The extra dimension: exploring 3D use of the accordion bellows

Kaat Vanhaverbeke

In my search for extradimensionality in accordion playing, I have explored the three-dimensional use of the accordion bellows. This concerns moving the bellows forward or backwards at different angles, instead of typically maintaining a straight line. This research dives deeper into how the 3D bellows technique influences accordion music interpretations. A survey spread to accordion teachers worldwide made clear that this technique is quite unknown and undiscovered. In 4 case studies, video recordings of musical interpretations were compared using a linear bellows concept versus using 3D bellows. After intensive reflection, benefits of the 3D bellows technique became clear. Firstly, it allows a better balance between the right and left-hand manual. Different frequencies and harmonics could be discovered through the 3D use of the bellows, which could lead to more resonance and timbre nuances. Furthermore, the technique enhances direction and phrasing in accordion music, reinforced by the visual perception of 3D bellows. However, the technique should be reviewed in different musical styles: in baroque compositions, for instance, the 3D movements are preferably less explicit. Considering some prerequisite skills, an important concern in the practice process has been when to apply 3D bellows. The research suggests that 3D bellows can be included more explicitly in accordion practice and pedagogy today. It was found to be a useful tool to deepen musical interpretations and musical hearing in accordion students and professionals.

References

Conversations with my accordion teacher An Raskin from January 2022 until February 2023

Di Stefano, N. (2022). The spatiality of sounds. From sound-source localization to musical spaces. Aisthesis. Pratiche, Linguaggi E Saperi Dell'estetico, 15(1), 173-185. https://doi.org/10.36253/aisthesis-13617

Merriam-Webster. (n.d.). Dimension. In Merriam-Webster.com dictionary. Retrieved December 29, 2022, from https://www.merriam-webster.com/dictionary/dimension

Sloboda, J. (2001). The late 20th century. In Psychology of music. Grove Music Online. Retrieved 29 Dec. 2022, from https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000042574.

Pedagogic methods

Buchmann, B. (2010). The Techniques of Accordion Playing. Bärenreiter.

Galliano, R., & Galliano, R. (2018). Complete Accordion Method. Hal Leonard.

Jacomucci, C., & Delaney, K. (2013). Mastering Accordion Technique. Youcanprint.

Lips, F. (2000). The Art of Bayan Playing: Technique, Interpretation, and Performance of Playing the Accordion Artistically (U. Schmülling, Ed.; W. A. Walshe, Trans.). Karthause-Schmülling.

Smeulders, I. (2005). Trekkentocht: Deel 1. Prima Volta.

Tweed, K. (2010). Absolute Beginners Accordion. Hal Leonard Europe Limited.

van Schuppen, H., & Michailov, I. (2001). Accordion to the Top (Vol. 1). Van Teeseling Music Publishers.

Scores

Bach, J. S., & Wolff, C. (1977). Goldberg variations. Bärenreiter.

Mushel, G., & Semionov, V. (z.d.). Aria & Toccata. Karthause-Schmülling.

Nordheim, A. (1986). Flashing. Edition Wilhelm Hansen A/S.

Schmidt, O. (1968). Frikadellens flugt over plankeværket.

Index

>Titlepage >Introduction >3D bellows in accordion pedagogy

>Experimenting with 3D bellows >Conclusion >References

>Appendix: pedagogic survey

Tip

Tip

References

Pedagogic methods

Scores

Index