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Abu-Asab, Birgitta. (2004) Skådespelares tankar om röst, tal, text och språk. Teaterhögskolan i Malmö. Lunds Universitet.

https://portal.research.lu.se/sv/publications/95e4b999-df3a-481e-b7f7-8fd526f37ef9 [retrieved 2022-08-23]

 

 

Axelsson, Malin. (2017) Creating babble. The Sarah Lawrence College International Audio Fiction Awards, 16 January. http://thesarahawards.com/article/2017/1/16/creating-babble [retrieved 2022-08-23]

 

 

Back, Les. (2007) The art of listening. London: Bloomsbury Publishing PLC.

 

 

Bennett, Jane. (2010) Vibrant matter: a political ecology of things. Durham: Duke University Press.

 

 

Chion, Michel. (1994) The three listening modes. Audio-Vision: sound on screen, p. 25. New York: Columbia University Press.



Davison, A. and Parker, M. (2016Green, L. and Kulezic-Wilson, D. (ed). Interview 4: Building bridges: sound design as collaboration, as style and as music in ‘The Bridge’ – An Interview with Carl Edström. The Palgrave handbook of sound design and music screen media, p. 321. London: Publishers Ltd.



Eno, B. and Schmidt, P. Oblique Strategies. http://stoney.sb.org/eno/oblique.html [retrieved 2022-08-25]

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Ingold, Tim. (2018) Search and search again: on the meaning of research in art. SoundCloud.

https://soundcloud.com/cca-glasgow/tim-ingold-search-and-search-again-on-the-meaning-of-research-in-art?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing [retrieved 2022-08-23]



Hansen, Anders. (2021) Depphjärnan: varför mår vi så dåligt när vi har det så bra? Bonnier Fakta.



Kafka, Frans. (1971) The cares of a family man. The complete stories, p. 427. New York: Schocken Books.



LaBelle, Brandon. (2018) Sonic agency: sound and emergent forms of resistance. London: Goldsmiths Press.



Lanois, D. and Kalfin, K. (2011) Soul mining: a musical life. New York: Faber and Faber.

 

McCartney, Andra. (2011) Marianopolis Lecture Series, Soundwalk at Marianopolis. Concordia.ca, Marianopolis.edu.

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Nussbaum, Martha Craven. (2010) Not for profit: why democracy needs the humanities. Princeton: Princeton University Press.



Oliveros, Pauline. (2005) Deep listening: a composer's sound practice. Lincoln: iUniverse.



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Bibliography


Influential and Situating Texts



Ahmed, Sara. (2004) The cultural politics of emotion. Edinburgh: Edinburgh University Press.



Cage, J. and Gann, K. (2011) Silence - lectures and writings: 50th anniversary edition. Middletown: Wesleyan University Press.



Carlyle, A. and Lane, C. (ed.) (2015) On Listening. Axminster: Uniformbooks.



Dahl, Tora. Gunborg-böckerna. (1975-) Stockholm: Tiden.



Feldman, M. and Zeitlin, J. (red) (2019) The voice as something more: essays toward materiality. Chicago: University of Chicago Press.



Gablik, Suzi. (1998) Conversations before the end of time. London: Thames & Hudson.



Irish, S. and Lacy, S. (2010) Suzanne Lacy: spaces between. Minneapolis: University of Minnesota Press.



Lacy, Suzanne. (red.) (1995) Mapping the terrain: new genre public art. Seattle: Bay Press.



Lane, Cathy. (2017) A manifesto for new listening (or 20 thoughts about listening). https://ualresearchonline.arts.ac.uk/id/eprint/13890/ [retrieved 2022-08-24]



Lipari, Lisbeth. (2014) Listening, thinking, being: toward an ethics of attunement. University Park, Pennsylvania: The Pennsylvania State University Press.

Manguso, Sarah. (2015) Ongoingness: the end of a diary. Minneapolis: Graywolf Press.



Manguso, Sarah. (2017) 300 arguments. Minneapolis: Graywolf Press.



McCartney, Andra. (2016) Ethical questions about working with soundscapes. Organised Sound, Volume 21(2), pp. 160 - 165

DOI: https://doi.org/10.1017/S135577181600008X [retrieved 2022-08-24]



McCartney, Andra. (2016) ’How am I to listen to you?: Soundwalking, intimacy and improvised listening’, in Sidall, G. and Waterman, A. (eds.) Negotiated moments: improvisation, sound and subjectivity. Academia edu.

https://www.academia.edu/35923828/_How_am_I_to_listen_to_you_Soundwalking_Intimacy_and_Improvised_Listening [retrieved 2022-08-23]

 

 

Nancy, Jean-Luc. (2007) Listening. 1st ed. New York: Fordham University Press.



Pettman, Dominic. (2017) Sonic intimacy: voice, species, technics (or, how to listen to the world). Stanford: Stanford University Press.



Stein, Gertrude. (2010) Composition as explanation. Poetry Foundation.

https://www.poetryfoundation.org/articles/69481/composition-as-explanation [retrieved 2022-08-23]



Stenhoff, Frida. (1905) Hvarför skola kvinnorna vänta – föredrag om den kvinliga rösträtten hållet i Stockholm 1905. Stockholm: Björck & Börjesson.

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