HOW TO EXPLORE THE MAPS FROM MAPPING AS A METHOD:

 

  • Each map has four layers. To explore them, click on the arrow that is in the bottom right in each map.
  • To find the maps, scroll to the right. All the maps are next to each other.
  • There is a legend in the bottom right of each map that helps making connections with the references and experiments that inspired this research document.
  • In order to see the references and experiments, click the numbers that appear in the legend. To return back to the map, just scroll up.
  • There are two experiments that have their own legend. Click on the numbers in order to connect to the other links. To return back to the Experiment, scroll left.
  • A magnifier glass to explore the maps is sometimes required. If you dont have a magnifier glass, your phone camera also helps zooming in.

 

MAP1: First connections: Blurriness, Focus, Macular degeneration 

In MAP1, you will find a description about blurriness and how it is connected to focus and macular degeneration. 


By viewing this map, you will find out about the starting point of the research. You will discover how the study about Macular Degeneration leads to the discovery of blurriness and unfocus, as part of the beginning of research and the artistic practice.

MAP2: Synesthesia
In MAP2, you will find the definition of synesthesia and how this condition generates sensory couplings. 

By following the routes of this map, you will understand how the senses are related to each other and how the brain of a synesthete works. Meanwhile, you will start following the route through my own interpretation of the combined senses.

Experiments and References

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MAP3: Touch as a hierarchic sense: the actions of touch, haptics and the relation between body, the interactive space and objects

In MAP3, you will find the definitions of touch, either in the emotional or physical way. Additionally, you will learn how to understand the relation between an object and the sense of touch. This relation is explained to create an interaction with the spectator.

Navigating this map, you will discover why I decided to let the sense of touch be the one that leads the other senses in creating synesthetic experiences. I will address the importance to trigger and create a path between the object/space and the spectator.

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Map 4: The creation of a Route

In MAP4, you will discover the reason for the analysis of botanical gardens and their connection to the laboratories. Furthermore, I will show how these spaces have been my references in materializing the route of the senses. Moreover, I will explain the importance of positioning the spectator in creating an interaction within a sensorial space.

Following this map, you will find the creation of the layering of sensations in this spatial environment. As a conclusion I will highlight the importance of a map for experiencing this sensorial route.

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