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As an artist, Krien Clevis is fascinated by the phenomenon of place in relation to beginnings and final destinations. This study links up the concept of place with memory, with the idea of transience and the transition from life to death. The main research question addressed the following concern: 'how can I present my work in a way so that it both comprises a representation of place and emerges or exists as a place itself?' As the research was geared toward places of meaning, Clevis also aspired to create new places of meaning. The search for them involved a journey through time and space __ not just _ la recherche du temps perdu, but also _ la recherche du lieu perdu. The research expanded into various areas that are somewhat affiliated with art, namely archeology, architecture and (art)history. Through the photo works and the installation Clevis created, Clevis intends to share a visual story with the audience and find a way in which viewers of the work may appropriate the story and add to it by mobilizing their own perceptions. The reflections on the quality and characteristics of place took Clevis to the classical houses found in Pompeii and the ancient tombs of Rome and Cerveteri. The connection between these spatial manifestations of life and death as two extremes is essential to me. The historical research made Clevis aware that as an artist Clevis is part of long tradition indeed. As such the artistic sightline cuts across the historical sightline in this work, to which Clevis also added a more personal, autobiographical sightline as a third meaningful dimension.
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