Bibliography

Books

Bohlman, Philip V. The Study of Folk Music in the Modern World. Bloomington: Indiana University Press, 1988.

Brown, Clive. Classical and Romantic Performing Practice 1750-1900. New York: Oxford University Press, 1999.

Burney, Charles. Memoirs of Dr. Charles Burney, 1726–1769. Edited by Slava Klima, Gary Bowers, and Kerry S. Grant ed. Lincoln: University of Nebraska Press, 1988.

Butt, John. Playing with History: The Historical Approach to Music Performance. Oxford: Oxford University Press, 2002.

Collinson, Francis. The Traditional and National Music of Scotland. London: Routledge and Kegan Paul, 1966.

Farmer, Henry George. A History of Music in Scotland. London: Hinrichsen Edition Limited, 1947.

Fiske, Roger. Scotland in Music: A European Enthusiasm. Cambridge: Cambridge University Press, 1983.

Ford, Elizabeth. The Flute in Scotland from the Sixteenth to the Eighteenth Century. New York: Peter Lang, 2020.

Franklin, Benjamin. The Papers of Benjamin Franklin, vol. 12, January 1, through December 31, 1765, ed. Leonard W. Labaree. New Haven and London: Yale University Press, 1967.

Gelbart, Matthew. The Invention of “Folk Music” and “Art Music”: Emerging Categories from Ossian to Wagner. Cambridge: Cambridge University Press, 2007.

Glen, John. Early Scottish Melodies, Including Examples from Mss. and Early Printed Works, along with a Number of Comparative Tunes, Notes on Former Annotaters, English and Other Claims, and Biographical Notes &c. Edinburgh: J. and R. Glen, 1900.

Harker, Dave. Fakesong: The Manufacture of British ‘Fakesong’ 1700 to the Present Day. London: Open University Press, 1985.

Hawkins, John. A General History of the Science and Practice of Music, a New Edition with the Author’s Posthumous Notes. London: Novello, 1853.

Hawkins, Laetitia-Matilda. Anecdotes, Biographical Sketches and Memoirs, vol. 1. London: F.C. & J. Rivington, 1822.  

Haynes, Bruce. The End of Early Music. Oxford: Oxford University Press, 2007.

Hobsbawm, Eric. “Inventing Traditions,” in The Invention of Tradition edited by Eric Hobsbawm and Terence Ranger. Cambridge: Cambridge University Press, 1983. 1–14.

Hogwood, Christopher, ed. Geminiani Studies. Bologna: Ut Orpheus Edizioni, 2013.

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Kelly, Michael. Reminiscences of Michael Kelly. Vol. 2. London: Henry Colburn, 1826.

Larsen, Grey. The Essential Guide to Irish Flute and Tin Whistle. Pacific, MO: Mel Bay, 2003.

McAulay, Karen E. Our Ancient National Airs: Scottish Song Collecting from the Enlightenment to the Romantic Era. Farnham: Ashgate, 2013.

Purser, John. Scotland’s Music. 2nd edn. Edinburgh: Mainstream Publishing, 2007.

Rousseau, Jean-Jacques. Discourse on Inequality Among Men. Edited by Patrick Coleman. Translated by Franklin Philip. Oxford: Oxford University Press, 1994

Semple, David, ed. The Poems and Songs of Robert Tannahill. Paisley: Alex. Gardner, 1900

Smith, Adam. Lectures On Jurisprudence, ed. R.L. Meek, D. D. Raphael and P. G. Stein, vol. 5 of The Glasgow Edition of the Works and Correspondence of Adam Smith. Indianapolis: Liberty Fund, 1982.

Taruskin, Richard. Text and Act: Essays on Music and Performance. Oxford: Oxford University Press, 1995.

The Butiad, or political register; being a supplement to the British antidote to the Caledonian poison London: E. Sumpter, 1762.

Trevor-Roper, Hugh. “The Invention of Tradition: The Highland Tradition of Scotland.” In The Invention of Tradition, edited by Eric Hobsbawm and Terence Ranger. Cambridge: Cambridge University Press, 1983. 15–41.

Doctoral Theses

Baines, Emily. “The Ghost in the Machine: The Role of Mechanical Musical Instruments as Primary Sources for Eighteenth-century Performance Practice in England, and an Examination of the Style(s) Contained Therein.” D.Mus., Guildhall School of Music and Drama, 2017.

