This research project was supported by Art et Science (FR) and the DFG (Germany) — project number 446040934. This exposition is related to the article ‘Dresse-toi!’ Perspectives on the (Re)Valorisation of Nonhuman Animal Performers in Contemporary Circus’, 2024, by Franziska Trapp in the Animal Studies Journal, 13.1: 103–36.
Amp. 2016. ‘Gut Gebrüllt, Löwe’, Facebook,<https://de-de.facebook.com/gutgebruellt/> [accessed 21 December 2022]
Arrault, Valéry, Phillippe Goudard, and Annick Asso (eds). 2022. Le Cirque Des Humains et Les Animaux Au Travail, Circus Science vol. 1 (Montpellier: Université Montpellier)
Barad, Karen. 2007. Meeting the Universe Halfway (Durham, NC: Duke University Press)
Baston, Kim. 2021. ‘The Equestrian Circus’, in The Cambridge Companion to the Circus, ed, by Gillian Arrighi and Jim Davis (Cambridge, UK: Cambridge University Press), pp. 107–26
Benjamin Richter. 2022. ‘The Language of Objects Checklist’. Unpublished document. Berlin. See <https://benjaminrichter.net/TLO> [accessed 19 November 2024]
Bennett, Jane. 2010. Vibrant Matter (Durham, NC: Duke University Press)
Bogost, Ian. 2012. Posthumanities (Minneapolis: University of Minnesota Press)
Chaudhuri, Una. 2017. The Stage Lives of Animals (Abingdon, UK; New York, NY: Routledge)
CNAC. n.d. ‘Certifications En Arts Équestres’, <https://www.equiressources.fr/metiers-formations-formations-details.aspx?id=76> [accessed 24 November 2022]
Coole, Diana H., and Samantha Frost. 2010. ‘Introducing the New Materialisms’, in New Materialisms: Ontology, Agency, and Politics, ed. by Diana H., Coole and Samantha Frost (Durham, NC: Duke University Press), pp. 1–46
Coudurier-Boeuf, Elise. 2022. ‘La Bonnette’. Unpublished dossier containing the presentation of the project in the frame of funding applications.
Davis, C.B. 2007. ‘Cultural Evolution and Performance Genres: Memetics in Theatre History and Performance Studies’, Theatre Journal, 59.4: 595–614
Despret, Vinciane. 2016. Que Diraient Les Animaux, Si... on Leur Posait Les Bonnes Questions? La Découverte/Poche Essais vol. 415 (Paris: La Découverte/Poche)
Dray, Charlène. 2022. ‘Unveil Inter-Species Relationships through an Experimental Practice of Scenography’, in Benessere Condiviso. Reciprocità e Consapevolezza Nella Relatione Terapeutica Tra Persone e Animali. Storie, Percorsi, Studi e Progretti, ed. by Giuliana Gemelli and Francesco Lanza (Bologna: Baskerville), pp. 249–57
—— 2023. ‘Technozoosemiotics. Think and Practices of Scenography with the Horse for a Modern Aesthetic Drama’, in Animal Performance Studies, ed. by Laura Budriesi (Torino: Accademia University Press), pp. 322–37
Fischer-Lichte, Erika. 2008. The Transformative Power of Performance (New York: Routledge)
Fricker, Karen, and Hayley Malouin. 2018. ‘Introduction: Circus and its Others’, Performance Matters, 4.1–2: 1–18
Gensel, Amelie. 2019. ‘Hologramme Im Circus Roncalli—Applaus Für Die Neue Tierdarbietung’, Stuttgarter Nachrichten, June 14, <https://www.stuttgarter-nachrichten.de/inhalt.hologramme-imcircus-roncalli-applaus-fuer-die-neuetierdarbietung.87c05548-348c-4efd-821a-59839d5d0efa.html> [accessed 19 November 2024]
Grusin, Richard (ed). 2015. The Nonhuman Turn, 21st Century Studies series (Minneapolis: University of Minnesota Press)
