References
Agha, Asif (2005). “Voice, Footing, Enregisterment.” Journal of Linguistic Anthropology 15/1: 38–59.
Anderson, Benedict Richard O’Gorman (1990). “Sembah-Sumpah: The Politics of Language and Javanese Culture.” In Benedict R. O’G. Anderson, Language and Power. Exploring Political Cultures in Indonesia (pp. 194-240). Ithaca: Cornell University Press.
Antlöv, Hans (1995). Exemplary Centre, Administrative Periphery: Rural Leadership and the New Order in Java. Richmond: Curzon Press.
Bonnet, François J. (2016). The Order of Sounds: A Sonorous Archipelago (trans. Robin Mackay). Oxford: Urbanomic Media Ltd.
Burhani, Ahmad Najib (2022). “Noise Normalization” (trans. Hyginus Hardoyo).
Certeau, Michel de (2002). The Practice of Everyday Life, first edition (trans. Steven F. Rendall). Oakland: University of California Press.
Chieng, Julia (2021). “Sound Ethnography: Negotiating Noise in the Leisure Soundscape.” In Sanne Krogh Groth and James G. Mansell (eds.), Negotiating Noise: Across Places, Spaces and Disciplines. Lund: Lund University.
Cobussen, Marcel (2021). “Some Noise on Noise.” In Sanne Krogh Groth and James G. Mansell (eds.), Negotiating Noise: Across Places, Spaces and Disciplines. Lund: Lund University.
Colombijn, Freek (2007). “Toooot! Vroooom! The Urban Soundscape in Indonesia.” Sojourn: Journal Of Social Issues in Southeast Asia 22/2: 255–272.
Dattatreyan, Ethiraj Gabriel and Isaac Marrero-Guillamón (2019). “Introduction: Multimodal Anthropology and the Politics of Invention.” American Anthropologist 121/1: 220–228.
Deleuze, Gilles (1988). Foucault (trans. Seán Hand). Minneapolis: University of Minnesota Press.
Donzelli, Aurora (2016). “Crossover Politics. Spatiotemporal Images of the Nation-State and the Vintage Aesthetics of the Margins in Post-Suharto Political Oratory (Working Paper No. 158).” Tilburg: Tilburg Papers in Culture Studies.
Foucault, Michel (1997). Ethics: Subjectivity and Truth, Vol. 1. (ed. Paul Rabinow, trans. Robert Hurley). New York: New Press.
Geertz, Clifford (1976). The Religion of Java. Chicago: University of Chicago Press.
Hartono, Patrick G. (2021). “Understanding Noise: A Composer’s Reflection.” In Sanne Krogh Groth and James G. Mansell (eds.). Negotiating Noise: Across Places, Spaces and Disciplines. Lund: Lund University.
Hegarty, Paul (2006). “Noise Music.” The Semiotic Review of Books 16.
Kaartinen, Timo (2000). “Bapa Raja: Equalizing and Hierarchizing Effects of the National Language.” Suomen Antropologi 25/2: 6–19.
Karel, Ernst (2003). “Kerala Sound Electricals: Amplified Sound and Cultural Meaning in South India” (Doctoral dissertation). Chicago: University of Chicago.
Keane, Webb (2003). “Public Speaking: On Indonesian as the Language of the Nation.” Public Culture 15/3: 503–530.
Keisalo, Marianna (2016). “A Semiotics of Comedy: Moving Figures and Shifting Grounds of Chapayeka Ritual Clown Performance.” HAU: Journal of Ethnographic Theory 6/2: 101–121.
Keisalo, Marianna (2017). “‘Picking People to Hate’: Reversible Reversals in Stand-up Comedy.” Journal of the Finnish Anthropological Society 41/4: 62–76.
Kuipers, Joel (2013). “Evidence and Authority in Ethnographic and Linguistic Perspective.”Annual Review of Anthropology 42/1: 399–413.
LaBelle, Brandon (2015). Background Noise: Perspectives on Sound Art, second edition. New York: Bloomsbury Publishing.
Lounela, Anu (2009). Contesting Forests and Power: Dispute, Violence and Negotiations in Central Java. Helsinki: Helsingin yliopisto.
Mignolo, Walter D. (2009). “Epistemic Disobedience, Independent Thought and Decolonial Freedom.” Theory, Culture & Society 26/7-8: 159–181.
Mines, Diane (1995). “Making and Remaking the Village: The Pragmatics of Social Life in Rural Tamilnadu” (Doctoral dissertation). Chicago: University of Chicago.
Neumark, Norie (2017). Voicetracks: Attuning to Voice in Media and the Arts. Cambridge: MIT Press.
Pemberton, John (1987). “Musical Politics in Central Java (Or How Not to Listen to a Javanese Gamelan).” Indonesia 44: 17–29.
Pinney, Christopher (2005). “Things Happen: Or, From Which Moment Does That Object Come?” In Daniel Miller (ed.), Materiality (pp. 256-272). Durham: Duke University Press.
Rovner, Lisa (Director) (2021). Sisters with Transistors. United Kingdom: Willow Glen Films.
Schafer, R. Murray (1993). The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester: Destiny Books.
Serres, Michel (2007). The Parasite (trans. Lawrence R. Schehr). Minneapolis: University of Minnesota Press.
Stasch, Rupert (2011). “Ritual and Oratory Revisited: The Semiotics of Effective Action.”Annual Review of Anthropology 40: 159–174.
Strathern, Marilyn (2021). “Artefacts of History: Events and the Interpretation of Images.” In Jukka Siikala (ed.), Culture and History in the Pacific, Second edition (pp. 25-44). Helsinki: Helsinki University Press.
Tambiah, Stanley Jeyaraja (2013). Culture, Thought, and Social Action: An Anthropological Perspective. Cambridge: Harvard University Press.
Thirumalaisamy, Sindhu (2018). “Composition for Temple Speakers: Some Notes on Devotional Music and Noise.” Interference Journal 6.
Thompson, Marie (2012). “Productive Parasites Thinking of Noise as Affect.” Cultural Studies Review 18/3: 13–35.
Toop, David (1995). Ocean of Sound: Ambient Sound and Radical Listening in the Age of Communication. London: Serpent’s Tail.
Turmudi, Endang (2006). Struggling for the Umma: Changing Leadership Roles of Kiai in Jombang, East Java. Canberra: Anu E Press.
Utama, Adythia and Riar Rizaldi (Directors) (2014). Bising: Noise & Experimental Music in Indonesia. Indonesia: Buttonijo Films.
Wagner, Roy (1986). Symbols That Stand for Themselves. Chicago: University of Chicago Press.
Wilenius, Heikki (2020). “Routine Work: Authorizing Representation in East Javanese Regional Politics” (Doctoral dissertation). Helsinki: University of Helsinki.
Wolters, Oliver W. (1999). History, Culture, and Region in Southeast Asian Perspectives, revised edition. Ithaca: Cornell University Press.
Wright, Mark Peter (2022). Listening After Nature: Field Recording, Ecology, Critical Practice. New York: Bloomsbury Publishing.