Musical sources

Bach, J. S. 1991. Sechs Suiten für Violoncello Solo BWV 1007–1012: Die vier Quellen in verkleinerter Facsimile-Wiedergabe (Kassel: Bärenreiter)

Choreographic sources

Feuillet, Raoul-Auger. Dance collections from 1700, 1702, 1703, 1704, 1706, and 1709

Gaudrau, Michel. 1712. Nouveau recüeil de danse de bal et celle de Ballet (Paris)

Pécour, Louis. Dance collections from 1700 and 1703

Pemberton, Edmund. 1711. An Essay for the Further Improvement of Dancing (London)

Shennan, Jennifer (ed.). 1992. A Work Book by Kellom Tomlinson: Commonplace Book of an Eighteenth-Century English Dancing Master: A Facsimile Edition (Stuyvesant, NY: Pendragon Press)

Primary sources

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Harriss, Ernest C. 1981. Johann Mattheson’s Der vollkommene Capellmeister: A Revised Translation with Critical Commentary (Ann Arbor, MI: UMI Research Press)

Kirnberger, Johann Philipp. [c.1777]. Recueil d’airs de danse charactéristiques (Berlin)

Lambranzi, Gregorio. 2002. New and Curious School of Theatrical Dancing: The Classic Illustrated Treatise on Commedia dell’arte Performance, trans. by Derra de Moroda (Mineola, NY: Dover). First published 1716 as Neue und Curieuse Tantz-Schul

Mattheson, Johann. 1713. Das neu-eröffnete Orchestre (Hamburg)

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Quantz, Jean [Johann] Joachim. 1752. Essai d’une methode pour apprendre à jouer de la flûte traversière (Berlin)

Raison, André. (1688) 1899. Livre d’orgue (Paris, 1688; repr. Paris: Durand, 1899)

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Rousseau, Jean. 1687. Traité de la viole (Paris)

Russell, Tilden (trans.). 2012. The Compleat Dancing Master: A Translation of Gottfried Taubert’s Rechtschaffener Tantzmeister (1717) (New York: Peter Lang)

Saint Lambert, Michel de. 1702. Principes de clavecin (Amsterdam)

Tomlinson, Kellom. 1735. The Art of Dancing Explained (London)

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Barnett, Gregory. 1998. ‘The Violoncello da Spalla: Shouldering the Cello in the Baroque Era’, Journal of the American Musical Instrument Society, 24: 81–106

Bayle, Christine. 1997. ‘The Meanderings of Interpretation’, Dance Research, 15.2: 170–99

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Butt, John. 2002. Playing with History (Cambridge: Cambridge University Press)

Cantagrel, Gilles. 1998. Le moulin et la rivière: Air et variations sur Bach (Paris: Fayard)

Dimitriadou, Irini. 2011. ‘Exploring the Dance Aspects of J. S. Bach’s Cello Suites’ (unpublished MMus thesis, Royal Academy of Music)

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Efrati, Richard R. 1979. Treatise on the Execution and Interpretation of the Sonatas and Partitas for Solo Violin and the Suites for Solo Cello by Johann Sebastian Bach (Zürich: Atlantis)

Eppstein, Hans. 1990. Sechs Suiten für Violoncello Solo, BWV 1007–1012: Kritischer Bericht, Johann Sebastian Bach: Neue Ausgabe sämtlicher Werke, ser. VI, Bd. 2 (Kassel: Bärenreiter)

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Lancelot, Francine. 1996. La Belle Dance: Catalogue raisonné fait en l’an 1995 (Paris: Van Dieren)

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Little, Meredith, and Natalie Jenne. 1991. Dance and the Music of J. S. Bach (Bloomington: Indiana University Press)

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CD and DVD

Bach suites recordings:

Bylsma, Anner. 1979. (Seon/RCA, LC0316)

———. 1993. (Sony Classical SK, 48047)

Kuijken, Sigiswald. 2009. (Accent, ACC 24196)

North, Nigel. 1996. (Linn Records, CKD 049 and 055)

Pandolfo, Paolo. 2004. (Glossa, P30405)

Suzuki Hidemi. 1995. (Deutsche Harmonia Mundi, BVCD 1908-9)

———. 2005. (Deutsche Harmonia Mundi, BVCD 34028)

Falling Down Stairs. 1997. Directed by Barbara Willis Sweete. Choreography by Mark Morris. Cello and creative concept by Yo-Yo Ma. Rhombus Media. From the DVD: Yo-Yo Ma, Inspired by Bach, Cello Suites No. 3 & 4 (Sony Classical SVD 89292)

Que ma joie demeure. 2002. Companie Fêtes Galantes. Choreography: Béatrice Massin. (La Huit production, private distribution)