Guy, Jean-Michel. 2001. ‘Introduction’, in Avant-Garde, Cirque. Les Arts de La Piste En Révolution, ed. by Jean-Michel Guy, Série Mutations (Paris: Autrement), pp. 10–23
Haraway, Donna J. 2004. The Haraway Reader (New York, NY: Routledge)
—— 2020. The Companion Species Manifesto, 7th edn (Chicago: Prickly Paradigm Press)
Harman, Graham. 2018. Speculative Realism (Cambridge, UK; Medford, MA: Polity Press)
Hayles, Nancy Katherine. 2010. How We Became Posthuman, reprint edn (Chicago: University of Chicago Press)
Leroux, Louis Patrick. 2016. ‘Reinventing Tradition, Building a Field’, in Cirque Global: Quebec’s Expanding Circus Boundaries, ed. by Louis Patrick Leroux and Charles R. Batson (Montreal: McGill Queen’s University Press), pp. 3–21
Morton, Timothy. 2013. Realist Magic: Objects, Ontology, Causality (London, UK: Open Humanities Press)
Singer, Peter. 1995. Animal Liberation (London, UK: Pimlico)
Stokes, John. 2004. ‘“Lion Griefs”: The Wild Animal Act as Theatre’, New Theatre Quarterly, 20: 138–54
Tait, Peta. 2012. Wild and Dangerous Performances: Animals, Emotions, Circus (New York: Palgrave Macmillan)
—— 2016. Fighting Nature: Travelling Menageries, Animal Acts and War Shows (Sydney: Sydney University Press)
—— 2021. ‘Animals, Circus, and War Re-Enactment: Military Action to Colonial Wars’, in The Cambridge Companion to the Circus, ed. by Gilligan Arrighi and Jim Davis (Cambridge, UK: Cambridge University Press), pp. 127–40
Wemmer, Christen, and Catherine Christen (eds). 2008. Elephants and Ethics: Toward a Morality of Coexistence (Baltimore: Johns Hopkins University Press)
Wolfe, Cary. 2003. Animal Rites: American Culture, the Discourse of Species, and Posthumanist Theory(Chicago: University of Chicago Press)
—— 2011. What Is Posthumanism?, 3rd edn (Minneapolis, MN: University of Minnesota Press)
Dumbo, dir. by Tim Burton. 2019. Produced by Justin Springer, Ehren Kruger, Derek Frey, and Katterli Frauenfelder. Starring Colin Farrell, Michael Keaton, Danny DeVito, Eva Green, and Alan Arkin (Walt Disney Pictures)
Water for Elephants, dir. by Francis Lawrence. 2011. Produced by Gil Netter, Erwin Stoff, and Andrew R. Tennenbaum. Starring Reese Witherspoon, Robert Pattinson, Christoph Waltz (20th Century Fox)
Abramovic, Marina. 1990. Dragon Head. Performed by Marina Abramovic and a snake
Beuys, Joseph. 1969. Iphigenie. Performed by Joseph Beuys and one mold
—— 1974. I like America and America Likes Me. Performed by Joseph Beuys and a Coyote
Cie Baro d’Evel. 2021. Falaises, dir. by Camille Decourtye et Blaï Mateu Trias. On stage: Noëmie Bouissou, Camille Decourtye, Claire Lamothe, Blaï Mateu Trias, Oriol Pla, Julian Sicard, Marti Soler, Guillermo Weickert, one horse, some pigeons
Cirque André Joseph Bouglione. 2018. Ecocique, dir. by André Joseph and Sandrine Bouglione
Cie Equinoctis. 2019. Dresse-toi, dir. by Sabrina Sow. Performed by Sabrina Sow, Jacob Vandenburgh, Victoria Belen Martinez and four horses, namely Bouboule, Cynique, Babouchka and Blossom. Light by Cilles Faure. Sound by Tatiana Paris. Scenography by Xavier Mertens
Circus Roncalli. 2019. Storyteller, dir. by Bernard Paul.
Cie Baro d’Evel www.barodevel.com
Cie Sacekripa www.sacekripa.com
Théâtre de Zingaro www.bartabas.fr
Théatre du Centaure www.theatreducentaure.com
Cavalia www.cavalia.com
Cie HorsSystèmes www.charlenedray.com
Cie Equinoctis www.cieequinoctis.com
