REACCLIMATING THE STAGE (SKENOMORPHOSES)

vincent roumagnac

REACCLIMATING THE STAGE (SKENOMORPHOSES) An Ecotonal Doctoral Piece in 40 Scènes, 15 Parergonal Writings and 5 Double-Postcards. From the perspective of mise-en-scène (staging), and correlatively that of the place and the practice of the metteur-en-scène (theatre director), this artistic research project addresses, examines and experiments on the question of the scenic/scenographic representation of a postnatural world, in climate transition, affected by global warming and moved by abstract data-flows, in a tangled web of storms, information, and algorithms. While lived and conceptual "time", no longer telically given as linear and chronological, is being anthropodecentered and, therefore, diffracted into an open plurality, the Reacclimating the Stage (Skenomorphoses) artistic research project takes the earlier notion of time as a raw material to reexamine, from an eco-scenic and research perspective, in order to transform the theatrical practice of its author and to trigger the latter’s specific contribution to artistic research milieu. By obliquely playing on one hand with memories of theatrical history of scenic internal modi operandi, architecture, and literature, and on the other hand with institutional requirements for doctoral research appearance, the project aims at repositioning the director's practice in a movement of transition of scenic thinking and imaginary through a series of artistic and research experiments, whose enactments and resonant redistribution are poetically at interpretative play in this exposition.

Black (Box) Matters

Black (Box) Matters, 2015, O Espaco do Tempo, Montemor o Novo (Portugal)

After a rehearsal in a black box like studio, and after everyone involved had left, I would stay in the theatre and collect all the black material and black matters I would find from the stage and the backstage, and pile them up by a black sidecloth. A small improvized audience, gathered from the venue the same day, was invited to enter the stage in the dark. After spending a while in the apparent dark space, spectators would start to see the installation, their eyes slowly adjusting to the actual equilibrium of the light and darkness existing in the space.

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