Screenshots from the "process canvas" in Research Catalogue. The canvas includes images, videos, audio files with music, audio files with spoken words and reflections, scribblings, drawings, short notes, more elaborate texts. The canvas was open to all the participants during the week, but not open to public. These screenshots are meant to give you a flavour of how it looked during the Lab week.
My repeatable action was: turning on two hardware-hacked eBows on the guitar; placing two small magnets on the A string; turning off the eBows. To try and bring forward the differences between each repetition I had the idea to play all videos at the same time, which worked quite well. So I render some videos of that using two different editing strategies:
Preparation for the LAB
THE SOLOIST IN CONTEMPORARY PIANO CONCERTI (2018)
Ellen Ugelvik
PERCUSSION THEATRE: A BODY IN BETWEEN (2019)
Jennifer Torrence
THE HYPER(SONAL) PIANO PROJECT (2019)
Morten Qvenild
ENSEMBLE & ENSEMBLE OF ME - WHAT I THINK ABOUT WHEN I THINK ABOUT IMPROVISATION (2017)
Ivar Grydeland