FRONT

I would like to thank:

Carl Haakon Waadeland, professor emeritus at NTNU - supervisor

Henrik Frisk, professor at Royal College of Music in Stockholm - 2nd supervisor

Ellen Lindquist - composer of "Mantra"

Trondheim Sinfonietta - ensemble on "Mantra"

Elin Angelo, wife and professor at NTNU/Department of Teacher Education, for good discussions and final reading of parts of the text.

 

Huge thank to fellow musicians:

Lars Sitter 

Tor Haugerud

Eirik Hegdal

Michael Duch

Matilda Rolfsson

Daniel Formo

Jonas Kullhammar

Torbjørn Zetterberg

Susanna Santos

 

 

< 3.3. The future

ACKNOWLEDGEMENT | Eastern Rebellion

ABSTRACT

PART 1. INFORMATION

1.1. ABOUT THE PROJECT

1.2. MUSICAL BACKGROUND

1.3. GAMELAN AND IT´S FUNCTION

       IN MY RESEARCH

1.4. ABOUT MY RESEACH

PART 2: ARTISTIC RESULTS

2.1. THE BALI TAPES

2.2. MANTRA

2.3. OWN COMPOSITIONS

2.4. ESPEN AALBERG / EN EN EN

2.5. FINAL PRESENTATION

2.6. ARTISTIC PRODUCTS

PART 3. REFLECTION

3.1. POST REFLECTION

3.2. CULTURAL CONTEXT

3.3. THE FUTURE

ACKNOWLEDGEMENT

References >

REFERENCES