Index
1. Liszt and religion: a biographical preface
- 1.1. Liszt: beyond the pianist
- 1.2 Abbé de Lamennais: revolution and religion
- 1.3 The context around the composition of the Piano Sonata in B minor
- 2.1. The beginning: the symbol of temptation and damnation
- 2.2. Symbols of Lucifer and Satan: two sides of the same coin
- 2.3. The Cross symbol
- 2.4. The faith theme
- 3.1. The true reason of the connection with the Sonata
- 3.2. Comparing the Sonata and the “Faust Symphony”
- 3.3. A Faustian interpretation of the Sonata
4. Milton’s Paradise Lost and the Bible
- 4.1. Why the Paradise Lost? The reasons behind a different vision
- 4.2. Another vision: a Miltonian/Biblical interpretation of the Sonata
5. Conclusions: a universal program and a “leading thought” throughout the piece
- 5.1. An all-embracing program
- 5.2. Interpretive suggestions
- 5.2.1. The beginning
- 5.2.2. The Cross motif: the meaning of Grandioso and appassionato
- 5.2.3 The “circular” fugue
- 5.2.4. The last bars