Baxter, Sonia Tinagli. “Italian Music and Musicians in Edinburgh C. 1720–1800: A Historical and Critical Study.” Ph.D., University of Glasgow, 1999.

Ford, Elizabeth Carey. “The Flute in Musical Life in Eighteenth-Century Scotland.” Ph.D., University of Glasgow, 2016.

Goodwill, Helen. “Musical Involvement of the Landed Classes in Eastern Scotland, 1685–1760.” Ph.D., University of Edinburgh, 2000

Lasocki, David. “Professional recorder players in England, 1540-1740.” Ph.D., University of Iowa, 1986.

Macleod, Jennifer. “The Edinburgh Musical Society: Its membership and repertoire 1728-1797.” Ph.D., University of Edinburgh, 2001.

Swinden, Laurel. “‘Sophisticated Laddie’: Scottish Flute Music (1720–80) on a Stylistic Continuum.” D.M.A., University of Toronto, 2014.

Journal Articles

Bohlman, Philip V. “Musicology as a Political Act.” The Journal of Musicology 11, no. 4 (Autumn 1993): 411–436.

Cameron, Jasmin and Talbot, Michael. “A many–sided musician: the life of Francesco Barsanti (c. 1690—1775) revisited.” Recercare 25, no. 1 (2013): 95–154.

Greenwood, Andrew Alexander. “Song and Improvement in the Scottish Enlightenment.” Journal of Musicological Research 39, no. 1 (2020): 42–68.

Groehl, Lydia. “Being True to the Work.” The Journal of Aesthetics and Art Criticism 47, no. 1 (Winter, 1989): p. 55-67.

Keegan, Niall. “The Parameters of Style in Irish Traditional Music.” Inbhear, Journal of Irish Music and Dance 1/1 (2010): 63–96.

Nelson, Claire. “Tea-Table Miscellanies: The Development of Scotland’s Song Culture, 1720-1800.” Early Music 28, 4 (2000): 596–618.

Shelemay, Kay Kaufman. “Toward an Ethnomusicology of the Early Music Movement: thoughts on Bridging Disciplines and Musical Worlds.” Ethnomusicology 45, no. 1 (2001): 1­–29.

Shull, Jonathan. “Locating the Past in the Present: Living Traditions and the Performance of Early Music.” Ethnomusicology Forum 15, no. 1 (June 2006): 87–111.

Talbot, Michael. “Francesclo Barsanti and the Lure of National Song.” Il Saggiatore musicale 22, no. 1 (2015): 33–59.

Electronic Sources

Grove Music Online, n.d. http://www.oxfordmusiconline.com.

The Stanford Encyclopedia of Philosophy, n.d. http://plato.stanford.edu/

Musical Sources

Airs for the Flute, with a Thorough Bass for the Harpsichord. Edinburgh: Alexander Baillie, 1735.

Barsanti, Francesco. A Collection of Old Scots Tunes. Edinburgh: Alexander Baillie, 1742.

 ———. VI Sonate per La Traversiera, O German Flute, Con Basso per Violone O Cembalo. Opera seconda. London: Cooke, 1728.

Corri, Domenico. A First Sett of Six Sonatas for the Harpsichord with an Accompaniment for the Flute Violin and Violoncello. Edinburgh, n.d.

———. A Second Sett of Six Sonatas for the Harpsichord or Piano-Forte with an Accompaniment for the Flute Violin and Violoncello. Edinburgh: J. Johnson, n.d.

­———. A Select Collection of Forty of the most favourite Scotch Songs, 4^th edn. London: Chappell & Co., 1830.

Geminiani, Francesco. Francesco Geminiani: Opera Omnia. Edited by Christopher Hogwood. Vol. 8. Bologna: Ut Orpheus Edizioni, 2010.

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Oswald, James. A Collection of Curious Scots Tunes. 2 vols. London: J. Simpson, 1742

———. The Caledonian Pocket Companion. 6 vols. London: for the author, n.d.

Playford, Henry. A Collection of Original Scotch-Tunes. London: William Pearson, 1700.

Stuart, Alexander. Musick for Allan Ramsay’s Collection of 71 Scotch Songs. Publisher unknown, c. 1720.

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———. Orpheus Caledonius. 2nd edn. London: printed for the author, 1733.

Urbani, Pietro. A Select Collection of Scots Songs. Edinburgh: Urbani & Liston, 1794.

