villaverde, María José. Leyenda negra: Una historia interminable [online]. [cit. 2022-11-03]. Available from: https://elpais.com/elpais/2016/05/02/opinion/1462213464_344053.html
Online sources:
https://vihuelagriffiths.com/vihuela/instruments/
http://www.betsillworkshop.com/vihuela.htm
http://bdh-rd.bne.es/viewer.vm?id=0000145094&page=1
https://www.earlymusicsources.com/youtube/intabulations
https://dbe.rah.es/biografias/27711/juan-bermudo
https://moralesmassbook.bc.edu/morales-bio/
https://stimmbuecher.digitale-sammlungen.de//view?id=bsb00075671
http://www.medieval.org/emfaq/harmony/pyth2.html
https://digi.vatlib.it/view/MSS_Capp.Sist.17
http:// www.musicaantigua.com/alonso-mudarra-el-musico-del-infantado/