———. A Favorite Selection of Scots Tunes Properly Arranged as Duettos for Two German Flutes or Two Violins. Edinburgh: Urbani and Liston, 1798.

Young, John. Collection of Original Scotch Tunes for the Violin. London: the author, 1720.

Recordings and Liner Notes

Apollo's Cabinet. Geminiani: True Taste in the Art of Musick. Coviello Classics. COV91923. 2019.

Baines, Emily. The Ghost in the Machine. Amyas Ensemble. First Hand Records. FHR113. 2021.

Bell'Arte Antiqua. The Italian Connection. ASV. GAU 199. 2000.

Concerto Caledonia. The Red, Red Rose. Delphian Records. DCD34014. 2004.

Duo Baroque La Tour. The Last Time I came o'er the Moor. Distribution Plages. 2012.

Ensemble Il Falcone. Play Me My Songs. Dynamic. CDS612. 2008.

Kramer, Manfredo. Francesco Geminiani and Franz Joseph Haydn: "Scottish Songs." The Rare Fruits Council. LudiMusici. LM-006. 2017.

L'Escadron Volant de la Reine. Il Furibondo, ou les tribulations d'un italien à Londres. B Records. LBM007. 2017.

Lacey, Genevieve and Kent, Linda. Piracy: Baroque Music stolen for the Recorder. ABC Classics. ABC472-226-2. 2002.

La Ricordanza. Foreign Insult: English Baroque Music (by expatriate composers). MDG. MDG5051381. 2005.

Laurin, Dan. Airs and Graces: Scottish Tunes And London Sonatas. Parnassus Avenue. BIS. BIS-SACD-1595. 2008.

Lazarevitch, Francois. For Ever Fortune: Scottish Music in the 18th Century. Les Musiciens de Saint Julien. Alpha Classics. ALPHA531. 2012.

Le Banquet d'Apollon. Aria da camera: A Choice Selection of Scotch and Irish Songs. VDE-Gallo. CD-1329. 2012.

Les Esprits Animaux. Transfirgurations. Ambronay Éditions. AMY039. 2013.

Norman, Chris. Reel of Tulloch. Chatham Baroque. Dorian Recordings. DOR-90291. 2001.

Petech, Diana, Gini, Roberto, and Henry, Michael. Italian Musicians in London. Giulia; Arts Music GMBH. 1992.

Salut! Baroque. Italians Abroad. Independent. SAL006. 2010.

Scoscet, Bruno & Les Basses Réunies. Give me your hand: Geminiani and the Celtic Earth. Alpha Classics. ALPHA276. 2017.

The Palladian Ensemble. An Excess of Pleasure. Linn Records. BKD010. 1993.

———. Held By The Ears. Linn Records. BKD010. 2001.

West, Kristine. Kristine West, Recorder. Daphne. 1055. 2016.

Whelan, Peter & Ensemble Marsyas. Barsanti & Handel: Edinburgh 1742. Linn Records. CKD567. 2017.

Zanisi, Chiara and Sollima, Giovanni. The Lady from the Sea: Duos for Violin and Cello from Vivaldi to Sollima. Arcana. A468. 2020.

CD Reviews

“Albums.” Concerto Caledonia. accessed 14 February 2022. https://concal.org/albums?view=article&id=1263:red-red-rose&catid=9:albums

“Live Reviews.” Concerto Caledonia. Last accessed 14 February 2022. https://concal.org/concerts/live-reviews

De Cocq, René. “Recensie Diversen – Give me your Hand (kamermuziek van Geminiani en ‘keltische’ collega’s).” Luister. 8 December, 2018. Last accessed 21 February 2022. https://www.luister.nl/recensie-diversen-give-me-your-hand-kamermuziek-van-francesco-geminiani-en-keltische-collegas/

Kemp, Lindsey. “Palladian Ensemble – Held by the Ears.” Gramophone. 1 February 2000. Last accessed 21 February 2022. https://www.linnrecords.com/review-matteis-held-ears-palladian-ensemble-gramophone

Tijskens, Bart. “Airs and Graces – Parnassus Avenue – Dan Laurin.” Klara. 22 August 2008. Last accessed 21 February 2022. https://klara.be/airs-and-graces-parnassus-avenue-dan-laurin?view=app

Vernier, David. “Held by the Ears.” Classics Today. 1 July 2003. Last accessed 21 February 2022.  https://www.classicstoday.com/review/review-7405/